...Rectangular wall mirror model “François Ghost” in the smaller 80 x 65 cm format, manufactured by Kartell and designed by Philippe Starck, produced in ongoing series production since the early 2000s, with this example documented as new and factory packaged. The frame is injection molded from translucent green PMMA and houses a conventional silvered float glass mirror plate within an integrated rebate. Fabrication is fully industrial, relying on high-polish steel tooling to achieve optical clarity and consistent bevel geometry. The design translates a classical mitered frame profile into a single polymer mass, eliminating joinery while retaining typological reference. The object sits within Kartell’s established program of authored plastic furnishings produced at industrial scale.

I. Primary Materials & Structural Integrity

The frame is composed of transparent green PMMA (acrylic), identifiable by its optical depth, high surface gloss, and sharp edge clarity. The section depth provides torsional rigidity across the 80 x 65 cm span, sufficient to maintain planar alignment without auxiliary reinforcement. The mirror plate is silvered float glass, seated within a continuous molded channel. Structural load is transferred evenly along the internal perimeter flange rather than at discrete corner supports. The polymer shows no signs of stress whitening, cracking, or distortion. Given its unused condition, there is no evidence of creep at mounting points or edge chipping. The material system is straightforward: polymer frame as structural housing, glass as reflective insert.

II. Fabrication Method & Production Logic

The frame is a single injection-molded component produced from dedicated tooling. The beveled inner profile and broad outer band are formed in one operation, eliminating miter joints typical of wood frames. Surface polish indicates high-grade mold finishing. Coloration is integral to the PMMA resin batch, not applied as surface coating. The uniform translucency and absence of swirl or sink marks suggest controlled injection parameters and calibrated cooling. Packaging includes molded foam corner blocks and protective plastic sheeting, indicating factory-level distribution standards. Fixing components are separately packaged, reflecting modular assembly logic post-purchase.

III. Joinery, Fastening & Engineering Resolution

The frame is monolithic; there are no mechanical corner joints. The mirror glass is retained within a continuous rebate formed in the molding process. Retention likely relies on concealed clips or perimeter compression combined with adhesive stabilization. Wall-mounting hardware is separate and designed to engage integrated rear features molded into the frame body. The depth of the frame distributes load across a broad vertical plane, minimizing stress concentration at suspension points. There is no evidence of modification or replacement components. All structural decisions are resolved at the tooling stage.

IV. Surface Finish & Material Treatment

The PMMA surface is high-gloss with a polished, glass-like finish. The green tint is translucent, allowing light transmission and internal reflection along the beveled surfaces. No surface abrasions, micro-scratches, or edge wear are present, consistent with new, unused condition. The mirror plate is free of surface defects, and the silver backing shows no oxidation or desilvering at edges. Protective films remain in place, preventing handling marks. There is no evidence of refinishing or secondary surface treatment.

V. Formal Language & Design Lineage

The form references a traditional beveled picture frame with pronounced inward slope toward the mirror plane. However, the execution eliminates carved ornament and replaces wood joinery with synthetic continuity. The result is a typological quotation rendered in industrial plastic. The small format retains the proportional clarity of the larger versions but offers greater flexibility in domestic placement. The translucent green variant emphasizes material over imitation, using color and depth as primary formal devices. This aligns with early 21st-century Italian reinterpretations of historical forms through polymer engineering, a consistent theme in Starck’s collaborations with Kartell.

VI. Production Context & Market Position

The François Ghost mirror entered Kartell’s catalog in the early 2000s and has remained in open production. The small 80 x 65 cm version represents an accessible scale within the series. Market positioning is upper-tier industrial design, distributed globally through Kartell’s retail network. Production is continuous rather than limited, and value is derived from brand authorship and material execution rather than scarcity. The green translucent version occupies a niche within the broader color range, appealing to interiors emphasizing chromatic clarity.

VII. Preservation State & Intervention Evidence

The object is in unused, original packaged condition. Foam protectors and plastic wrapping are intact. No mounting marks, hardware stress, or surface wear is visible. The mirror glass remains properly seated within the molded rebate. No evidence of handling abrasion or corner impact is present. All factory markings and packaging materials support authenticity and continuity of condition. There are no signs of intervention, repair, or replacement.

VIII. Market Standing & Value Estimation

Estimated current secondary market range: 600–1,000 EUR for the small format in new, boxed condition, depending on color demand and regional market. Unused examples with complete packaging command a premium over installed or lightly used pieces. Liquidity is strong due to ongoing brand recognition and compatibility with contemporary interiors. Retail replacement cost for new production typically exceeds lower secondary values but is moderated by continued availability. Value derives from designer attribution, brand consistency, and condition rather than production rarity or material cost.

One minor clarification seems necessary: on eBay, "Vintage" tends to imply garments that have endured a meaningful span of wear and tear. To eliminate any potential ambiguity, I'm adding an explicit disclaimer that the majority of these items are, in fact, new, unworn deadstock. This contextual cue should help orient users who are accustomed to encountering authentically fatigued clothes. To answer the recurring question about U.S. import: we've already covered the fees through our postal carrier. Your parcel arrives fully cleared; any bureaucratic bloodletting has already been performed on our side .