New

Schneider 4x4" Black Frost 1/2 Water White Glass Filter





List Price is $235.00



Stock Code: 68-083244 
Availability: In Stock


These filters flare highlights, mute colors, and tone down contrast, while retaining rich blacks. This is a very useful combination of effects for 16mm and 35mm film, as well as for HD and standard video. These are primarily styling, or mood modifying filters. Depending on the grade chosen, they subtly enhance a scene without degrading the image quality or black saturation. Black Frost enables cinematographers to capture blacker blacks than are possible with similar types of filters.

Black Frost filters are made using a remarkable, new diffusion technology, to achieve a unique image styling that can be applied freely, without fear of having scenes appear "heavy-handed."

By solving the problems of excessive light scatter and veiling glare associated with similar filters, Schneider Black Frost filters make possible a higher level of control and convenience.

This filter is available in strengths of 1/8, 1/4, 1/2, 1, and 2. These strengths achieve a subtle filmic type look to a heavy diffusion.




The Schneider 4x4" Black Frost 1/2 Water White Glass Filter flares highlights, mutes colors, and tones down contrast, while retaining rich blacks. This is a very useful combination of effects for 16mm and 35mm film, as well as for HD and standard video. This filter is primarily for styling or mood-modifying.

Note! Black Frost filters are available in strengths from 1/8, 1/4, 1/2, 1, and 2-with 2 having the greatest effect.

Depending on the grade chosen, Black Frosts subtly enhance a scene without degrading the image quality or black saturation.
Black Frost enables cinematographers to capture blacker blacks than are possible with similar types of filters.
Black Frost filters are made using a remarkable diffusion technology, to achieve a unique image styling that can be applied freely, without fear of having scenes appear "heavy-handed".
By solving the problems of excessive light scatter and veiling glare associated with similar filters, Schneider Black Frost filters make possible a higher level of control and convenience.


High-Quality Construction

Schneider solid color filters feature crystal clear, water-white optical glass, protected against edge-chipping and delamination by Schneider's unique Edge Seal, which also significantly reduces edge reflections and flare

Schneider Quality Control

Schneider filters are ground and polished to a precise flatness and plane parallelism
Because all Schneider filters are designed and manufactured with the highest possible degree of consistency, you can swap like filters mid-shoot with no discernible variation in color or effect.




Type Black Frost
Size 4x4" (100 x 100 x 4 mm thick)
Grade  1/2
Filter Factor Not Specified
Multi-Coated Yes
Rotating No
Effect Mutes colors, and tones down contrast, while retaining rich blacks
Application 16mm and 35mm film, as well as for HD and standard video
Color Temperature
Not Specified by Manufacturer
Construction Water White Schott Glass
Front Filter Thread Size Not applicable
Front Lens Cap Size Not applicable




Schneider Optics has engineered a major improvement in motion picture and broadcast television image quality with the Schneider filter line. Diamond cut from crystal-clear, water-white optical glass, Schneider filters are ground and polished to a precise flatness and planeparallelism (the exact parallel relationship between the front and back filter surfaces that is so important to optical performance). Then, to ensure perfection, this is verified by a laser interferometer. Schneider filters are also checked with a densitometer for consistent density, and tested for proper light transmission with a spectrophotometer. Because all Schneider filters are designed and manufactured with the highest possible degree of consistency, you can swap like filters mid-shoot with no discernible variation in color or effect. The unprecedented purity, color saturation and repeatability of Schneider filters virtually eliminate the need for lab color timing corrections caused by other filters. This puts more creative control where it belongs, in your hands.



"When shooting a multi-camera series you are consistently cutting back and forth between cameras. I never worry about matching because I always have Schneider filters on each lens."

Don A. Moran, ASC



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