NOTE: I SOMETIMES POST AS THE FIRST PHOTO ALL OF THE INDIVIDUAL ELEMENTS OF THE CD'S, INCLUDING FRONT COVER, DISC & BACK INSERT PLUS ANYTHING ELSE, JUST AN F.Y.I. AND ALL CD'S COME IN JEWEL CASES UNLESS OTHERWISE NOTED. THANKS FOR LOOKING!
BOB
NOTE: MAIL RATES JUST WENT UP AGAIN...JUST AN F.Y.I.
THIS CD COMES FROM MY TIME AT A NATIONAL RADIO NETWORK WHERE I WAS THE MUSIC AND PROMOTIONS DIRECTOR FOR NEARLY 20 YEARS. A RECENT FIND FROM A BOX IN MY STORAGE UNIT.THIS IS A PHOTO OF THE ACTUAL ITEM FOR SALE, SORRY IF THE PICTURE(S) ARE A BIT BLURRY. I HAVE OTHER ITEMS FOR SALE, CHECK OUT MY OTHER AUCTIONS, THANKS!
AS I MENTIONED ABOVE FOR NEARLY 20 YEARS I WAS THE MUSIC & PROMOTIONS CORDINATOR FOR A MAJOR NATIONAL RADIO NETWORK.... ALL CD'S COME IN A JEWEL CASE UNLESS STATED OTHERWISE.
NOTE: eBay HAS TAKEN IT UPON THEMSELVES TO REMOVE WHAT THEY CALL “OUTSIDE” LINKS, THESE ARE IN THE HTML DESCRIPTION, AND CAN'T EVEN BE SEEN IN MY ITEM DESCRIPTION, SO FROM NOW ON IF YOU WANT TO KNOW MORE ABOUT THE ITEM &/OR ARTIST LOOK 'EM UP, ON WIKI & DISCOGS, ETC.
NOTE: I DO COMBINE SHIPPING.
ARTIST: OZOMATLI
TITLE: 1. “COMO VES” RADIO EDIT (3:07) 2. “COMO VES” LP VERS. (3:58)
TRACK LISTING: SEE PHOTOS/ABOVE:
RECORD LABEL: ALMO SOUNDS RECORDS
CAT.#: AMS5P-8056
YEAR: 1998
CONDITION: THIS IS CD IS IN NM/MINT- COND. THIS IS OPENED BUT UNPLAYED. BACK INSERT IN EX+/NM- CONDITION. SENT OUT TO MUSIC PROFESSIONALS ONLY, NOT SOLD TO THE GENERAL PUBLIC. PRINTED ON THE CD ARTWORK & BACK TRAY INSERT IS “PROMOTIONAL COPY-NOT FOR SALE”
TAKEN FROM THEIR SELF TITLED DEBUT ALBUM.
MORE INFO: THIS CD IS OUT OF PRINT. FROM THE MUSIC LIBRARY OF A NATIONAL RADIO NETWORK.
ARTIST INFO:
OZOMATLI BIO/INFO-
In their fourteen years together as a band, celebrated Los Angeles culture-mashers Ozomatli have gone from being hometown heroes to being named U.S. State Department Cultural Ambassadors. Ozomatli has always juggled two key identities. They are the voice of their city and they are citizens of the world. Their music— a notorious urban-Latino-and-beyond collision of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East LA R&B and New Orleans second line, Jamaican ragga and Indian raga— has long followed a key mantra: it will take you around the world by taking you around L.A. Originally formed to play at an area labor protest over a decade ago, Ozomatli spent some of their early days participating in everything from earthquake prep “hip hop ghetto plays” at inner-city L.A. elementary schools to community activist events, protests, and city fundraisers. Ever since, they have been synonymous with their city: their music has been taken up by The Los Angeles Dodgers and The Los Angeles Clippers, they recorded the street-view travelogue “City of Angels” in 2007 as a new urban anth, and most recently, they were featured as part of the prominent L.A. figures imaging campaign “We Are 4 L.A.” on NBC. “This band could not have happened anywhere else but L.A.,” saxophonist and clarinetist Ulises Bella has said. “Man, the tension of it, the multiculturalism of it. L.A. is like, we’re bonded by bridges.” Ozo is also a product of the city’s grassroots political scene. Proudly born as a multi-racial crew in post-uprising 90s Los Angeles, the band has built a formidable reputation over four full-length studio albums and a relentless touring schedule for taking party rocking so seriously that it becomes new school musical activism. In 2007, the reach and power of that voice went to new global heights. The band had long been a favorite of international audiences-playing everywhere from Japan to North Africa and Australia-and their music had always been internationalist in its scope, seamlessly blending and transforming traditions from Africa, Latin America, Asia and the Middle East (what other band could record a song once described as “Arabic jarocho dancehall”?), but last year, they entered the global arena in a different way. They were invited by the U.S. State Department to serve as official Cultural Ambassadors on a series of government-sponsored international tours to Asia, Africa, South America, and the Middle East, tours that linked Ozomatli to a tradition of cultural diplomacy that also includes the este ed likes of Duke Ellington, Benny Goodman, and Louis Armstrong. For the U.S bassy in Nepal, Ozomatli were a model of how diversity promotes change. According to an official bassy release, “Ozomatli is living proof that diverse backgrounds make a stronger and more prosperous whole. Ozomatli’s nine members are committed to addressing social issues of local, national and international importance and they use the power of their own diversity to achieve this.” Suddenly the lessons of L.A. had found their way into the world at large. “I’ve always felt that music is the key to every culture, the beginning of an understanding,” says vocalist and trumpet player Asdru Sierra. “It’s a language far more universal than politics.”
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