Oliver Nelson – Eight Classic Albums 4xCD OOP Eric Dolphy Bill Evans Freddie Hubbard King Curtis
Lem Winchester Jimmy Forrest Joe Newman Ray Bryant Paul Chambers Roy Haynes Hank Jones
Ray Barretto Kenny Dorham Johnny Hammond Smith / 8 recording on 4xCD's
Great Musicians creating Great Music ( Photos Stock)
Eric Dolphy's work with Nelson is his best
Meet Oliver Nelson is the debut album by saxophonist Oliver Nelson recorded in 1959 and released on the New Jazz label
Taking Care of Business is an album by saxophonist Oliver Nelson recorded in 1960 and released on the New Jazz label.
The Blues and the Abstract Truth is an album by American composer and jazz saxophonist Oliver Nelson recorded in February 1961 for the Impulse! label. It remains Nelson's most acclaimed album and features a lineup of notable musicians: Freddie Hubbard, Eric Dolphy (his second-to-last appearance on a Nelson album following a series of collaborations recorded for Prestige), Bill Evans (his only appearance with Nelson), Paul Chambers and Roy Haynes. Baritone saxophonist George Barrow does not take solos but remains a key feature in the subtle voicings of Nelson's arrangements. The album is often noted for its unique ensemble arrangements and is frequently identified as a progenitor of Nelson's move towards arranging later in his career
Straight Ahead is a jazz studio album by saxophonist Oliver Nelson. It features acclaimed musicians such as Eric Dolphy on sax, clarinet and flute (his last appearance on a Nelson album following a series of collaborations recorded for Prestige), and Roy Haynes on drums. It was recorded in March 1961 at the celebrated Van Gelder Studio in Englewood Cliffs. All the pieces were first takes; Joe Goldberg recalls: "The session was scheduled for one in the afternoon and I arrived at 3:30, thinking that by then the music would have been rehearsed and the men would be starting to play. What I found was a studio empty of everyone but A&R man Esmond Edwards", the supervisor, "and engineer Rudy Van Gelder, who were packing up to leave and looking very satisfied." Released in 1961 for the Prestige/New Jazz label (as NJ 8255) and remastered in 1989, the album is notable for its long and thoughtful horn duets by Dolphy and Nelson. Don DeMicheal described the album "All in all, a warm, very human record"