The collection of Paramount Pictures set stills that is being offered in this auction is an extraordinary historical archive from the late 1920s to the early 1970s. Sets stills were taken for continuity purposes and to document the arrangements of the sets and props, etc, during the making of a film. Not only does this collection photographically document the changes in filmmaking through the decades, it details the changing styles of architecture, interior design (the Art Deco sets from the 1930s are astonishingly beautiful), fashion, cars, and more. In the cases of location shooting, one can see the evolution of various southern California towns and landmarks, from the tony nightspots of Hollywood to the open spaces of Brentwood to the artistry of the Paramount Ranch. The photos give a unique behind-the-scenes look at the stars during filming; some vamp for the camera while others avoid it, some study their scripts or confer with the director, and some look incredibly bored. Equally interesting is the appearance of the stars' lookalike stand-ins and famous extras such as Bess Flowers. The unsung heroes of filmmaking, the crews, are seen as well, holding the booms, adjusting the lights, holding the clapper boards, and waiting, waiting, waiting. And speaking of unsung heroes, the talent, imagination, style, and creativity of the art directors and set decorators for these films cannot be overstated. Most of the fashion designers of the 1930s and '40s, such as Edith Head, are recognized for their contributions, as well they should be; however, the set decorators and art directors are grossly overlooked. Masters of their profession such as Hans Dreier, Robert Usher, William Flannery, Hal Pereira, Ernst Fegte, Sam Comer, Walter H. Tyler, A. Earl Hedrick, and so many others, deserve their place in the sun, and hopefully, the future owners of these historic photographs will appreciate their artistry.
Reap the Wild Wind is a 1942 American adventure film produced and directed by Cecil B. DeMille and starring Ray Milland, John Wayne, and Paulette Goddard, with a supporting cast featuring Raymond Massey, Robert Preston, Lynne Overman, Susan Hayward and Charles Bickford. DeMille's second Technicolor production, the film is based on a serialized story written by Thelma Strabel in 1940 for The Saturday Evening Post. The screenplay was written by Alan Le May (author of the novel The Searchers), Charles Bennett, Jesse Lasky, Jr. and Jeanie MacPherson.
While he based his film on Strabel's story, set in the 1840s along the Florida coast, DeMille took liberties with details such as sibling relationships and subplots, while staying true to the spirit of the story, which centers on the headstrong, independent woman portrayed by Goddard.
Ray Milland as Steven Tolliver
John Wayne as Jack Stuart
Paulette Goddard as Loxi Claiborne
Raymond Massey as King Cutler
Robert Preston as Dan Cutler
Lynne Overman as Captain Philpott
Susan Hayward as Drusilla Alston