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Description: Dominated by vivid blues, greens, yellows, oranges and reds, the painting incorporates microchip-like forms, rectilinear networks and flowing curvilinear elements. A sweeping blue ribbon-like structure traverses the composition, while a central circular motif provides a visual anchor amongst the surrounding architectural and system-based forms. The painting displays a strong graphic quality and reflects late twentieth-century interests in technology, systems theory and the relationship between human-made and natural structures. The original presentation plaque describes the work as an "original work depicting integration of man made micro systems with natural organisations", providing direct insight into the artist's intended concept. The canvas measures 39.6 by 59.4 in. (100.5 by 151 cm). The work is signed "SCOTT" lower left and further signed and dated "PAT SCOTT 1988" to the stretcher verso. It is presented in a silver-coloured metal frame measuring 41.7 by 61.4 in. (106 by 156 cm) and retains its original inscribed plaque. The history of the painting is not fully documented. It was acquired several years ago by the present owner at a local auction. Further research undertaken at the time linked the work to an earlier auction dispersal of contents associated with an academic or educational figure, although no records have been retained and the relevant auction references can no longer be located online. Consequently, this possible association cannot now be verified and should be regarded as unconfirmed. No additional provenance documentation accompanies the painting. Despite research into the artist's identity, no definitive attribution beyond the name "Pat Scott" has been established. There is currently no evidence linking this work to the Irish artist Patrick Scott (1921–2014), and the painting is therefore catalogued simply as a work by "Pat Scott" pending any further information. This is an authentic and genuine oil or acrylic painting from 1988. The painting will be packed safely and shipped within a custom-made plywood box. Biography: Research undertaken into artists working under the name Pat Scott has revealed several individuals; however, no firm connection can be established between this painting and any documented artist. The title plaque, signature and stretcher inscription all identify the maker as "Pat Scott", but no exhibition records, catalogue raisonné entries, gallery references or published material relating specifically to Planar-Ama have been located. One notable artist of a similar name is Patrick Scott (1921–2014), while the abstract nature of Planar-Ama and the similarity of name naturally invite comparison, no evidence has been found linking this painting to Patrick Scott. The attribution should therefore remain as "Pat Scott" unless further documentation emerges.
Condition:
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