Ten Years After - Ten Years After Vinyl LP 1967, 2023 UMC
TEN YEARS AFTER

TEN YEARS AFTER

12"

VINYL
RECORD LP
BRAND NEW FACTORY SEALED


UMCLP039
UPC | 0805520240390
1967, 2023

TRACK LISTING

SIDE ONE
1. I Want To Know
2. I Can’t Keep From Crying, Sometimes
3. Adventures Of A Young Organ
4. Spoonful
5. Losing The Dogs

SIDE TWO
1. Feel It For Me
2. Love Until I Die
3. Don’t Want You, Woman
4. Help Me

Ten Years After
’s self-titled debut hit the British blues scene with the subtlety and precision of a wrecking ball in 1967, serving notice that what had once been confined to steamy haunts in London was now there for the world to hear. And by the time the band electrified half a million hippies at Woodstock two years later, the world was roaring its approval.

Cut live with vocals overdubbed later, Ten Years After is an impressive debut, showing off a tight band steeped not only in blues, but rockabilly, jazz, folk and even occasionally psychedelia. They rival Cream on a powerful cover of “Spoonful”, which sports a heavy rhythm drive also evident on their extended jam version of “Help Me” that builds and builds to stratospheric heights. The latter allows Alvin Lee to cut loose with the fast licks for which he would become best known, but he was also capable of subtler, more impressionistic soloing on a stellar remake of the Blues Project’s “I Can’t Keep From Crying, Sometimes”.

If those three aren’t enough evidence of the band's ability, then a spruced-up “I Want to Know”, first done by Eric Clapton and the Powerhouse on the legendary What’s Shakin’ compilation, certainly seals the deal. But even at this early stage, Ten Years After was no cover act -- throwing originals like the Robert Johnson-inspired “Love Until I Die”, the country acoustic blues of “Don’t Want You Woman” and the swingin’ boogie of “Feel It for Me” into the mix. It was no one-man show, either -- as organist Chick Churchill takes the lead on “Adventures of a Young Organ” and buttresses “Losing the Dogs” with some rollicking Jerry Lee Lewis piano. And beneath it all, there was the metronomic telepathy of the Ric Lee/Leo Lyons rhythm section.


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