The MATCH UP 8DSP MK2 combines a powerful 8-channel Class GD amplifier with an integrated 9-channel DSP, delivering power and dynamics for an outstanding hi-fi upgrade while maintaining clean, OEM-friendly integration in the vehicle. In the MK2 generation, the concept has been further refined and adds key updates with a USB-C port and the Extension Card 2.0 slot for contemporary, expandable system integration.
For optimal integration into existing factory systems, the UP 8DSP MK2 provides six highlevel inputs to tap the OEM speaker signals (including ADEP.3 for reliable interfacing with many factory head units), plus an optical digital input for integrating digital sources.
On the output side, it offers eight amplifier channels: 6 x 65 Watts RMS @ 4 Ω as well as two powerful subwoofer outputs with up to 2 x 90 / 160 Watts RMS @ 4 / 2 Ω maximum output power, combined with 9 processed DSP channels for precise signal processing and flexible sound tuning.
This combines performance and connectivity in a compact, space-saving design and adds further expandability in the MK2 generation: the new Extension Card 2.0 slot is included, a revised expansion system with a screw-secured plastic cover and cross-series compatibility. This allows modular expansion of the system integration when required, for example with Bluetooth® HD or additional analog or digital inputs. The USB-C port also enables modern access via DSP PC-Tool.
Of course, the UP 8DSP MK2 is equipped with our proprietary 32 Bit ACO platform, which doesn’t just take over all control tasks ultra-fast, but also handles a bunch of audio functions: fantastic sound effects such as Augmented Bass Processing or RealCenter are implemented as well as a channel-separated Input EQ including Advanced Input Signal Analyzer (AISA) for easy analysis and compensation of input signals of OE radios, which already include a sound setup by default.
Of course, the MATCH UP 8DSP MK2 can be easily configured via our professional and exceptionally intuitive DSP PC-Tool 6. The familiar, numerous setting options leave nothing to be desired and guarantee an extremely precise sound adjustment even for complex system configurations. And thanks to the new, proprietary TuneEQ 2.0 as well as TuneToTarget functions for automated frequency response correction, you also save a lot of time when optimizing your sound.
The optimal adaptation to existing multi-channel sound systems requires sensible management and configuration of the many DSP channels. Especially when front, rear and center systems are split into multi-way systems, conventional routing concepts quickly reach their limits, both in terms of implementation and usability. The multi-stage "Virtual Channel Processing", in conjunction with the recognized user-friendly DSP PC-Tool software makes it easy to map even highly complex system configurations and to freely assign our proprietary FX sound features. Additionally, thanks to its generous number of channels in combination with the optional Extension Card 2.0 – ANALOG IN the UP 8DSP MK2 is also a prime example for applications where 1 to 1 routing (IOR) makes sense.
Audiotec Fischer´s proprietary Class GD concept takes the efficiency of conventional Class D amps to the next level. By varying the internal supply voltage in several steps depending on the amplifier’s input signals, idle losses are significantly reduced and overall efficiency is close to maximum at any time. So heat dissipation is almost negligible, thus allowing smallest heat sinks and most compact form factors.
The ACO platform (Advanced CoProcessor) handles all control and communication tasks within the DSP system. It ensures extremely fast system startups, lightning-fast switching between up to ten sound setups, and provides the decisive speed boost, especially in data communication with our DSP PC-Tool software.
ACO also serves as the foundation for a wide range of additional features – including SFX Sound Effects like “Augmented Bass Processing” and “RealCenter”, functions such as Dynamic Loudness Control (DLC) and Remote Tone Control (RTC), and a channel-separated input EQ with integrated Advanced Input Signal Analyzer (AISA) for easy analysis and correction of input signals with factory-applied equalization.
ACO stands for maximum performance, flexibility, and future-proof system architecture.
Modern, factory-installed car radios incorporate sophisticated methods for diagnosing connected speakers. In particular, the latest generation of car radios is equipped with advanced monitoring functions, which can often lead to error messages or the loss of specific features (e.g., fader function) when a standard amplifier is connected.
The ADEP.3 circuit (Generation 3) meets the demands of these advanced OEM systems and ensures seamless integration. Controlled by the ACO platform, the system is future-proof and designed to flexibly adapt to changes in vehicle radio diagnostics.
This guarantees maximum compatibility with nearly all OE head units – without unnecessarily loading the speaker outputs at high volume levels.
The Power Save Mode allows to significantly reduce the power consumption of the amplifier (and any additional connected amplifiers) when no music signal is detected for a certain period of time.
When power save mode is active, the internal amplifier stages and the remote output are automatically switched off. Once a music signal is detected again, the device returns to normal operation within approximately 2 seconds. The switch-off delay can be adjusted or completely deactivated via the DSP PC-Tool software.
The amplifier allows signal-controlled switching between the analog inputs and the digital input. As soon as an input signal is detected on the Optical Input, the amplifier automatically switches to this input. This feature can be deactivated in the DSP PC-Tool software. Alternatively you can use an optional remote control for manual switching between analog and digital inputs.
The switched power supply ensures a constant internal supply voltage even during short voltage drops down to 6 Volts (e.g. during engine start), so the functionality of the device remains stable and unaffected.
TuneEQ is an extremely flexible and particularly easy-to-use function for automated frequency response correction. A single measurement per audio channel or channel pair with a suitable measurement microphone (e.g. our AMI Tuning Kit) is sufficient for TuneEQ to independently and precisely adjust the equalizers to the desired reference curve. TuneEQ uses the full function set of the parametric equalizer including center frequency, Q-factor and gain adjustment. And since the highly complex arithmetic operations required for this run in the background, you also save a lot of time when optimizing your sound with TuneEQ.
The “RealCenter” feature is an algorithm, developed by Audiotec Fischer, that emphasizes the music information which is present in both the left and right front channel to create a unique center signal. In contrast to common procedures, in which only the channels are summed up, the intensity of the center signal is also dynamically controlled by the stereophonic informational content of the left and right channel.
Sounds complicated but this effect is astonishing: That means if solely the left or right channel delivers an audio signal, the center channel will not reproduce a signal. In the case of common algorithms, the volume level of the center channel is only reduced by 6 dB (= half volume level). Audiotec Fischer’s “RealCenter” allows a unique, broadened sound staging for both driver and co-driver at the same time! Therefore, the disadvantages of a conventional center channel, such as an intrusive, small sound stage, are things of the past.
Audiotec Fischer’s proprietary “Augmented Bass Processing”, consisting of the two revolutionary sound features “Dynamic Bass Enhancement” and “SubXpander”, has been especially developed to dramatically improve the bass reproduction of subwoofers.
The “Dynamic Bass Enhancement” ingeniously combines maximum deep bass and highest sound pressure – regardless of the music style or the tone controls in the head unit. Depending on the input signal, the “Dynamic Bass Enhancement” gains the lower frequency range and varies the cut-off frequency of the subsonic filter. The result is a significantly more powerful and deeper bass response at low and medium volume levels without the risk of overloading the subwoofer neither mechanically nor electrically at high volume levels. It is simply fascinating which bass performance is suddenly possible.
If you want an even lower and “darker” bass reproduction, the “SubXpander” can be additionally activated. Therefore, subharmonic tones are added to the fundamental tones in the frequency range between 50 and 100 Hz.
| Power RMS ≤ 1% THD+N | |
| - @ 4 Ohms | Channels A - F: 65 Watts (min. 3 Ohms*) Channels G - H: 75 Watts (min. 3 Ohms*) |
| - @ 2 Ohms | Channels G - H: 125 Watts |
| - @ 1 Ohm | - |
| - bridged @ 4 Ohms | - |
| - bridged @ 2 Ohms | - |
| Max. output power per channel** | Channels A - F: up to 80 Watts RMS @ 4 Ohms Channels G - H: up to 90 Watts RMS @ 4 Ohms Channels G - H: up to 160 Watts RMS @ 2 Ohms |
| Amplifier technology | Class GD |
| Inputs | 6 x Highlevel speaker input 1 x Optical SPDIF (12 - 96 kHz) 1 x Extension Card 2.0 |
| Input sensitivity | 2.8 - 11 Volts |
| Input impedance RCA / Cinch | - |
| Input impedance highlevel | 9 - 33 Ohms with ADEP.3 |
| Outputs | 8 x Speaker output 1 x RCA / Cinch 1 x Remote Out |
| Output voltage RCA / Cinch | 3 Volts RMS |
| Frequency response | 15 Hz - 22,000 Hz |
| DSP resolution | 64 Bit |
| DSP power | 295 MHz (1.2 billion MAC operations/second) |
| Sampling rate | 48 kHz |
| DSP type | Audio signal processor |
| Signal converters | A/D: BurrBrown D/A: BurrBrown |
| Signal-to-noise ratio digital input | 104 dB (A-weighted) |
| Signal-to-noise ratio analog input | 100 dB (A-weighted) |
| Distortion (THD @ 1 kHz, 1 W into 4 Ohms) | < 0.015 % |
| Distortion (THD+N @ 1 kHz, 1 W into 4 Ohms) | < 0.02 % |
| Distortion (THD @ 100 Hz, 1 W into 4 Ohms) | - |
| Distortion (THD+N @ 100 Hz, 1 W into 4 Ohms) | - |
| Operating voltage | 10.5 - 18 Volts (max. 5 sec. down to 6 Volts) |
| Power rating | DC 12 V ⎓ 40 A max. |
| Idle current | 380 mA |
| Max. remote output current | 500 mA |
| Operating temperature range | -40° C to +70° C |
| Fuse | 2 x 25 A LP-Mini-fuse (APS) |
| Additional features | Class GD technology with dynamically controlled power supply, 32 Bit CoProcessor, ADEP.3 circuit, Start-Stop capability, Smart Control Port, USB-C, Auto Remote switch |
| Dimensions (H x W x D) | 46 x 130 x 153 mm / 1.81 x 5.12 x 6.02" |
* DC resistance min. 3.0 Ohms
** In typical multi-channel applications
1 x MATCH UPGRADE amplifier UP 8DSP MK2
4 x Connection cable
1 x Power Input connector
1 x Mounting plates & material
1 x USB cable
1 x Instruction manual
The 7-channel UPGRADE harness PP-BMW 1.7RAM is available in two editions and ensures the optimal connection of MATCH amplifiers to selected BMW models from 2019 onwards with a factory-installed RAM Receiver Audio Module:
|
Cable length |
1.00 Meter |
|
Connections |
1 x 8-pole MOLEX plug for the connection of the MATCH BMW underseat subwoofer & the center speaker 1 x 20-pole MOLEX plug for the connection of the System Connector input of the UP 8DSP 1 x 4-pole MOLEX plug for the connection of the highlevel inputs E + F of the UP 8DSP 1 x 4-pole MOLEX plug for the connection of the ADEP-module of the factory center channel 1 x 42-pole BMW RAM system jack 1 x 42-pole BMW RAM system plug |
1 x UPGRADE cable harness MATCH PP-BMW 1.7RAM – UP 7DSP Edition
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If you are not 100% satisfied, we are happy to exchange or refund the full price of the merchandise within 30 days of delivery. All returned items must be in as-new fully re-saleable condition in the original box and include all packaging material, manuals, and accessories. We reserve the right to refuse an exchange or full refund if goods are not returned in as new re-saleable condition or are damaged.Upon receipt of your order you are advised to carefully inspect the package and goods to ensure they are intact and complete. Should you find the parcel to be damaged or incomplete, please notify us within 24 hours.
If you believe your item is defective please notify us immediately so we can help troubleshoot and provide a replacement or warranty service (if applicable). We will provide a return shipping label and a replacement will be sent after the defective item has been received and tested by our technician.
Return/Exchange Process
To request a return/exchange, please send us a message so we can assign a return merchandise authorization (RMA) number. Customers are responsible for the return shipping costs unless the item(s) arrived damaged or defective. Please note that tracking is required for all packages returned back to us.
We've been doing this car audio thing for over 30 years for one primary reason... Passion. We got bit by the car stereo bug early on and we've loved it ever since. We know we're a bit fanatical, but in the best possible way.Hey, I'm Eric and I'm the main guy behind Edge Custom Audio. What started as a fun hobby back in the 90s soon became a business venture with a focus on gear. While I've enjoyed installing for many years, the satisfaction of the process was often overshadowed by the desire for the next best thing. The common theme with every completed project has been wondering "what if we had used that different amplifier" or "how would it sound with those other speakers". I've learned to embrace being a gearhead and appreciate the opportunity to share that with you.Our team here at Edge Custom Audio is all about quality. Quality products, quality service, and quality processes. We communicate personally because we're all just people after all. We ship in a safe and timely manner because we know you're excited to get your new gear. We stand behind everything we do because, well, it's the right way to operate. In the end, we know you're entrusting us with your hard-earned cash and we don't take that lightly.