Unusual antique wood engraved view of a rhinoceros, by Sebastian Munster (1488-1552). Under the animal, the initials DK for David Kandel, one of the principal map engravers of Munster's work.

This depiction is notable for its armor-like skin, an artistic interpretation common in European depictions of exotic animals during the Renaissance. The rhinoceros is adorned with intricate patterns and textures, emphasizing its exotic and formidable nature. Below the illustration, a caption reads "Del Rinocerote," with additional text providing information about the animal.

The rhinoceros, an exotic animal was fascinated Europeans during the Renaissance. The text surrounding the image provides a description of the animal, drawing on classical and contemporary sources to convey its characteristics and significance. Rhinoceroses were often associated with strength and exoticism, symbolizing the mysteries of the natural world beyond Europe. 

On back, the central woodcut depicts a demonic idol seated on a throne. A humanoid figure with horns, clawed hands, animal-like feet, and a grotesque face with fangs. The figure appears enthroned, suggesting authority or worship. The style is deliberately frightening and exaggerated. This image represents a false god or demon, not a neutral depiction of a real religious figure. The text describes a region in Greater Asia where inhabitants allegedly worship a demon or idol. A belief that this being governs judgment and punishment and ritual practices attributed to local priests (called Bramini).





Size of the page : 31,7 x 20 cm / 12,2 x 7,8 inches

Condition : very good condition, handed colored.

Edition : Cosmographia Universale, Basle, 1558, Italian edition, 16th Century.



Sebastian Münster (20 January 1488- 26 May 1552) was a German cartographer and cosmographer. He also was a Christian Hebraist scholar who taught as a professor at the University of Basel.  He was born in Ingelheim, near Mainz. His parents were farmers. In 1505, he entered the Franciscan order. Four years later, he entered a monastery where he became a student of Konrad Pelikan for five years. Münster completed his studies at the University of Tübingen in 1518. His graduate adviser was Johannes Stöffler. He left the Franciscans for the Lutheran Church in order to accept an appointment at the Reformed Church-dominated University of Basel in 1529. A professor of Hebrew, and a disciple of Elias Levita, he edited the Hebrew Bible (2 vols. fol., Basel, 1534–1535), accompanied by a Latin translation and a large number of annotations. He was the first German to produce an edition of the Hebrew Bible, and the first to prepare a Grammatica Chaldaica (Basel, 1527). His lexicographical labours included a Dictionarium Chaldaicum (1527), and a Dictionarium trilingue for Latin, Greek, and Hebrew in 1530. He released a Mappa Europae (map of Europe) in 1536. In 1537, he published a Rabbinical translation of the Gospel of Matthew in Hebrew which he had obtained from Spanish Conversos. In 1540 he published a Latin edition of Ptolemy's Geographia with illustrations. The 1550 edition contains cities, portraits, and costumes. Other writings that followed are Horologiographia (Basel, 1531), and Organum Uranicum (a treatise on the planetary motions, 1536).

His work, the Cosmographia, was the earliest description of the world. Sebastian Munster was one of the most influential cartographers in the 16th century. He was one of the first to create space in the woodblock for the insertion of place-names in metal type. The Cosmographia was sold well and went through 24 editions. Its influence was widely spread by a production of woodcuts created of it by a variety of artists. There is numerous editions in different languages including Latin, German, French, Italian, English, and even Czech. The Cosmographia was one of the most successful and popular works of the 16th century. It passed through 24 editions in 100 years. This success was due to the fascinating woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel), in addition to including the first to introduce "separate maps for each of the four continents known then – America, Africa, Asia and Europe." It was most important in reviving geography in 16th-century Europe. The last German edition was published in 1628, long after the death of Sebastian Munster.










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