Alice in Wonderland: The Forming of a Company and the Making of a Play. New York: Merlin House, 1973. Distributed by E. P. Dutton, Inc. Designed by Ruth Ansel; Text by Doon Arbus; Photographs by Richard Avedon. Stated First Printing. 165 p, Modern full leather binding with original front and rear covers bound measuring 9.5 x 11”, oblong 8vo. 

In good condition. Full leather binding lightly scuffed at edges and corners; raised bands rubbed; gilt lettering bright and clean. Top edge of text-block gilt. Fresh marbled end-papers clean. Paperback work MASTERFULLY re-bound with front and rear covers intricately cut at gutters & re-attached with binder's cloth to prevent split gutters. Text-block very lightly toned at edges of leaves. Modern binding tight and intact. Please see photos and ask questions, if any, before purchasing. 

   André William Gregory (born May 11, 1934) is a French-born American theatre director, writer and actor. Arguably, Gregory’s most influential contribution to American theatre remains the Manhattan Project’s 1970 production of Alice in Wonderland, derived from Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass, and What Alice Found There.
  The play was formed through an improvisation period lasting many months. The end result was a theatrical marvel: the actors, prompted to create the world of Wonderland as though they were “[…] a group of children limited to a padded cell,” performed impressive physical feats, forming the caterpillar and his mushroom from their bodies, creating towers from stacks of chairs, and inflating and shrinking themselves considerably.
   Gregory became known for his unusual methods of directing, which he utilized during Alice‘s formation: he would sit in silence during rehearsals for hours at a time, allowing the actors to play uninterrupted.

FIRST EDITION! Masterfully re-bound for preservation. 

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FORN-TUB-0068-BB-2502-HKREV546