A similar example is illustrated in the art book 中近東染織図録"Textiles of the Middle and Near East", edited and with commentary by Akashi Senjin, published by Yūshūdō in 1958.
For reference, attached images of the book and explanatory text.
This piece features a classic "Pear design" (paisley motif). On a navy-blue ground, curved, pointed floral patterns adorned with beautiful arabesque details are arranged in a regular sequence. Between these motifs, exotic vase-like pillars filled with flowers are scattered throughout the composition. A floral border pattern is visible along the upper edge. The entire design is woven in lemon yellow and orange, creating an exceptionally clean and refined aesthetic.
As mentioned in the commentary for Plate 1, this is a pure patterned weave known as Tili or Kanikar; no needlework (Amlikar embroidery) is used. When viewed from the reverse side, the patterns appear in exactly the opposite colors. In India, this specific weaving technique is called Dorakha. While the term Dorakha is also used to refer to double-sided embroidery, in the case of this formal textile, it likely stems from its reversible, double-faced structure (similar to futsu-ori or double cloth).
The textile is primarily intended for use as a shoulder mantle (shawl). Despite being a wool weave, it possesses an remarkably soft and supple texture. The place of production is estimated to be Srinagar, the capital of Kashmir, or the nearby northern Punjab region. The period is attributed to the latter half of the 18th century.