BLOTTER ART BY STANLEY MOUSE ORIGINAL SKELETON & ROSES BOB WEIR ,JERRY GARCIA GD BLUE :BERTHA SIGNED AND NUMBERED PERFORATED  DRUG FREE SHEET SIGNED IN GOLD SHARPIE  BY  WORLD FAMOUS ARTIST STANLEY MOUSE  LIMITED  EDITION 100 .THESE SHEETS WILL ALWAYS INCRESS IN VALUE OVER TIME,  READY TO BE FRAMED .THESE SHEETS WERE PRINTED ON A HINDENBURG OFF SET PRESS WITH VEGTABLE INK USING ChLORINE FREE PAPER JUST LIKE IT WAS DONE IN THE 60s -70s THE APPROVED PROCESS BY ALL SERIOUS COLLECTORS STANLEY  MOUSE IS FAMOUS FOR THIS IMAGE ON HIS GRATEFUL DEAD POSTERS FROM THE 60s  .GET THIS BLOTTER ART SHEET NOW AT THIS SPECIAL PRICE . PLEASE ASK QUESTIONS . AS ALWAYS THESE SHEETS HAVE NO DRUGS ON THEM OR AROUND THEM .   .Size is 8 X 10 1/4 PERFECT SIZE FOR FRAMING ,COMES WITH COA

Stanley designed with Art Nouveau elegance and American pop-art sensibilities. He produced posters for the Fillmore Auditorium and the Avalon Ballroom. The art promoting the San Francisco scene became instant collectibles and went far beyond the local scene to reach museums worldwide. Art and music came together in images associated with the The Family Dog, Grateful Dead, Jefferson Airplane, Janis Joplin, Big Brother and the Holding Company, Steve Miller. Then on to Jimi Hendrix, Journey, The Rolling Stones, The Beatles and Blind Faith. In all, Mouse and Kelley did the first eight album covers for the Grateful Dead, including the delightful Ice Cream Kid/Rainbow Foot cover of their Europe 72 live album. The cover art for Steve Millers album Book of Dreams won a Grammy Award in 1977.

PRINTED ON THE LEGENDARY ORIGINAL HEIDELBURG CYLINDER Paul Guest aka Monkey (1962 - 2021) was one of the founding fathers of contemporary blotter art. After founding blotterart.ltd in 2007 and buying blotterart.com from Jon Blackburn in 2010 he became one of the few and undoubtedly the best blotter masters in the world. The quality and precision of his blotter art sheets are widely recognized among collectors. If there was any color discrepancy or a perforation not fitting right where it should, he would redo the job until it was done perfectly. His perfectionism is the reason why most major artists went to him when they wanted to put their artwork on blotters. Paul was a beautiful person with a beautiful mind, friendly, generous and a true altruist, always helping and counseling confirmed collectors as well