The Jimi Hendrix Experience
Electric Ladyland
Vinyl 2 LP Set - Reprise 2RS 6307
First Pressing (1968) on Two-Tone Label
with All Along the Watchtower, Crosstown Traffic

Condition: Very Good Vinyl and Very Good Cover. Vinyl was play-tested on all sides and plays very well throughout with good fidelity and occasional light background noise, but no skips. Original gatefold cover is intact with some shelf wear, no splits or writing. Includes both original Reprise inner sleeves.

Matrix / Runout (Side A): 30799  2RS 6307A-1E
Matrix / Runout (Side B): 30800  2RS 6307B-1E
Matrix / Runout (Side C): 30801  2RS 6307C-1C
Matrix / Runout (Side D): 30802  2RS 6307D-1F

Electric Ladyland is the third and final studio album by the Jimi Hendrix Experience, released in October 1968. A double album, it was the only record from the Experience with production solely credited to Hendrix. The band's most commercially successful release and its only number one album, it was released by Reprise Records in the United States. By mid-November, it had reached number 1 on the Billboard Top LPs chart, spending two weeks there. In the UK it peaked at number 6, where it spent 12 weeks on the British charts.

Electric Ladyland includes a cover of Bob Dylan's "All Along the Watchtower", which became the Experience's best-selling single, reaching number six in the UK and number 20 in the United States. Although the album confounded critics upon its release, it has since been viewed as one of Hendrix's best works and one of the greatest albums of all time, being featured on various "greatest albums" lists, including Q's 2003 list of the 100 greatest albums and various editions of Rolling Stone's list of the "500 Greatest Albums of All Time", on which it was ranked 53rd in the 2020 iteration.

Tracklist

A1 ... And The Gods Made Love
A2 Have You Ever Been (To Electric Ladyland)
A3 Crosstown Traffic
A4 Voodoo Chile

B1 Little Miss Strange
B2 Long Hot Summer Night
B3 Come On (Part I)
B4 Gypsy Eyes
B5 Burning Of The Midnight Lamp

C1 Rainy Day, Dream Away
C2 1983....(A Merman I Should Turn To Be)
C3 Moon, Turn The Tides....Gently Gently Away

D1 Still Raining, Still Dreaming
D2 House Burning Down
D3 All Along The Watchtower
D4 Voodoo Child (Slight Return)

The Jimi Hendrix Experience
Jimi Hendrix – vocals, guitars, piano, percussion, electric harpsichord; bass guitar 
Noel Redding – bass guitar, backing vocals; acoustic guitar and lead vocals on "Little Miss Strange"
Mitch Mitchell – drums, percussion, backing vocals; lead vocals on "Little Miss Strange"

Additional musicians
Al Kooper – piano on "Long Hot Summer Night"
Dave Mason – twelve-string guitar on "All Along the Watchtower", backing vocals on "Crosstown Traffic"
Steve Winwood – Hammond organ on "Voodoo Chile"
Jack Casady – bass guitar on "Voodoo Chile"
Freddie Smith – tenor saxophone on "Rainy Day, Dream Away" and "Still Raining, Still Dreaming"
Mike Finnigan – organ on "Rainy Day, Dream Away" and "Still Raining, Still Dreaming"
Buddy Miles – drums on "Rainy Day, Dream Away" and "Still Raining, Still Dreaming"
Larry Faucette – congas on "Rainy Day, Dream Away" and "Still Raining, Still Dreaming"
Chris Wood – flute on "1983... (A Merman I Should Turn to Be)"
Brian Jones – percussion on "All Along the Watchtower"
The Sweet Inspirations – backing vocals on "Burning of the Midnight Lamp"
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Shipping: Calculated domestic shipping via Media Mail or Priority Mail. Will ship internationally at FLAT RATES.  Records mailed in a proper cardboard LP mailer. All records cleaned prior to shipment.

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Return Policy: I do accept returns for up to 30 days. Please let me know if you have questions about this item or any others I have for sale before you bid or purchase.  If you are unhappy with your purchase, please contact me immediately and I will do whatever I can to resolve. This may be a replacement, a credit, or a full or partial refund depending on the circumstances.

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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.


MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.

NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects. 

VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear. 

VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits. 

GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.

GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.

Feel free to contact me with any specific questions.