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1 Darling Pretty
- 2 Imelda
- 3 Golden Heart
- 4 No Can Do
- 5 Vic and Ray
- 6 Don't You Get It
- 7 A Night In Summer Long Ago
- 8 Cannibals
- 9 I'm The Fool
- 10 Je Suis Desole
- 11 Rudiger
- 12 Nobody's Got The Gun
- 13 Done With Bonaparte
- 14 Are We In Trouble Now
Dire Straits leader/film score composer Mark Knopfler releases his debut
solo LP, which displays Celtic, folk and country influences in a set of
songs with an expansive, rootsy feel. Taking in everything from
ferocious rockers to acoustic intimacy, Knopfler's songwriting has
rarely been as expressive, his guitar playing so nuanced; the sonic
quality of the album is, of course, impeccable. Guests include Vince
Gill, Muscle Shoals pianist Barry Beckett and noted Irish musicians.
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Mark Knopfler's debut non-soundtrack solo album, Golden Heart, was, in effect, the follow-up to the last Dire Straits studio album, On Every Street (1991). But it was also a compendium of the various musical endeavors in which Knopfler
had engaged since emerging as a major figure in 1978. "Imelda" was cast
in the mold of "Money for Nothing," with its trademark electric guitar
riff and sardonic lyrics about Imelda Marcos, and other songs resembled Dire Straits
songs, notably "Cannibals," which recalled "Walk of Life." But "A Night
in Summer Long Ago" was presented in a Scots/Irish traditional folk
style, complete with a lyric about a knight and a queen and would have
fit nicely on Knopfler's soundtrack for The Princess Bride, and "Are We in Trouble Now" was a country ballad featuring pedal steel guitar and the piano playing of Nashville session ace Hargus "Pig" Robbins that would have been appropriate for Knopfler's duo album with Chet Atkins. For all that, there was little on the album that was new or striking, and Knopfler
seemed to fall back on familiar guitar techniques while intoning often
obscure lyrics. You get the feeling that there was a story behind each
song, but except in the cases of "Rudiger," a character study of an
autograph hunter, and "Done with Bonaparte," the lament of a 19th
century French soldier on the retreat from Moscow, you might have to
read Knopfler's interviews to find out what the songs were actually about. Knopfler
hadn't used the opportunity of a solo album to challenge himself, and
at the same time he had lost the group identity (however illusory)
provided by the Dire Straits name. The result was listenable but secondhand. ~ William Ruhlmann, AllMusic