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Pinocchio (/pɪˈnoʊkioʊ/;[1] Italian: [piˈnɔkkjo]), the name a variant of common "pinolo" (pine seed), is a fictional character and the protagonist of the children's novel The Adventures of Pinocchio (1883) by Italian writer Carlo Collodi.[2][3] Carved by a woodcarver named Geppetto in a village near Florence, he was created as a wooden puppetbut dreamed of becoming a real boy. He lies often.[4] Pinocchio is a cultural icon. As one of the most re-imagined characters in children's literature, his story has been adapted into other media.[5] Contents  [hide]  1 Fictional character biography 1.1 Clothing and character 1.2 The nose 2 Literary analysis 3 Media portrayals 3.1 Disney's version 3.2 Other media 4 Popular culture 5 See also 6 References 7 External links Fictional character biography[edit] Pinocchio, by Carlo Chiostri (1901) Pinocchio's characterization varies across interpretations, but some aspects of his character are consistent across all adaptations. He is consistently shown to be a creation as a puppet by Geppetto, and the size of his nose changing due to his lies or stress.[6] Main article: The Adventures of Pinocchio Pinocchio is known for having a short nose that becomes longer when he is under stress (chapter 3), especially while lying. In the original tale, Collodi describes him as a "rascal," "imp," "scapegrace," "disgrace," "ragamuffin," and "confirmed rogue," with even his father, carpenter Geppetto, referring to him as a "wretched boy." Upon being born, Pinocchio immediately laughs derisively in his creator's face, whereupon he steals the old man's wig. Pinocchio's bad behavior, rather than being charming or endearing, is meant to serve as a warning. Collodi originally intended the story, which was first published in 1881, to be a tragedy. It concluded with the puppet’s execution. Pinocchio’s enemies, the Fox and the Cat, bind his arms, pass a noose around his throat, and hang him from the branch of an oak tree.[7] a tempestuous northerly wind began to blow and roar angrily, and it beat the poor puppet from side to side, making him swing violently, like the clatter of a bell ringing for a wedding. And the swinging gave him atrocious spasms...His breath failed him and he could say no more. He shut his eyes, opened his mouth, stretched his legs, gave a long shudder, and hung stiff and insensible. Clothing and character[edit] Pinocchio is a wooden marionette (a puppet that is manipulated with wires) and not a hand puppet (directly controlled from inside by the puppeteer's hand). But the piece of wood from which he is derived is animated, and so Pinocchio moves independently. Basically good, he often gets carried away by bad company and is prone to lying. His nose will become longer and longer once he starts lying to others[3].Because of these characteristics he often finds himself in trouble, from which, however, he always manages to get out. Pinocchio undergoes transformations during the novel: he promises The Fairy with Turquoise Hair to become a real boy, flees with Candlewick to the Land of Toys, becomes a donkey, joins a circus, and becomes a puppet again. In the last chapter, out of the mouth of The Terrible Dogfish with Geppetto, finally stops being a puppet and becomes a real boy (thanks to the intervention of the Fairy in a dream). In the novel, Pinocchio is often depicted with a pointy hat, a jacket and a pair of colored, knee-length pants. In the Disney version, the appearance is very different, and the character is dressed in Tyrolean style, with Lederhosen and a hat with a feather. The nose[edit] Pinocchio's nose is his best-known characteristic. It grows in length when he tells a lie: this appears in chapter XVI. It should be noted how Collodi himself, in Note gaie claims how "to hide the truth of a speculum animae (mirror of the soul) face [ ... ] is added to the true nose another papier-mache nose". There is an inconsistency, however, because his nose grows when it is first carved by Geppetto, without Pinocchio ever lying. The nose only appears a couple of times in the story, but it reveals the Blue Fairy's power over Pinocchio when he acts disobediently. After struggling and weeping over his deformed nose, the Blue Fairy summons woodpeckers to peck it back to normal. Literary analysis[edit] Some literary analysts have described Pinocchio as an epic hero. Like many Western literary heroes, such as Odysseus, Pinocchio descends into hell; he also experiences rebirth through metamorphosis, a common motif in fantasy literature.[8] Throughout the work, Collodi chastises Pinocchio for his lack of moral fiber and his persistent rejection of responsibility and desire for fun. Since Collodi frequently wrote in support of Italian Unification and the new state that was to arise from it, the book may be seen as having been influential in nation-building.[9] Before writingPinocchio, Collodi had written a series of pedagogic story books for use in the new nation's elementary schools. The series was called Il viaggio per l'Italia di Giannettino ("Little Johnny's voyage through Italy").[10] The structure of the story of Pinocchio follows that of the folk-tales of peasants who venture out into the world but are naively unprepared for what they find, and get into ridiculous situations.[11] At the time of the writing of the book, this was a serious problem, arising partly from the industrialization of Italy, which led to a growing need for reliable labour in the cities; the problem was exacerbated by similar, more or less simultaneous, demands for labour in the industrialization of other countries. One major effect was the emigration of much of the Italian peasantry to cities and to foreign countries such as the United States. The main imperatives demanded of Pinocchio are to work, be good, and study. And in the end Pinocchio's willingness to provide for his father and devote himself to these things transforms him into a real boy with modern comforts.[8] Media portrayals[edit] Pinocchio as seen in Walt Disney'sPinocchio Disney's version[edit] When Walt Disney Productions was developing the story for their film version of Pinocchio (1940) they intended to keep the obnoxious aspects from the original character, but Walt Disney himself felt that this made the character too unlikable, so alterations were made to incorporate traits of mischief and innocence to make Pinocchio more likable. Pinocchio was voiced by Dickie Jones. Today the film is considered the finest Disney feature ever made, and one of the greatest animated films of all time, with a rare 100% rating on the website Rotten Tomatoes. In the video game adaptation of the film, Pinocchio lives out (mostly) the same role as the film, traveling through the world filled with temptations and battling various forces. This incarnation later appeared in Who Framed Roger Rabbit voiced by Peter Westy, Disney's House of Mouse voiced byMichael Welch, and Kingdom Hearts voiced by Seth Adkins. Elijah Wood portrayed the real-boy version of Pinocchio in the live-action segments for the updated Jiminy Cricket educational serials "I'm No Fool" and "You" in addition to the new shorts of "I'm No Fool" in the early 1990s. Pinocchio makes also cameo appearances in Aladdin, Teacher's Pet and Tangled.[12] In the video game Epic Mickey: Power of Illusion Pinocchio is featured as one of the many iconic Disney characters kidnapped by the evil witch Mizrabel in her plot to dominate their world; he is imprisoned alongside Genie in the Cave of Wonders until eventually being rescued by Mickey Mouse. Other media[edit] Pinocchio appeared in the 1911 adaptation, a live-action silent film, and he is performed by Ferdinand Guillaume. A 1936 adaptation was planned, but it was never entirely completed and is now considered lost. Mel Blanc voiced Pinocchio in a 1953 radio adaptation of the story. This is the second adaptation of Pinocchio with Mel Blanc involved, as Blanc voiced Gideon the Cat in the 1940 Disney film until all of his lines were deleted, save for three hiccups. He was portrayed by thirteen-year-old Andrew Irvine as 'Nokie'[13] in the 1955 ITV children's series Round at the Redways. Pinocchio as portrayed in Giuliano Cencis' Un burattino di nome Pinocchio Pinocchio appeared in the 1972 adaptation, voiced by Roberta Paladini with Pamelyn Ferdin doing his English-voice dub. Tatsunoko Productions created a 52 episodes anime series entitled Pinocchio: The Series, first aired in 1972. This series has a distinctly darker, more sadistic theme, and portrays the main character, Pinocchio (Mokku), as suffering from constant physical and psychological abuse and freak accidents. Another anime series starring Pinocchio, entitled Piccolino no Bōken, was produced by Nippon Animation in 1976. He was portrayed by Sandy Duncan in a 1976 television musical film. He had a guest appearance in Episode 876 of Sesame Street, performed by Frank Oz. Pinocchio appeared in the "Señor Wences" episode of The Muppet Show, performed by Steve Whitmire. His puppet was built by Bob Payne. He appeared in Filmation's 1987 epic animated film Pinocchio and the Emperor of the Night voiced by Scott Grimes. Pinocchio appeared in the 1993 direct-to-video adaptation by GoodTimes Entertainment, voiced by Jeannie Elias. He appeared in the horror film Pinocchio's Revenge played by Verne Troyer and voiced by Dick Beals. He appears as a killer puppet. He was portrayed by Jonathan Taylor Thomas in The Adventures of Pinocchio. Thomas also voiced the title character's puppet form. Pinocchio also appeared in the sequel The New Adventures of Pinocchio, played by Gabriel Thomson (who also voiced his puppet form). Pinocchio was featured in Happily Ever After: Fairy Tales for Every Child voiced by Will Smith. He appeared in the animated television series Simsala Grimm in an episode of the same name. Pinocchio appeared as a villain in two episodes of The Grim Adventures of Billy & Mandy, where he desires to become a real boy but by eating a real boy's flesh. He was portrayed by Seth Adkins in the television musical film Geppetto (2000). He appeared as a supporting character in Shrek, Shrek 2, Shrek the Third, and Shrek Forever After, voiced by Cody Cameron. He was also featured in Shrek the Musical, originally played on Broadway by John Tartaglia. Pinocchio appeared in the 2002 Pinocchio film, played by Roberto Benigni, while the English dub voice was provided by Breckin Meyer. He appeared in Pinocchio 3000 voiced by Sonja Ball. This version is a robot that was built by Geppetto. He appeared in Once Upon a Time, played by Eion Bailey. He appears in Storybrooke in the form of a mysterious man named August Wayne Booth. In the Enchanted Forest, his younger self is played by Jakob Davies, but he was released into our world before the curse by Geppetto; Geppetto had been charged with making a magic cabinet to allow Snow White and series protagonist Emma Swan to escape the curse, but Geppetto arranged for Pinocchio to enter the cabinet instead as he feared that his son would cease to exist if the curse was cast as there would have been no way for him to be born without magic. August begins to return to his wooden state towards the end of the first season due to his selfishness, but following his near death by Tamara, the Mother Superior restored Pinocchio to his child self for his compassion and courage and he resumes living with Geppetto. He appears in the two-episode TV film Pinocchio (2008), directed by Alberto Sironi. He is played by Robbie Kay. Pinocchio appeared in the 2012 adaptation voiced by Gabriele Caprio with his English dub voiced provided by Robert Naylor. In 2013, Robert Downey Jr. signed on to play both Pinocchio and Geppetto in an updated version directed by Ben Stiller.[14] Part 6 of Jojo's Bizarre Adventure features an evil version of Pinocchio, brought to life by Bohemian Rhapsody. He is the subject of the 2015 novel "Splintered[15]" by Thomas London, a political satire that follows an adult Pinocchio as he becomes embroiled in American politics. Popular culture[edit] A giant statue of Pinocchio in the park Parco di Pinocchio,Collodi. The story is set in a villa in Collodi, where Carlo Collodi had spent his youth, in 1826. This villa is now named Villa Pinocchio.[16] "Una probabile morte di Pinocchio",Walther Jervolino, oil on canvas In the paintings series "La morte di Pinocchio", Walther Jervolino, an Italian painter and engraver, shows Pinocchio being executed with arrows or decapitated, thus presenting an alternative story ending. 12927 Pinocchio, a main-belt asteroid discovered on September 30, 1999 by M. Tombelli and L. Tesi at San Marcello Pistoiese, was named after Pinocchio. In Avengers: Age of Ultron, the story of Pinocchio is referenced to symbolize the cybernetic villain Ultron becoming free of his masters (the Avengers) orders'. A dark version of the Disney Pinocchio song "I've Got No Strings" is also quoted by him, and used in promotional material for the film.[17] In A.I. Artificial Intelligence, the story of Pinocchio is woven throughout the story as a robot, an artificial boy, struggles to become real through a search for the Blue Fairy.[18] Carlo Lorenzini, better known by the pen name Carlo Collodi (Italian pronunciation: [ˈkarlo kolˈlɔːdi]; 24 November 1826 – 26 October 1890), was a children's writer born in the Grand Duchy of Tuscany and writer of the world-renowned fairy tale novel The Adventures of Pinocchio. Contents  [hide]  1 Early life 2 Career 3 Death 4 References 5 External links Early life[edit] Collodi was born in Florence on 24 November 1826. He spent most of his childhood in the town of Collodi where his mother was born. His mother was a farmer's daughter and his father was a cook. He had 10 other siblings but seven died at a young age. Career[edit] During the Italian wars of Independence in 1848 and 1860 Collodi served as a volunteer with the Tuscan army. His active interest in political matters may be seen in his earliest literary works as well as in the founding of the satirical newspaper Il Lampione in 1853. This newspaper was censored by order of the Grand Duke of Tuscany.[1] In 1854 he published his second newspaper, Lo scaramuccia ("The Controversy").[1] Lorenzini's first publications were in his periodicals. A debut came in 1856 with the play Gli amici di casa and parodic guidebook Un romanzo in vapore, both in 1856;[2] he had also begun intense activity on other political newspapers such as Il Fanfulla; at the same time he was employed by the Censorship Commission for the Theatre. During this period he composed various satirical sketches and stories (sometimes simply by collating earlier articles), including Macchiette (1880), Occhi e nasi (1881), Storie allegre (1887).[3] In 1875 he entered the domain of children's literature with Racconti delle fate, a translation of French fairy tales by Perrault. In 1876 Lorenzini wrote Giannettino(inspired by Alessandro Luigi Parravicini's Giannetto), the Minuzzolo, and Il viaggio per l'Italia di Giannettino, a pedagogic series which explored the re-unification of Italy through the ironic thoughts and actions of the character Giannettino.[3] Lorenzini became fascinated by the idea of using an amiable, rascally character as a means of expressing his own convictions through allegory. In 1880 he began writing Storia di un burattino ("The story of a marionette"), also called Le avventure di Pinocchio, which was published weekly in Il Giornale per i Bambini, the first Italian newspaper for children.[3] Pinocchio was adapted into a 1940 film by Disney that is considered to be one of Disney's greatest. Death[edit] Lorenzini died in Florence in 1890, unaware of the fame and popularity that awaited his work. He is buried at San Miniato al Monte Basilica.[citation needed] References[edit] ^ Jump up to:a b Jack Zines. «Introduction». In: Carlo Collordi. Pinnochio. Penguin Books 2002. ISBN 0-14-243706-9 Jump up^ Carlo Collodi: other works; pinocchio.it ^ Jump up to:a b c Gaetana Marrone; Paolo Puppa (26 December 2006). Encyclopedia of Italian Literary Studies. Routledge. pp. 485–. ISBN 978-1-135-45530-9. External links[edit] Pinocchio by Enrico Mazzanti(1852-1910) - the first illustrator (1883) of Le avventure di Pinocchio.  Works written by or about Carlo Collodi at Wikisource  Media related to Carlo Collodi at Wikimedia Commons Pinocchio Park Collodi Tuscany New York Review of Books Carlo Collodi National Foundation Collodi Tuscany Works by Carlo Collodi at Project Gutenberg Project Gutenberg e-text of The Adventures of Pinocchio (translated from the Italian by Carol Della Chiesa) Works by or about Carlo Collodi at Internet Archive Works by Carlo Collodi at LibriVox (public domain audiobooks)  Find-A-Grave profile for Carlo Collodi Carlo Collodi and Modern Politics - Any Parallels ? from "Pinocchio. Le avventure di un burattino" listen to chapt.1 - 2 - 12 audio mp3 for free    ebay3678