This listing is for Elvis on Tour (1972) LaserDisc ML100153 Elvis Presley Concert Footage.

Title: Elvis on Tour (1972) - ML100153

Country: USA   

Released: 1984

Publisher: MGM/UA Home Video

Retail Price: 34.98 USD

UPC: 027616015365

I-S-B-N: (none)

Category: Live Concert

Rating: G

Color: Color

Length: 93 min.

Sides: 2

Chapter(s): ???

Size: 12"

Picture: Pan & Scan

Ratio: 1.33:1

Plastic: Transparent

Cover: Standard

Elvis on Tour is a 1972 American concert film starring Elvis Presley during his fifteen-city spring tour earlier that year. It was written, produced, directed by Pierre Adidge and Robert Abel and released by Metro-Goldwyn-Mayer (MGM). Following his return to live performances and touring after his acting career, Presley starred in the documentary Elvis: That's the Way It Is with MGM in 1970. Presley's manager, Colonel Tom Parker, then arranged a deal for another documentary film with the studio by early 1972. MGM hired Abel and Adidge, who previously documented Joe Cocker's 1970 tour of the United States. The crew filmed four Presley shows that were later intertwined with interviews. Assisted by Martin Scorsese, it featured the use of split screens. The film was released on November 1, 1972. While it opened to mixed reviews, it became a box-office success. In 1973, Elvis on Tour won the award for Best Documentary Film at the 30th Golden Globe Awards.

LaserDisc (LD) is a home video format and the first commercial optical disc storage medium, initially licensed, sold, and marketed as MCA DiscoVision (also known as simply "DiscoVision") in North America in 1978.  Although the format was capable of offering higher-quality video and audio than its consumer rivals, the VHS and Betamax videocassette systems, LaserDisc never managed to gain widespread use in North America, largely due to high costs for the players and video titles themselves and the inability to record TV programming. It also remained a largely obscure format in Europe and Australia. By contrast, the format was much more popular in Japan and in the more affluent regions of Southeast Asia, such as Hong Kong, Singapore, and Malaysia, being the prevalent rental video medium in Hong Kong during the 1990s. Its superior video and audio quality did make it a somewhat popular choice among videophiles and film enthusiasts during its lifespan.

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