Original painting Oil on canvas 24" x 20" Symbolism surrealism ART by Vladimir Pronkin 2025 "FEM"

A vibrant, abstract painting portrays a series of stylized human faces, with their heads topped by miniature architectural structures, set against a textured, turquoise backdrop.

The composition is structured around a central vertical axis with four faces depicted, seemingly overlapping and merging into one another. Above their heads, small, simplified houses with red roofs and white walls form a continuous line, almost like a crown or a cityscape. The painting has an abstract feel; however, certain symbolic objects are scattered around the faces, with signs and symbols adding to the mysterious context. The framing is close-up, focusing intently on the faces and their symbolic surroundings.

The primary subjects are the stylized human faces, each split vertically into two colors, suggesting a juxtaposition or duality. Their features, including eyes and lips, are painted with exaggerated details. The leftmost face has red hair with a ring earring and a reflection. The facial expression is neutral. Each face has a unique skin tone, from blue to orange, creating a visual rhythm and complexity. The small houses are designed with simple, blocky forms, adding to the artistic feeling of the scene.

The artwork is an acrylic painting, characterized by bold brushstrokes and rich, saturated colors. The artist uses a palette of warm oranges, yellows, and reds, which is contrasted by cool blues and greens in the background. The painting has a textured surface, suggesting a build-up of layers, and the brushwork is visible, contributing to the painting's visual texture. The artist's signature "PRONKIN 2025" is in the bottom right corner.

The background is a mottled turquoise, which adds to the painting's depth and provides a contrast to the warm tones of the faces. The overall mood is somewhat enigmatic. The use of the symbols and architecture within the human figures creates a dreamlike, imaginative atmosphere. The lighting is fairly even, but there are some highlights and shadows, giving the painting a sense of volume and dimension.

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