Ancient Civilizations

Antiques, Artifacts & Fine Collectibles


Chinese Bronze Wine Drinking Cup (Erbei耳杯 )

Imperial Dragon Warlord's Gift to a Prince

Winged Dragon Ceremonial Wine Cup

English Translation of 24-Character Inscription

Late Shang Dynasty

c. 1200—1045 BC

“On this Man’s Day and in the Presence of the Ancestors at Dawn, 

the Son offers to the Heavenly Ancestors food, wine, many songs, 

and this bronze vessel that has been passed down for ten generations.”

~English translation of the dedication inside this vessel.

 

“As the Sun pours down it’s rays among Men, the grieving, elder Son offers in Sacrifice to the Heavenly Ancestors; 

Wine, jade, raw meat, and this bronze vessel so that his Father may Enter Heaven {Tian} with His Ancestors.”

~English translation of the dedication on the base of this cup.


 Overview


This ancient Chinese bronze artifact is a ritual, Wine Ear Cup or “Erbei” in Chinese 耳杯 and it is approximately 3,000-years-old and was made during the Late Shang Dynasty.

 

It is a very early and EXTREMLEY RARE, ceremonial, bronze, wine-drinking cup that is sometimes called an “Double Ear Cup” because of the two protruding winged handles on each side of the oval shaped cup resemble human ears.  This example has a 12-character, incised inscription in Large Seal Script (also called Oracle Bone Script, Bronze Seal Script, or Great Seal Script) at the center of the cup and a 12-character inscription on the underside base of the cup, which I have attempted to translate. Please see translation below.

 

This incredible cup measures approximately 7.5” (192 mm) long x 6.8” (173 mm) wide x 1.30” (32 mm) tall and weighs 1.67 lb. or 26.7 oz. (759 gr.).

 

It dates to about the Late Shang Dynasty (1200—1045 BC) as it uses the ancient Large Seal Script on not the more recent Small Seal Script.   

 

Elegant, stylish and confident, there is a strong sense of the reserved grace that typifies Han Dynasty vessels.  Intended for the consumption of wine, though referred to as a cup, it sits more like a small serving bowl.  In a society defined by strict hierarchy and patronage, these vessels were often presented as gifts, and would have conveyed great prestige.

 

Chinese Double-Ear Cups/bowls are some of the most iconic of all ancient dynasty vessels; indeed, the British Museum chose a lacquer example as one of their objet d'art for A History of the World in 100 Objects.

 

English Translation of Inscription/Dedication

This 2,000-year-old ritual bronze vessel contains a total of 24 characters that were incised into both the inside and outside of the vessel that are an inscription/dedication to the ancestors.  There are also very faint characters on the two handles of the ear cup and on the base, but they are so very faint and covered with a heavy patina that I can’t read them clearly enough to translate them.

These characters were incised into this bronze cup when it was created over 3,000-years-ago!  The pictographic characters on these Shang Dynasty bronzes are the earliest form of the written language in ancient China.  Modern archeologists call these early graphics or pictograms “Oracle Bone Script” or “Large Seal Script” as they have been found as a permanent record that was written by scribes on both oracle bones of cattle and on ritual bronze artifacts. 

Although some of the characters are faint or partially covered by oxidation, here is my best translation of the characters that were inscribed in three columns on the inside of the cup.  Any errors in the literal translation are those of this author: {see photos # 2-3}

 

1)     This very faint character on the top right side is a compound character may reference “a man’s day” as in the day he died. Ceremonies honoring the dead were often held of the anniversary of the person’s death—at 1 month, 2 months, 3 months, and yearly.

2)     The bold character that looks like a stick-figure of a man is the character for the son who is offering this bronze ear cup in sacrifice to his departed father and to their ancestors.  The son is shown in an ethereal shape as he is being raptured and mentally transported in the presence of his ancestors, by his filial love and desire to please them.

3)     The next character is a very old version of the character “yu” which is the right hand of the son making this ritual offering to the ancestors.

4)     This compound character at the bottom of the first column appears to be “many songs” or devotions about a primitive, hollowed out vessel “Fang.” {pg. 141}

5)     That which has passed through 10 “Shih” “+” “perfect” hands “Ku”, ie.  a tradition dating back 10 generations. Perhaps this refers to this bronze serving bowl that has been passed down for 10 “perfect” generations.  {pg. 69}

6)     “To ask in the Chinese way by turning and returning one’s speech.”

7)     A pictograph of this bronze ear cup that is offered to the Ancestors.

8)     Dawn, the Sun that just appears or “Pai.”

9)     Represents the heal of the ancestor’s foot, ie. “In the presence of the Ancestor to whom this offering is made.”

10)                    Han” To hold in the mouth {pg. 48}

11)                    A pictograph of a bronze vessel used to hold food for an offering.

12)                    Gan” Heavenly offering.

 

My best literal translation of the inscription/dedication on the inside of this 3,000-year-old bronze vessel would be as follows:

“On this Man’s Day and in the presence of the Ancestors at Dawn,

 the Son offers to the Heavenly Ancestors food, wine, many songs, 

and this Bronze Vessel that has been passed down for ten generations.”

 

There is a second dedication found on the bottom of the vessel.  They are incised in three columns x four rows for a total of 12 characters in the same style of Large Seal Script as was found on the inside of the cup.  Although some of the characters are faint or partially covered by oxidation, here is my best translation of the characters that were inscribed in three columns on the outside base of the wine cup.  Any errors in the literal translation are those of this author: {see photos # 7-9}

 

1)  The Sun pouring down its rays among Men (Hao) {pg. 312}

2)  A bowing or grieving man.

3)  A man “Chai” who bows the head to cry. {pg. 160}

4)  This bronze vessel that is offered to the Ancestors.

5)  To enter with the Ancestors.

6)  Shan” long hair or hair on the chin, beneath the head. Also “Hsu” a beard. In ancient China, men only grew beard when the time came for them to govern their family—to be a master over it.  Therefore, it also had the following extended meanings:  an older man, necessary, requisite, appointed times. {pg. 162} 

7)  The right hand offering a libation of wine that has been poured on the ground. {pg. 362}

8)  Wang” Superior, Emperor, King. {pg. 29} “Yu” Three pieces of Jade.  {pg. 215} Also can refer to deceased ancestors. (Cook, pg. 309}

9)  Husband “Fu” or father, master. {pg. 410}

10)        A knife used in the sacrifice of an animal. {pg. 365}

11)        A pictograph of a living animal that symbolizes the offering of raw meat as a sacrifice.  {pg. 365}

12)         Offering to the Ancestors.

 

My best literal translation of the inscription/dedication on the inside of this 3,000-year-old bronze vessel would be as follows:

“As the Sun pours down it’s rays among men, 

the grieving, elder Son offers in sacrifice to the Ancestors; 

wine, jade, raw meat, and this bronze vessel 

so that his Father may Enter Heaven {Ti’en} with his Ancestors.”

 

Note:  The cup does appear to have several other, Chinese Large Seal characters that have been faintly incised or perhaps “erased” (i.e. purposely rubbed smooth) on both the inside and outside of the vessel.  As this vessel was passed down from generation to generation, the inscriptions may have been removed and then re-inscribed by subsequent generations. They are very faint, encrusted, and oxidized to the extent that it is not possible for me to accurately view them with clarity to translate them.  Specialized multi-spectral imaging could likely be utilized to clearly view these characters and allow them to be translated.

 

 

Historical Background

This bronze wine cup would have been approved as a ritual/sacrificial vessel and presented as a gift from the Emperor/King to the heirs of an imperial leader, earl, or prince. 

This cup was made on orders of the King by a skilled, master smelter in Xiaotun, the impressive bronze-founding industry of the royal Shang Kings.  And it was here that the King’s entourage of diviners, engravers, and record keepers, whose mastery of a written script, documented the historical depth of late Shang culture.   {The Ancestral Landscape, Dr. Keightley, pg. 121}

The high demand for luxury goods to furnish the tombs of wealthy nobles enabled numerous artistic traditions to flourish, resulting in an array of ornate artifacts from this period and until the Han Dynasty (206 BCE–220 CE). Bronze vessels continued to be commissioned by the ruling elite during both eras, but the addition of gold and intricate openwork transformed this previously austere tradition into a more decorative artistic craft.  There was no better way to demonstrate wealth than to reproduce a luxury item in a more expensive medium—bronze.

These presentation cups were used in the Emperor’s court and often given in pairs as imperial gifts to selected nobles.  They were highly treasured by their owners and extremely time consuming to make.  Therefore, these wine cups were often buried in the tombs of their owners so they could enjoy their wine in style in the next world and show the gods and ancestors how important they were to the Emperor in their service to him.  However, according to the inscription on this cup, it was passed down for ten generations.

The cup’s dual use for both food and wine was evident from the 90 ear-cups unearthed from the Han Dynasty tomb site belonging to the first Marquis Dai and his family, located at Mawangdui near Changsha in Hunan province, where 50 cups were found inscribed with the three-characters jun feng shimeaning ‘to serve you food’ and the other 40 cups were inscribed with the three-characters, jun feng jiu, which translates as ‘to serve you.”

 


ADDITIONAL DETAILS

About 3,000 years ago, these “ear cup” style wine cups were first made of pottery, then bronze, jade, and then lacquer glaze over pottery, and finally lacquer over a wooden cup.  These imperial presentation cups were actually used in the Emperor’s court and given as gifts to selected nobles to display and/or to drink wine.  They were highly treasured and showed how much the Emperor favored the recipient.  Lacquer cups were worth much more than a cup made of bronze or even royal jade, as lacquer-glazed cups were like receiving a new, luxury automobile—perhaps even a Rolls Royce— in modern times. Lacquer objects were expensive and this cup is said to be worth ten (10) bronze cups. Lacquer objects were valued because they were time consuming to create and some used wood or fired clay as a base. 

Intended for the consumption of wine, though referred to as a cup it sits more like a small serving bowl with its oval shaped body.  In a society defined by strict hierarchy and patronage, these vessels were often presented as gifts from the Emperor and would have conveyed prestige.

This bronze wine cup has a bold, bluish-green patinated finish.  Originally cast as a spectacular ritual wine vessel for a high-ranking member of the Shang dynasty aristocracy, it is outstanding for its details, the cast inscription/dedication, the quality of its decoration, and the rich azurite-blue patina that is so coveted by collectors of ancient bronzes.   The oval shape of the wine cup recalls the shape of a hollowed-out mango. It is very beautifully preserved and is in museum quality condition! 

Typically, the Emperor paid out a large chunk of state revenue every year to provide allies and vassal states with luxury gifts, including thousands of rolls of silk and hundreds of wine cups. So, this cup is very much part of a system - it was given either as an Imperial gift or in lieu of a salary to a senior official.  One can be pretty sure that, apart from its sheer monetary value, it was intended to bestow prestige and to suggest a personal link between the recipient and the Emperor.

Bronze wine cups like this one would require the masterful work of six craftsmen and an equal number of inspectors.  The British Museum has an especially exquisite example in its permanent collection that can be viewed online.

Ear cup/bowls are some of the most iconic of all Han Dynasty vessels, indeed the British Museum chose a lacquer example as one of their objet d'art for A History of the World in 100 Objects.

It was during the Han Dynasty that the governors' loyalty to the Emperor needed to be secured. And one of the ways the emperor kept them on-side was to give them gifts that carried huge Imperial prestige.  The British Museum has exquisite wine cups, which were probably given by the Han emperor to one of his military commanders in North Korea around the year 4 AD.

Many such basic wine cups were made in ancient China out of clay pottery, but only a few, select ones were made in bronze like this one.  These presentation cups were actually used in the Emperor’s court and given as imperial gifts to selected nobles.  They were highly treasured by their owners and extremely time consuming to make.  Therefore, these wine cups were often buried in the tombs of their owners so they could enjoy their wine in style in the next world and show the gods and ancestors how important they were to the Emperor in their service to him.

 

 

 

References:

BBC “A History of the World” Episode No. 34.

J. Rawson, and A. Farrer, The British Museum Book of Chinese Art (London, The British Museum Press, 2007)

J. Rawson (ed.), The British Museum Book of Chinese Art (London, The British Museum Press, 1992)

The Golden Age of Chinese Archeology, Edited by Xiaoneng Yang, PRC, 1999, pgs. 318-319

Collection of the Brooklyn Museum 

Collection of the Harvard Museum

Collection of the Shanghai Museum

Sotheby’s Auction: Fine Chinese Ceramics and Works of Art, London, England,  05 Nov. 2014, 10:00 AM

The tomb of the Chu King on the Lion Mountain contained numerous jade and lacquer ear cups.  This was the tomb of Liu Wu, the third king of Chu enthroned in Xuzhou in the early Western Han Dynasty.  This fantastic tomb was located to the East of downtown Xuzhou and was first excavated in 1995. The tomb, measuring 117 meters in length, was built along the mountain, with its chambers dug on the cliffs.  It is a rare and huge-scale, rock cave tomb with multiple chambers.  Over 2,000 or so precious historical relics unearthed from the tomb helped to fill the gap in China's archeological studies of the Han Dynasty. 


Price & Value

I have carefully examined this RARE, ancient wine cup.  I’ve looked under 10x magnification under both natural and Black Light and I can find no signs of any modern tool work or repairs.


Estimated Auction Value:  $40,000--$60,000 USD.  This is your chance to own this one for a fraction of that price! 

 

Each object I sell is professionally researched, translated (if I can...(smile), and compared with similar objects in the collections of the finest museums in the world. I have been dealing in fine antiquities for over 45 years and although certainly not an expert in every field, I have been honored to appraise, buy, collect, and enjoy and recently sell some of the finest ancient art in the world. When in doubt, I have worked with dozens of subject matter experts to determine the condition and authenticity of numerous antiquities and antiques. This careful examination helps to insure you are buying quality items and helps to protect your investment. There are many modern reproductions or "fakes" on the market today, so be sure and buy only from experts in the field.

 

 

 Please examine the photos taken at 4x macro carefully as they are part of the description.

The stand is not part of the auction, just included to give you a better perspective.

 

 

Note:  Please ask any questions you may have before you bid!  Thanks for Looking!

 

 

Per e-Bay's rules, PayPal only please! 


THANKS!

All Sales are Final--unless the item has been accidentally misrepresented.

 

 

FREE SHIPPING cost includes Insurance and Signature Confirmation and is accurate for all 50 United States.

International Buyers are responsible for shipping charges and any import taxes or duties.