A venturesome study of corporeality and perception in contemporary drama. The author turns this awareness of the spectator's gaze back upon itself. The book takes up two of drama's most essential and elusive elements: spatiality, through which plays establish fields of visual and environmental relationship and the human body, through which these fields are articulated.

Cover is in overall good condition with light bumps to edges, a small dent to rear and small scuff to front. Internal pages are clean and unmarked.