Compared to general spring reverbs, it has a dynamic range that is about 5 times wider. I'm filtering it so that it doesn't become too trebling, or too saturated with sound, especially on the bass, but as a reverb effect, the wide dynamic range creates an open spatial character. At the same time, we have set up a decay control so that the reverberation does not interfere with the rhythm. The Decay control designed by BJF is not just a control to adjust the "reverberation length" of a typical reverb, but a control that makes it easy to set it to seamlessly attenuate according to the tone of the guitar. The decay time can be set from 2ms to 2s, and you can actually create a sound, from a setting that only puts a soft reverberation on the sound to a tone that reverberates forever.
The precise decay control and overwhelmingly natural reverb tones are close to studio-class reverb units made with the best of modern technology. What's more, its reverb unit is designed exclusively for guitars/basses.

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