Used Keeley Bassist Effects Pedal!
Mint, with all original packaging!
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The Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering.
The Bassist
Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade
compressor in stomp box format! It uses
high performance Voltage Controlled Amplifiers, on board true-RMS detector, and
ultra high performance op-amps to bring you the very best quality. VCA
compressors give you precise control.
Therefore they are directly suited to bass guitars. The Keeley Bassist
Compressor is both musical and very transparent. Where our older compressors were based on the
CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley
Bassist Compressor has no problems with active pre-amps and line level input
signals! Not only can the Keeley Bassist
handle astonishingly large signals, it has an incredible bandwidth of over 20
KHz and incredibly low noise. No detail
in your bass guitar’s tone will be lost.
The Keeley Bassist will be a sound investment in your tone, you now have
rack-mount quality at your feet.
Compression
and Threshold
When bass
players use the Keeley Bassist Compressor they will be greeted with a sound
that is more easily amplified and heard.
Using the effect as a limiting amplifier saves your speakers from
clipping and distortion. Set the
Threshold to look for peaks in your signal and limit distortion from your
amplifier or damage to your speakers.
Simply watch the Threshold Indicator light to see what type of playing
you want to limit, it’s that easy! Next
set the Compression Ratio Control to determine how much squash you want when
the signal is above Threshold. Set
Compression all of the way down for no
(1:1) compression and use the Gain control as a boost! Set Compression all of the way up for an
above-Threshold hard-knee limiter.
A typical
soft compressor setting would be 2:1 above threshold. A good starting ratio for the Compression
control may be 4:1 as it generally sounds good with bass guitar. A ratio of 5:1 or 6:1 will sound great for
slap or funk-style playing. For
synth-bass try 10:1 Compression.
Attack and
Release
There is a
certain figure that just sounds good as far as compression goes; and that’s 125
dB/second. With feed forward compressors
that use this type of true-RMS detector you use a single time constant
parameter. The timing capacitor gives you
attack and release times that are adaptive to your playing level or the signal
input to the compressor. Bottom line:
Attack and Release times vary on program content. Attack times are generally speaking, about
100 times faster than release times.