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"Jason Voorhees (/ˈvɔːrhiːz/) is a character from the Friday the 13th series. He first appeared in Friday the 13th (1980) as the young son of camp-cook-turned-killer Pamela Voorhees, in which he was portrayed by Ari Lehman. Created by Victor Miller, with contributions by Ron Kurz, Sean S. Cunningham and Tom Savini, Jason was not originally intended to carry the series as the main antagonist. The character has subsequently been represented in various other media, including novels, video games, comic books, and a crossover film with Freddy Krueger.
The character has primarily been an antagonist in the films, whether by stalking and killing the other characters, or acting as a psychological threat to the protagonist, as in the case of Friday the 13th: A New Beginning. Since Lehman's portrayal, the character has been represented by numerous actors and stuntmen, sometimes by more than one at a time; this has caused some controversy as to who should receive credit for the portrayal. Kane Hodder is the best known of the stuntmen to portray Jason, having played the character in four consecutive films.
The character's physical appearance has gone through many transformations, with various special makeup effects artists making their mark on the character's design. Tom Savini's initial design has been the basis for many of the later incarnations. The trademark hockey mask did not appear until Friday the 13th Part III. Since Friday the 13th Part VI: Jason Lives, filmmakers have given Jason superhuman strength, regenerative powers, and near invulnerability. Some interpretations suggest that the audience has empathy for Jason, whose motivation for killing has been cited as being driven by the immoral actions of his victims and his own rage over having drowned as a child.[3] Jason has been featured in various humor magazines, referenced in feature films, parodied in television series, and was the inspiration for a horror punk band. Several toy lines have been released based on various versions of the character from the Friday the 13th films. Jason’s hockey mask is a widely recognized image in popular culture.
Appearances
Jason Voorhees first appears during a nightmare of the main character Alice Hardy (Adrienne King) in the original Friday the 13th film; he becomes the main antagonist of the series in its sequels. As well as the films, there have been books and comics that have either expanded the universe of Jason, or been based on a minor aspect of him.
Films
Jason made his first cinematic appearance in the original Friday the 13th on May 9, 1980. In this film, Jason (Ari Lehman) is portrayed in the memories of his mother, Mrs. Voorhees (Betsy Palmer), and as a nightmare of the film's protagonist, Alice (Adrienne King). Although not a central character in the original movie, he is still the catalyst of the film's plot—Mrs. Voorhees, the main antagonist, seeks revenge for her son's drowning, which she blames on the irresponsible camp counselors.[4] Jason's second appearance was in the sequel, Friday the 13th Part 2 (1981). Revealed to be alive, an adult Jason exacts revenge on Alice for decapitating his mother in the original film. Jason (Steven Dash and Warrington Gillette) returns to Crystal Lake, living there as a hermit and guarding it from all intruders. Five years later a group of teenagers arrive to set up a new camp, only to be murdered one by one by Jason, who wears a sack over his head to hide his face. Ginny (Amy Steel), the lone survivor, finds a makeshift shack in the woods with a shrine built around the severed head of Mrs. Voorhees, and surrounded by corpses. Ginny fights back and slams a machete through Jason's shoulder. He is left incapacitated as Ginny is taken away in an ambulance.[5] In Friday the 13th Part III (1982), Jason (Richard Brooker) escapes to a nearby lake resort, Higgins Haven, to rest from his wounds. At the same time, Chris Higgins (Dana Kimmell) returns to family property with some acquaintances. An unmasked and reclusive Jason kills anyone who wanders into the barn where he is hiding. Taking a hockey mask from a victim to hide his face, he leaves the barn to kill the rest of the group. Chris fends off Jason by slamming an axe into his head, but the night's events drive her into hysteria as the police take her away.[6]
Friday the 13th: The Final Chapter (1984) continues the story, with a presumed-dead Jason (Ted White) found by the police and taken to the morgue. Jason awakens at the morgue and kills the coroner and a nurse, and makes his way back to Crystal Lake. A group of teens renting a house there fall victim to Jason's rampage. Jason then seeks out Trish (Kimberly Beck) and Tommy Jarvis (Corey Feldman) next door. While Trish distracts Jason, Tommy finally kills him with a machete.[7] Friday the 13th: A New Beginning (1985) follows Tommy Jarvis (John Shepherd), who was committed to a mental hospital after the events of The Final Chapter, and has grown up constantly afraid that Jason (Tom Morga) will return. Jason's body was supposedly cremated after Tommy killed him. Roy Burns (Dick Wieand) uses Jason's persona to become a copycat killer at the halfway home to which Tommy was moved. Jason appears in the film only through Tommy's dreams and hallucinations.[8] In Friday the 13th Part VI: Jason Lives (1986), Tommy (Thom Mathews), who has run away from a mental institution, visits Jason's grave and learns that Jason's body was never actually cremated, but buried in a cemetery near Crystal Lake. While attempting to destroy his body, Tommy inadvertently resurrects Jason (C. J. Graham) via a piece of cemetery fence that acts as a lightning rod. Now possessing superhuman abilities, Jason returns to Crystal Lake, renamed Forest Green, and begins his killing spree anew. Tommy eventually lures Jason back to the lake where he drowned as a child and chains him to a boulder on the lake floor, but almost dies in the process. Tommy's friend, Megan Garris (Jennifer Cooke), finishes Jason off by cutting his neck with a boat propeller.[9]
Friday the 13th Part VII: The New Blood (1988) begins an undisclosed amount of time after Jason Lives. Jason (Kane Hodder) is inadvertently freed from his chains by the telekinetic Tina Shepard (Lar Park Lincoln), who was attempting to resurrect her father. Jason begins killing those who occupy Crystal Lake, and after a battle with Tina, is dragged back to the bottom of the lake by an apparition of Tina's father.[10] Friday the 13th Part VIII: Jason Takes Manhattan (1989) sees Jason return from the grave, brought back to life via an underwater electrical cable. He follows a group of students on their senior class trip to Manhattan, boarding the Lazarus to wreak havoc. Upon reaching Manhattan, Jason kills all the survivors but Rennie (Jensen Daggett) and Sean (Scott Reeves); he chases them into the sewers, where he is submerged in toxic waste and dies.[11] In Jason Goes to Hell: The Final Friday (1993), through an unexplained resurrection, he returns to Crystal Lake where he is hunted by the FBI. The FBI sets up a sting to kill Jason, which proves successful. However, through mystical possession, Jason survives by passing his demon-infested heart from one being to the next. Though Jason does not physically appear throughout most of the film, it is learned he has a half-sister and a niece, and that he needs them to retrieve and reinhabit his body. After resurrecting it, Jason is stabbed by his niece Jessica Kimble (Kari Keegan) and dragged into Hell.[12]
Jason X (2001)[13] marked Kane Hodder's last performance as Jason. The film starts off in 2010; Jason has returned after another unexplained resurrection. Captured by the U.S. government in 2008, Jason is being experimented upon in a research facility, where it has been determined that he has regenerative capabilities and that cryonic suspension is the only possible solution to stop him, since numerous attempts to execute him have proved unsuccessful. Jason escapes, killing all but one of his captors, and slices through the cryo-chamber, spilling cryonics fluid into the room, freezing himself and the only other survivor, Rowan (Lexa Doig). A team of students 445 years later discover Jason's body. On the team's spacecraft, Jason thaws from his cryonic suspension and begins killing the crew. Along the way, he is enhanced by a regenerative nanotechnology process, which gives him an impenetrable metal body. Finally, he is ejected into space and falls to the planet Earth Two, incinerated in the atmosphere.[14]
Freddy vs. Jason (2003) is a crossover film in which Jason battles A Nightmare on Elm Street's villain Freddy Krueger (Robert Englund), a supernatural killer who murders people in their dreams. Krueger has grown weak, as people in his home town of Springwood have suppressed their fear of him. Freddy, who is impersonating Jason's mother (Paula Shaw), resurrects Jason (Ken Kirzinger) from Hell and sends him to Springwood to cause panic and fear. Jason accomplishes this, but refuses to stop killing. A battle ensues in both the dream world and Crystal Lake. The identity of the winner is left ambiguous, as Jason surfaces from the lake holding Freddy's severed head, which winks and laughs.[15]
In the 2009 Friday the 13th reboot, young Jason (Caleb Guss) witnesses his mother's (Nana Visitor) beheading as a child and follows in her footsteps, killing anyone who comes to Crystal Lake. The adult Jason (Derek Mears) kidnaps Whitney Miller (Amanda Righetti), a girl who looks like his mother, and holds her prisoner in his tunnels. Months later, Whitney's brother Clay (Jared Padalecki) comes to Crystal Lake and rescues her. Eventually, Whitney uses Jason's devotion to his mother against him, stabbing him with his own machete while he is distracted when she appears. When his body is dumped into the lake, Jason emerges from the water to grab Whitney and their fates are left unknown....
Concept and creation
Savini, on the left, applies make-up behind Lehman's ear. Lehman's bald head has been made to appear over-large; his eyes point in directions, and his teeth are extremely crooked.
Tom Savini applies make-up to Ari Lehman, creating his vision of Jason Voorhees.
Initially created by Victor Miller, Jason's final design was a combined effort by Miller, Ron Kurz, and Tom Savini.[60] The name "Jason" is a combination of "Josh" and "Ian", Miller's two sons, and "Voorhees" was inspired by a girl that Miller knew at high school whose last name was Voorhees. Miller felt it was a "creepy-sounding name", which was perfect for his character.[60] Miller initially wrote Jason as a normal-looking child, but the crew behind the film decided he needed to be deformed. Victor Miller explained Jason was not meant to be a creature from the "Black Lagoon" in his script, and scripted Jason as a mentally disabled young boy; it was Savini who made Jason deformed.[61] Ron Kurz confirmed that Miller's version of Jason was that of a normal child, but claims that it was his idea to turn Jason into a "mongoloid creature", and have him "jump out of the lake at the end of the film".[60] Miller later agreed the ending would not have been as good if he looked like "Betsy Palmer at eight years old".[62] Miller wrote a scene where Alice dreams she is attacked in a canoe by Jason, and then she wakes up in a hospital bed. Miller's intention was to get as close to Carrie's ending as possible.[61] Savini believed having Jason pop out of the lake would be psychologically disturbing to the audience, and since Alice is supposed to be dreaming, the crew could get away with adding anything they wanted.[61]
When it came time to cast the role of Jason, Ari Lehman, who had received a part in Sean Cunningham's Manny's Orphans,[63] arrived to read for the character of Jack. Before he could get started, Cunningham walked in and offered him a different part: Jason. Without having read a single word, Cunningham just looked at Ari and said, "You're the right size, you've got it."[61] In the original Friday the 13th, Ari Lehman is seen only in a brief flashback as the surprise ending.[64] Subsequent actors who portrayed a young Jason include Timothy Burr Mirkovich in Jason Takes Manhattan and Spencer Stump in Freddy vs. Jason. The adult role of Jason Voorhees has been played by various actors, some not credited, others taking great pride in their parts. Due to the physical demands the adult character requires, and the lack of emotional depth depicted, many of the actors since have been stuntmen. The most well known among them is Kane Hodder, who is cited as the best to play the role.[65][66]
Many ideas were suggested for the sequel to Friday the 13th, including making the title part of a serialized film series, where each succeeding film would be its own story and not related to any previous film under the Friday the 13th moniker.[64] It was Phil Scuderi, one of the producers for the original film, who suggested bringing Jason back for the sequel. The director Steve Miner felt it was the obvious direction to take the series, as he felt the audience wanted to know more about the child who attacked Alice in the lake. Miner decided to pretend as if Alice did not see the "real Jason" in her dream, and Jason had survived his drowning as a boy and had grown up.[64] After killing Jason in The Final Chapter, it was the director Joseph Zito's intention to leave the door open for the studio to make more films with Tommy Jarvis as the main antagonist. Screenwriter Barney Cohen felt Jarvis would become a substitute for Jason, but the idea was never fully developed in A New Beginning.[67] Director and co-screenwriter Danny Steinmann disliked the idea of Jason not being the killer, but decided to use Tommy's fear of Jason as the primary story.[67] This idea was immediately abandoned in Jason Lives, when A New Beginning did not spark the "creative success" the studio was looking for. Executive producer Frank Mancuso Jr. wanted to bring Jason back, and he did not care how it was achieved.[68] In yet another alteration of the series' continuity, Tom McLoughlin chose to ignore the idea that Jason had survived his drowning, instead presenting him as always having been some sort of supernatural force.[3] Since A New Beginning, no sequel has attempted to replace Jason as the main antagonist. Miller, who has not seen any of the sequels, took issue with all of them because they made Jason the villain. Miller believes the best part of his screenplay was that it was about a mother avenging the senseless death of her son. Miller stated, "Jason was dead from the very beginning; he was a victim, not a villain."...
Design
The physical design of Jason Voorhees has gone through changes, some subtle and some radical. For Friday the 13th, the task of coming up with Jason's appearance was the responsibility of Tom Savini, whose design for Jason was inspired by someone Savini knew as a child whose eyes and ears did not line up straight.[61] The original design called for Jason to have hair, but Savini and his crew opted to make him bald,[60] so he would look like a "hydrocephalic, mongoloid pinhead", with a dome-shaped head.[61] Savini created a plaster mold of Ari Lehman's head and used that to create prosthetics for his face.[60] Lehman personally placed mud—from the bottom of the lake—all over his body to make himself appear "really slimy."[60]
For Part 2, Steve Miner asked Carl Fullerton, the make-up effects supervisor, to stick to Savini's original design, but Fullerton only had one day to design and sculpt a new head. Fullerton drew a rough sketch of what he believed Jason should look like, and had it approved by Miner.[70] Fullerton added long hair to the character. Gillette had to spend hours in a chair as they applied rubber forms all over his face, and had to keep one eye closed while the "droopy eye" application was in place. Gillette's eye was closed for twelve hours at a time while he was filming the final scenes of the film. False teeth created by a local dentist were used to distort Gillette's face.[70] Much of the basic concept of Fullerton's design was eliminated for Part 3. Miner wanted to use a combination of the designs from Tom Savini and Carl Fullerton, but as work progressed the design began to lean more and more toward Savini's concept.[91] Stan Winston was hired to create a design for Jason's head, but the eyes were level and Doug White, the make-up artist for Part 3, needed a droopy right eye. White did keep Winston's design for the back of the head, because the crew did not have the time to design an entirely new head for Jason.[91] The process of creating Jason's look was hard work for White, who had to constantly make alterations to Richard Brooker's face, even up to the last day of filming.[91]
The actor wears a modified goalie mask. Three red triangles have been painted on the mask.
Jason's original mask was molded from a Detroit Red Wings goalie mask, and would become a staple for the character for the rest of the series.
The script for Part 3 called for Jason to wear a mask to cover his face, having worn a bag over his head in Part 2; what no one knew at the time was that the mask chosen would become a trademark for the character, and one instantly recognizable in popular culture in the years to come.[92] During production, Steve Miner called for a lighting check. None of the effects crew wanted to apply any make-up for the light check, so they decided to just throw a mask on Brooker. The film's 3D effects supervisor, Martin Jay Sadoff, was a hockey fan, and had a bag of hockey gear with him on the set. He pulled out a Detroit Red Wings goaltender mask for the test.[93] Miner loved the mask, but it was too small. Using a substance called VacuForm, Doug White enlarged the mask and created a new mold to work with. After White finished the molds, Terry Ballard placed red triangles on the mask to give it a unique appearance. Holes were punched into the mask and the markings were altered, making it different from Sadoff's mask.[93] There were two prosthetic face masks created for Richard Brooker to wear underneath the hockey mask. One mask was composed of approximately 11 different appliances and took about six hours to apply to Brooker's face; this mask was used for scenes where the hockey mask was removed. In the scenes where the hockey mask is over the face, a simple head mask was created. This one-piece mask would slip on over Brooker's head, exposing his face but not the rest of his head.[93]
Tom Savini agreed to return to make-up duties for The Final Chapter because he felt he should be the one to bring Jason full circle in terms of his look from child to man.[94] Savini used his design from the original Friday the 13th, with the same practice of application as before, but molded from Ted White's face. Since Jason is not the actual killer in A New Beginning, it was not necessary to do any major designing for Jason's look. Only a head mask to cover the top and back of the head, like the one Brooker wore while wearing the hockey mask, was needed for the film. Make-up artist Louis Lazzara, who cites A New Beginning as almost a direct sequel to The Final Chapter, did base his head-mask on Tom Savini's design for The Final Chapter.[95]
Friday the 13th Part VII: The New Blood sought to make Jason more of a "classic monster along the lines of Frankenstein."[96] From the beginning, Buechler tried to tie the previous films together by having Jason's appearance reflect that of the damage he received in the previous installments. Buechler wanted the motor boat damage from Jason Lives, and the axe and machete cuts Jason received in Part 3 and Part 4 to part of the design for The New Blood.[80] Since Jason had been submerged under water in the previous entry, the effects team wanted Jason to appear "rotted", with bones and ribs showing, and for Jason's features to have a more defined feel to them.[96] Howard Berger was inspired by Carl Fullerton's design in The New Blood, and wanted to incorporate the exposed flesh concept into his model for Jason Goes to Hell. Berger designed Jason's skin to overlap with the mask, to make it appear as if the skin and mask had fused and the mask could no longer be removed.[83] Gregory Nicotero and Berger sculpted a full-body, foam latex suit for Kane Hodder to wear under the costume. The idea was to reveal as much of Jason's skin as possible, because Nicotero and Berger knew the physical character would not be seen for most of the film.[83]
Two drawings show the artist's conception of Über-Jason. On the right, a man with a high-tech metallic right arm and left leg holds a machete. On the left, a detailed drawing of the right arm.
Stephan Dupuis was given the task of redesigning Jason for the tenth Friday the 13th film. One concept brought into the film was Jason's regenerative abilities.[14] Dupuis gave the character more hair and more of a natural flesh appearance to illustrate the constant regeneration the character goes through; Dupuis wanted a more "gothic" design for Jason, so he added chains and shackles, and made the hockey mask more angular.[84] Jim Isaac and the rest of his crew wanted to create an entirely new Jason at some point in the film. The idea was for the teens to completely destroy Jason's body, allowing the futuristic technology to bring him back to life.[84] What was referred to as Über-Jason was designed to have chunks of metal growing from his body, bonded by tendrils that grew into the metal, all pushing through a leather suit. The metal was created from VacuForm, the same material used to increase the size of the original hockey mask, and was attached by Velcro. The tendrils were made from silicone. All of the pieces were crafted onto one suit, including an entire head piece, which Hodder wore. The make-up effects team added zippers along the side of the suit, which allowed Hodder to enter and exit the suit within 15 minutes.[84]
By the time Freddy vs. Jason entered production there had been ten previous Friday the 13th films. Make-up effects artist Terezakis wanted to put his own mark on Jason's look—he wanted Jason to be less rotted and decomposed and more defined, so that the audience would see a new Jason, but still recognized the face. Terezakis tried to keep continuity with the previous films, but recognized that had he followed them too literally, then "Jason would have been reduced to a pile of goo."[85] Ronny Yu wanted everything surrounding the hockey mask to act as a frame, making the mask the focal point of each shot. To achieve this, Terezakis created a "pooled-blood look" for the character by painting the skin black, based on the idea the blood had pooled in the back of his head because he had been lying on his back for a long time. As with other make-up artists before him, Terezakis followed Savini's original skull design, and aged it appropriately.[85]
For the 2009 version of Friday the 13th, effects artist Scott Stoddard took inspiration from Carl Fullerton's design in Friday the 13th Part 2 and Tom Savini's work in Friday the 13th: The Final Chapter. Stoddard wanted to make sure that Jason appeared human and not like a monster. Stoddard's vision of Jason includes hair loss, skin rashes, and the traditional deformities in his face, but he attempted to craft Jason's look in a way that would allow for a more human side to be seen.[89] Stoddard took inspiration from the third and fourth films when designing Jason's hockey mask. The make-up artist managed to acquire an original set piece, which he studied and later sculpted. Although he had a model of one of the original masks, Stoddard did not want to replicate it in its entirety. As Stoddard explains, "Because I didn't want to take something that already existed, there were things I thought were great, but there were things I wanted to change a bit. Make it custom, but keep all the fundamental designs. Especially the markings on the forehead and cheeks. Age them down a bit, break them up." In the end, Stoddard crafted six versions of the mask, each with varying degrees of wear.
Characteristics
In his original appearance, Jason was scripted as a mentally disabled young boy.[97] Since Friday the 13th, Jason Voorhees has been depicted as a non-verbal, indestructible, machete-wielding mass murderer.[98][99] Jason is primarily portrayed as being completely silent throughout the film series. Exceptions to this include in Part III when he grunts in pain several times when final girl Chris manages to stab him (once in the hand and once just above his knee), flashbacks of Jason as a child, a brief scene in Jason Takes Manhattan where the character cries out "Mommy, please don't let me drown!" in a child's voice before being submerged in toxic waste, and in Jason Goes to Hell where his spirit possesses other individuals.[61] Online magazine Salon's Andrew O'Hehir describes Jason as a "silent, expressionless...blank slate."[100] When discussing Jason psychologically, Sean S. Cunningham said, "...he doesn't have any personality. He's like a great white shark. You can't really defeat him. All you can hope for is to survive."[101] Since Friday the 13th Part VI: Jason Lives, Jason has been a "virtually indestructible" being. Tom McLoughlin, the film's director, felt it was silly that Jason had previously been just another guy in a mask, who would kill people left and right, but get "beaten up and knocked down by the heroine at the end". McLoughlin wanted Jason to be more of a "formidable, unstoppable monster".[23] In resurrecting Jason from the dead, McLoughlin also gave him the weakness of being rendered helpless if trapped beneath the waters of Crystal Lake; inspired by vampire lore, McLoughlin decided that Jason had in fact drowned as a child, and that returning him to his original resting place would immobilize him.[102] This weakness would be presented again in The New Blood, and the idea that Jason had drowned as a child was taken up by director Rob Hedden as a plot element in Jason Takes Manhattan.[61]
Many have given suggestions as Jason's motivation for killing. Ken Kirzinger refers to Jason as a "psychotic mama's boy gone horribly awry...very resilient. You can't kill him, but he feels pain, just not like everyone else."[103] Kirzinger goes on to say that Jason is a "psycho-savant", and believes his actions are based on pleasing his mother, and not anything personal.[85] Andrew O'Hehir has stated, "Coursing hormones act, of course, as smelling salts to prudish Jason, that ever-vigilant enforcer of William Bennett-style values."[100] Todd Farmer, writer for Jason X, wrote the scene where Jason wakes from cryonic hibernation just as two of the teenagers are having sex. Farmer liked the idea that sex acts triggered Jason back to life.[84] Whatever his motivations, Kane Hodder believes there is a limit to what he will do. According to Hodder, Jason might violently murder any person he comes across, but when Jason Takes Manhattan called for Hodder to kick the lead character's dog, Hodder refused, stating that, while Jason has no qualms against killing humans, he is not bad enough to hurt animals.[104] Another example from Jason Takes Manhattan, involves Jason being confronted by a street gang of young teenage boys one of whom threatens him with a knife, however Jason chooses not to kill them and instead scares them off by lifting up his mask and showing them his face. Likewise, director Tom McLoughlin chose not to have Jason harm any of the children he encounters in Jason Lives, stating that Jason would not kill a child, out of a sympathy for the plight of children generated by his own death as a child.[102]
In Jason Goes to Hell, director Adam Marcus decided to include a copy of the Necronomicon Ex-Mortis, from the Evil Dead franchise, in the Voorhees home as a way to insinuate that Jason was actually a "Deadite", a type of demonic being from that series. Marcus stated the book's placement was intended to imply that Pamela Voorhees had used it to resurrect Jason after his childhood drowning, resulting in his supernatural abilities: "This is why Jason isn't Jason. He's Jason plus The Evil Dead... That, to me, is way more interesting as a mashup, and [Sam] Raimi loved it! It's not like I could tell New Line my plan to include The Evil Dead, because they don't own The Evil Dead. So it had to be an Easter egg, and I did focus on it. It absolutely is canon."[105] In an early draft of Freddy vs. Jason, it was decided that one of the villains needed a redeemable factor. Ronald D. Moore, co-writer of the first draft, explained that Jason was the easiest to make redeemable, because no one had previously ventured into the psychology surrounding the character. Moore saw the character as a "blank slate", and felt he was a character the audience could really root for.[106] Another draft, penned by Mark Protosevich, followed Moore's idea of Jason having a redeemable quality. In the draft, Jason protects a pregnant teenager named Rachel Daniels. Protosevich explained, "It gets into this whole idea of there being two kinds of monsters. Freddy is a figure of actual pure evil and Jason is more like a figure of vengeance who punishes people he feels do not deserve to live. Ultimately, the two of them clash and Jason becomes an honorable monster."[106] Writers Damian Shannon and Mark Swift, who wrote the final draft of the film, disagreed about making Jason a hero, although they drew comparisons between the fact that Freddy was a victimizer and Jason was a victim. They stated, "We did not want to make Jason any less scary. He's still a brutal killer ... We never wanted to put them in a situation where Jason is a hero ... They're both villains to be equally feared."[106] Brenna O'Brien, co-founder of Fridaythe13thfilms, saw the character as having sympathetic qualities. She stated, "[Jason] was a deformed child who almost drowned and then spent the rest of his childhood growing up alone in the woods. He saw his mother get murdered by a camp counselor in the first Friday the 13th, and so now he exacts his revenge on anyone who returns to Camp Crystal Lake. Teenage fans can identify with that sense of rejection and isolation, which you can't really get from other killers like Freddy Krueger and Michael Myers."[92]
As Jason went through some characterization changes in the 2009 film, Derek Mears likens him more to a combination of John Rambo, Tarzan, and the Abominable Snowman from Looney Tunes. To him, this Jason is similar to Rambo because he sets up the other characters to fall into his traps. Like Rambo, he is more calculated because he feels that he has been wronged and he is fighting back; he is meant to be more sympathetic in this film.[107] Fuller and Form contend that they did not want to make Jason too sympathetic to the audience. As Brad Fuller explains, "We do not want him to be sympathetic. Jason is not a comedic character, he is not sympathetic. He's a killing machine. Plain and simple."[108]
In 2005, California State University's Media Psychology Lab surveyed 1,166 people Americans aged from 16 to 91 on the psychological appeal of movie monsters. Many of the characteristics associated with Jason Voorhees were appealing to the participants. In the survey, Jason was considered to be an "unstoppable killing machine." Participants were impressed by the "cornucopic feats of slicing and dicing a seemingly endless number of adolescents and the occasional adult." Out of the ten monsters used in the survey—which included vampires, Freddy Krueger, Frankenstein's monster, Michael Myers, Godzilla, Chucky, Hannibal Lecter, King Kong and the Alien—Jason scored the highest in all the categories involving killing variables. Further characteristics that appealed to the participants included Jason's "immortality, his apparent enjoyment of killing [and] his superhuman strength."" (wikipedia)
"Plot
On Friday, June 13, 1980, a young Jason Voorhees watches as his mother Pamela is beheaded by a camp counselor, who was trying to escape Mrs. Voorhees's murder spree around Camp Crystal Lake. Almost thirty years later, five friends—Wade, Richie, his girlfriend Amanda, Mike, and his girlfriend Whitney—arrive for a camping trip at Crystal Lake, where they hope to find a crop of growing in the woods. That night, an adult Jason kills everyone except Whitney, whom he captures as she resembles his mother at a young age.
Six weeks later, Trent, his girlfriend Jenna, and friends Chelsea, Bree, Chewie, Nolan, and Lawrence arrive at Trent's summer cabin on the shore of Crystal Lake. Meanwhile, Whitney's brother Clay Miller arrives at the lake to search for her, despite his local sheriff's pleas to look elsewhere. Clay visits Trent's cabin, and Jenna agrees to help him search for Whitney. Chelsea and Nolan go wakeboarding on the lake where Jason kills Nolan with an arrow, and fatally stabs Chelsea with his machete. Meanwhile, Clay and Jenna search the old Crystal Lake campgrounds, where they see Jason hauling a body into the abandoned camp house.
Jenna and Clay run back to the cabin to warn the others about Jason. Chewie is killed by Jason in a tool shed near the cabin, while Trent and Bree have sex in a bedroom. Jenna and Clay arrive, and Clay calls the police. Jason then disconnects the cabin's electricity. Lawrence heads outside to search for Chewie, and Jason kills him with an axe. Jason then sneaks inside and kills Bree. A police officer arrives and knocks on the front door, but is killed by Jason before he can enter. Trent, Clay, and Jenna escape the cabin and become separated, and Trent is killed by Jason when he reaches the main road.
Jason chases Clay and Jenna back to the campgrounds, where Clay discovers Jason's lair and finds his sister underground, chained to a wall. Clay frees Whitney, and all three try to escape as Jason arrives. They find an exit, but Jenna is impaled by Jason's machete before she can escape. Jason corners Clay and Whitney in a barn, and Whitney confuses Jason by pretending to be Pamela. Clay and Whitney subdue Jason with a chain, and Whitney stabs Jason in the chest with his machete. After sunrise, Clay and Whitney dump Jason's body into the lake, but before they leave, Jason bursts through the wooden dock and grabs Whitney.
Cast
Main article: List of Friday the 13th characters
Jared Padalecki as Clay Miller
Danielle Panabaker as Jenna Montgomery
Amanda Righetti as Whitney Miller
Travis Van Winkle as Trent Sutton
Aaron Yoo as Chewie Wong
Derek Mears as Jason Voorhees
Caleb Guss as Young Jason Voorhees
Jonathan Sadowski as Wade
Julianna Guill as Bree
Ben Feldman as Richie
Arlen Escarpeta as Lawrence
Ryan Hansen as Nolan Hamilton
Willa Ford as Chelsea Sanders
Nick Mennell as Mike Reynolds
America Olivo as Amanda
Kyle Davis as Donnie
Richard Burgi as Sheriff Bracke
Nana Visitor as Pamela Voorhees
Kathleen Garrett as voice of Pamela Voorhees...
Writing
When Shannon and Swift began writing the script for Friday the 13th, they imposed some rules based on their experiences of writing Freddy vs. Jason on themselves. They wanted their teenage characters to "sound normal". Shannon and Swift said they did not want the characters to know Jason's name or to become what they considered "the Scooby-Doo cliché where it's a bunch of kids trying to figure something out".[19] The writers also wanted to distance themselves from self-referential slasher films such as Scream and to give the film a gritty, more 1980s feel that had been lost in recent films. They wanted to create a quick, loose Jason. The writing team decided to create a version of Jason "who was actually in the woods surviving off the land", and whose killings are presented as a way of defending his territory rather than randomly murdering whoever came along.[20]
The writers did not want to spend a lot of time covering Jason's childhood experiences, which they felt would remove the sense of mystery from the character. They tried to write scenes that would add verisimilitude, like the audience finding a deer carcass lying on the ground as they follow Jason through his tunnels. Fuller told the writers they would have to do without it because it would cost $100,000. Because of budget constraints, certain character deaths and the ending of the film were also scaled back from what Shannon and Swift originally envisioned.[19]
The writers had written a scene in which Willa Ford's character Chelsea is stranded on the lake for hours after she sees Jason standing on the shore.[20] Eventually, the girl would tire and drown. Shannon and Swift felt this was something they had not seen in slasher films, but later decided to make the death quicker and more visceral.[19] A similar incident occurred with Danielle Panabaker's character Jenna. Panabaker said Jenna was scripted to survive longer than she did in the final version of the film, where Jenna was supposed to escape Jason's lair and recite a "cute line" about a second date with Clay before an elaborate fight sequence that ends in her death.[21] The writers wanted to strike a balance between finding new and interesting ways to kill characters and paying homage to popular death scenes that appeared in installments of the previous series. To accomplish this, Shannon and Swift included the presence of a wheelchair and a sweater in Jason's tunnels, because the character Mark (Tom McBride) was a paraplegic who was killed by Jason in Friday the 13th Part 2 and Mrs. Voorhees wore the sweater in the original version of Friday the 13th.[19]
The writers altered Jason's character. Mears describes him as a combination of John Rambo, Tarzan, and the Abominable Snowman from Looney Tunes. To Mears, Jason is similar to Rambo because the audience sees him setting up the other characters to fall into his traps. Like Rambo, he is calculating because he feels he has been wronged and he is fighting back; he is supposed to be more sympathetic in this film.[16] However, Fuller and Form said they learned from their experience with The Texas Chainsaw Massacre: The Beginning not to make Jason too sympathetic to the audience. They decided against an origin story because they did not want to focus on Jason's tormented childhood because the producers felt that would "demystify" the character in an unhelpful manner. Fuller said, "We do not want him to be sympathetic. Jason is not a comedic character, he is not sympathetic. He's a killing machine. Plain and simple."...
Creating Jason
Further information: Jason Voorhees § Concept and creation
A sculpture of a male torso and head is overlaid with fake skin, which has been molded to appear as lean muscle. The face is disfigured, the left side of the mouth is curled upwards as though snarling, the right eye droops and is pressed into the eye socket, and the top of the head is bald with strands of hair on the back. The skin is pale.
Effects artist Scott Stoddard described his look for Jason's face as a combination of Carl Fullerton's design for Friday the 13th Part 2 and Tom Savini's design for Friday the 13th: The Final Chapter. Stoddard's vision of Jason included hair loss, skin rashes, and the traditional deformities in his face. Stoddard tried to craft Jason's look so it would allow more human side of the character to be seen.[6] Mears was required to wear full body make-up from the chest upwards while performing as Jason. The actor wore a chest plate with fake skin that would adjust to his muscle movements. He wore a hump on his back to give the impression that Jason had scoliosis. A prosthetic eye was glued to Mears' face to show realistic eye movements.[16] Stoddard initially spent three-and-a-half hours applying the make-up to Mears' head and torso.[6] He was eventually able to reduce the required time to just over an hour for scenes in which Mears wore the hockey mask. For scenes in which Jason's face is revealed, it took approximately four hours to apply the make-up.[25]
For Jason's wardrobe, Mears was given a pair of combat boots and a "high-priced t-shirt" that allowed the special effects make-up to be seen through holes in the shirt. The jacket Jason wears in the film was created by combining a hunting jacket and a military jacket. Mears wanted to use the hunting jacket, but the creative team liked the way the military jacket billowed as he was making his "kill movements", so the top of the hunting jacket was removed and placed over the top of the military jacket to create what Mears called a "giant Frankenstein jacket." He describes Jason as leaner in this film because the character does not eat much. A leaner Jason was deemed more functional and allowed more emphasis to be placed on the hump on his back.[16] Stoddard was inspired by the third and fourth films when designing Jason's hockey mask. Using an original mold, Stoddard made six new versions of the mask. He said, "Because I didn't want to take something that already existed. There were things I thought were great, but there were things I wanted to change a bit. Make it custom, but keep all the fundamental designs. Especially the markings on the forehead and cheeks. Age them down a bit. Break them up."" (wikipedia)
"Friday the 13th is a 1980 American independent slasher film produced and directed by Sean S. Cunningham, written by Victor Miller, and starring Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, and Kevin Bacon. The plot follows a group of teenage camp counselors who are murdered one by one by an unknown killer while they are attempting to reopen an abandoned summer camp with a tragic past.
Prompted by the success of John Carpenter's Halloween (1978), director Cunningham put out an advertisement to sell the film in Variety in early 1979, while Miller was still drafting the screenplay. After casting the film in New York City, filming took place in New Jersey in the summer of 1979, on an estimated budget of $550,000. A bidding war ensued over the finished film, ending with Paramount Pictures acquiring the film for domestic distribution, while Warner Bros. secured international distribution rights.
Released on May 9, 1980, Friday the 13th was a major box office success, grossing $59.8 million worldwide. Critical response was divided, with some praising the film's cinematography and score, while numerous others derided it for its depiction of graphic violence. Aside from being the first independent film of its kind to secure distribution in the U.S. by a major studio, its box office success led to a long series of sequels, a crossover with the A Nightmare on Elm Street film series, and a 2009 series reboot. A direct sequel, Friday the 13th Part 2, was released one year later.
Plot
In 1958, at Camp Crystal Lake, two counselors sneak inside a cabin to have sex, where an unseen assailant murders them. In present day, camp counselor and cook Annie Phillips is driven halfway to the reopened Camp Crystal Lake by truck driver Enos. Enos warns her about the camp's troubled past, beginning when a young boy drowned in Crystal Lake in 1957. After being dropped off at the halfway point, Annie hitches another ride from an unseen person, who eventually slashes her throat.
At the camp, counselors Ned, Jack, Bill, Marcie, Brenda, and Alice, along with owner Steve Christy, refurbish the cabins. As a thunderstorm approaches, Steve leaves for supplies. Ned sees someone walk into a cabin and follows. While Jack and Marcie have sex, they are unaware of Ned's dead body above them. When Marcie leaves for the bathroom, Jack's throat is pierced with an arrow. The killer kills Marcie next with an axe. Brenda hears a little boy's voice calling for help and ventures outside, where the lights turn on. Brenda screams.
Worried by their friends' disappearances, Alice and Bill investigate. They find the axe in Brenda's bed and the phones disconnected. Steve returns and recognizes the unseen killer who stabs him. When the power goes out, Bill goes to check on the generator. Alice finds his body pinned with arrows to the door. She flees to the main cabin, where Brenda's body is thrown through the window.
Mrs. Voorhees, a middle-aged woman who claims to be a friend of Steve, arrives. She reveals that her son, Jason, was the young boy who drowned in 1957 and she blames his death on neglect by the counselors because they were having sex instead of supervising him. Revealing herself as the killer, she attempts to kill Alice. At the shore, they struggle until Alice is able to decapitate her with a machete. Exhausted, Alice falls asleep inside a canoe that floats out on Crystal Lake. When she awakes, Jason's decomposing corpse emerges from the lake and drags her underwater, at which point she awakens in a hospital, surrounded by a police sergeant and medical staff. The sergeant says there was no sign of a boy at the lake, to which Alice says, "Then he's still there."
Cast
Main article: List of Friday the 13th characters
Adrienne King as Alice
Harry Crosby as Bill
Jeannine Taylor as Marcie
Laurie Bartram as Brenda
Kevin Bacon as Jack
Mark Nelson as Ned
Robbi Morgan as Annie
Peter Brouwer as Steve Christy
Rex Everhart as The Truck Driver
Ronn Carroll as Sgt. Tierney
Walt Gorney as Crazy Ralph
Willie Adams as Barry
Debra S. Hayes as Claudette
Sally Anne Golden as Sandy
Betsy Palmer as Mrs. Voorhees
Ari Lehman as Jason" (wikipedia)
"Costumes worn on Halloween are traditionally based on frightening supernatural or folkloric beings. However, by the 1930s, costumes based on characters from mass media, such as film, literature, and radio, gained popularity. Halloween costumes have traditionally been worn mainly by young people, but since the mid-20th century, they have increasingly been worn by adults as well.
Dressing up is not strictly restricted to Halloween among Christians, with similar practices being observed on holidays like Christmas.[1]
History
The custom of wearing costumes may have originated in a Celtic festival held on 31 October to mark the beginning of winter. It was called Samhain in Ireland, Scotland and the Isle of Man, and Calan Gaeaf in Wales, Cornwall, and Brittany. The festival is believed to have pre-Christian roots. After the Christianization of Ireland in the 5th century, some of these customs may have been retained in the Christian observance of All Hallows' Eve in that region—which continued to be called Samhain/Calan Gaeaf—blending the traditions of their ancestors with Christian ones.[2][3] It was seen as a liminal time when the spirits or fairies (the Aos Sí) and the souls of the dead could more easily come into our world.[4] It was believed that the Aos Sí needed to be propitiated to ensure that the people and their livestock survived the winter.
From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century England, youths went house-to-house with masked, painted, or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions, they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6]
It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practiced by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead[12] or in return for saying prayers for them.[13] An early reference to wearing costumes on Halloween comes from Scotland in 1585. There are many references to the custom during the 18th and 19th centuries in the Celtic countries of Scotland, Ireland, Mann, and Wales. It has been suggested that the custom comes from the Celtic festivals of Samhain and Calan Gaeaf, or from the practice of "souling" during the Christian observance of Allhallowtide. The Christian tradition of acknowledging the danse macabre is also suggested as the origin of dressing up on Halloween.[14][15][16][17]
One 19th-century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farmhouses and cottages, singing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the good wives would give them".[18] The soulers typically asked for "mercy on all Christian souls for a soul cake".[19] Shakespeare mentioned the practice in his play The Two Gentlemen of Verona (1593).[20][21] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. To avoid being recognized by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[22] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches that could not afford these things had people dress as saints instead.[23][24] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[25] Many Christians in continental Europe, especially in France, believed that on Halloween, "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[26] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and court masques, with people "dressing up as corpses from various strata of society" and suggested this was the origin of Halloween costume parties.[27][28]
The custom of guising at Halloween in North America was first recorded in 1911, when a newspaper in Kingston, Ontario reported children going "guising" around the neighborhood.[29] In 19th century America, Halloween was often celebrated with costume parades and "licentious revelries."[30] However, efforts were made to "domesticate" the festival to conform with Victorian era morality. Halloween was made into a private rather than public holiday, celebrations involving liquor and sensuality de-emphasized, and only children were expected to celebrate the festival.[31] Early Halloween costumes emphasized the gothic nature of Halloween and were aimed primarily at children. Costumes were also made at home or using items (such as make-up) that could be purchased and utilized to create a costume. But in the 1930s, A.S. Fishbach, Ben Cooper, Inc., and other firms began mass-producing Halloween costumes for sale in stores as trick-or-treating became popular in North America. Halloween costumes are often designed to imitate supernatural and scary beings. Costumes are traditionally those of monsters such as vampires, werewolves, zombies, ghosts,[32] skeletons, witches, goblins, trolls, devils, etc., or in more recent years, such science fiction-inspired characters as aliens and superheroes. There are also costumes of pop culture figures like presidents, athletes, celebrities, or characters in film, television, literature, etc. Another popular trend is for women (and, in some cases, men) to use Halloween as an opportunity to wear costumes that reveal more skin than might be socially acceptable otherwise.[33] Young girls often dress as entirely non-scary characters for Halloween, including princesses, fairies, angels, cute animals, and flowers.
Halloween costume parties generally take place on or around October 31, often on the Friday or Saturday before the holiday. Halloween parties are the 3rd most popular party type held in the United States, falling behind only to Super Bowl and New Year's Eve parties.[34]
Economics
Researchers surveyed for the National Retail Federation in the United States and found that 53.3% of consumers planned to buy a costume for Halloween 2005, spending $38.11 on average (up $10 from the year before). They were also expected to spend $4.96 billion in 2006, up significantly from just $3.3 billion the previous year.[35] The troubled economy has caused many Americans to cut back on Halloween spending. In 2009, the National Retail Federation anticipated that American households would decrease Halloween spending by as much as 15% to $56.31.[36] In 2013, Americans spent an estimated $6.9 billion to celebrate Halloween, including a predicted $2.6 billion on costumes (with more spent on adult costumes than for children's costumes) and $330 million on pet costumes.[37][38] In 2017, it was estimated that Americans would spend $9.1 billion on Halloween merchandise with $3.4 billion of that towards Halloween costumes.[39] Another survey by NRF showed that 67% of Halloween shoppers would buy Halloween costumes, spending $3.2 billion in 2019.[40] It was estimated that the Halloween spending in 2022 would reach $10.6 billion." (wikipedia)
"Halloween, or Hallowe'en[7][8] (less commonly known as Allhalloween,[9] All Hallows' Eve,[10] or All Saints' Eve),[11] is a celebration observed in many countries on 31 October, the eve of the Western Christian feast of All Hallows' Day. It is at the beginning of the observance of Allhallowtide,[12] the time in the liturgical year dedicated to remembering the dead, including saints (hallows), martyrs, and all the faithful departed.[3][13][14][15] In popular culture, the day has become a celebration of horror and is associated with the macabre and the supernatural.[16]
One theory holds that many Halloween traditions were influenced by Celtic harvest festivals, particularly the Gaelic festival Samhain, which are believed to have pagan roots.[17][18][19][20] Some go further and suggest that Samhain may have been Christianized as All Hallows' Day, along with its eve, by the early Church.[21] Other academics say Halloween began independently as a Christian holiday, being the vigil of All Hallows' Day.[22][23][24][25] Celebrated in Ireland and Scotland for centuries, Irish and Scottish immigrants took many Halloween customs to North America in the 19th century,[26][27] and then through American influence various Halloween customs spread to other countries by the late 20th and early 21st century.[16][28]
Popular activities during Halloween include trick-or-treating (or the related guising and souling), attending Halloween costume parties, carving pumpkins or turnips into jack-o'-lanterns, lighting bonfires, apple bobbing, divination games, playing pranks, visiting haunted attractions, telling frightening stories, and watching horror or Halloween-themed films.[29] Some people practice the Christian observances of All Hallows' Eve, including attending church services and lighting candles on the graves of the dead,[30][31][32] although it is a secular celebration for others.[33][34][35] Some Christians historically abstained from meat on All Hallows' Eve, a tradition reflected in the eating of certain vegetarian foods on this vigil day, including apples, potato pancakes, and soul cakes.[36][37][38][39]
Etymology
The word Halloween or Hallowe'en ("Saints' evening"[40]) is of Christian origin;[41][42] a term equivalent to "All Hallows Eve" as attested in Old English.[43] The word hallowe[']en comes from the Scottish form of All Hallows' Eve (the evening before All Hallows' Day):[44] even is the Scots term for "eve" or "evening",[45] and is contracted to e'en or een;[46] (All) Hallow(s) E(v)en became Hallowe'en.
History
Christian origins and historic customs
Halloween is thought to have influences from Christian beliefs and practices.[47][23] The English word 'Halloween' comes from "All Hallows' Eve", being the evening before the Christian holy days of All Hallows' Day (All Saints' Day) on 1 November and All Souls' Day on 2 November.[48] Since the time of the early Church,[49] major feasts in Christianity (such as Christmas, Easter and Pentecost) had vigils that began the night before, as did the feast of All Hallows.[50][47] These three days are collectively called Allhallowtide and are a time when Western Christians honour all saints and pray for recently departed souls who have yet to reach Heaven. Commemorations of all saints and martyrs were held by several churches on various dates, mostly in springtime.[51] In 4th-century Roman Edessa it was held on 13 May, and on 13 May 609, Pope Boniface IV re-dedicated the Pantheon in Rome to "St Mary and all martyrs".[52] This was the date of Lemuria, an ancient Roman festival of the dead.[53]
In the 8th century, Pope Gregory III (731–741) founded an oratory in St Peter's for the relics "of the holy apostles and of all saints, martyrs and confessors".[47][54] Some sources say it was dedicated on 1 November,[55] while others say it was on Palm Sunday in April 732.[56][57] By 800, there is evidence that churches in Ireland[58] and Northumbria were holding a feast commemorating all saints on 1 November.[59] Alcuin of Northumbria, a member of Charlemagne's court, may then have introduced this 1 November date in the Frankish Empire.[60] In 835, it became the official date in the Frankish Empire.[59] Some suggest this was due to Celtic influence, while others suggest it was a Germanic idea,[59] although it is claimed that both Germanic and Celtic-speaking peoples commemorated the dead at the beginning of winter.[61] They may have seen it as the most fitting time to do so, as it is a time of 'dying' in nature.[59][61] It is also suggested the change was made on the "practical grounds that Rome in summer could not accommodate the great number of pilgrims who flocked to it", and perhaps because of public health concerns over Roman Fever, which claimed a number of lives during Rome's sultry summers.[62][47]
On All Hallows' Eve, Christians in some parts of the world visit cemeteries to pray and place flowers and candles on the graves of their loved ones.[63] Top: Christians in Bangladesh lighting candles on the headstone of a relative. Bottom: Lutheran Christians praying and lighting candles in front of the central crucifix of a graveyard.
By the end of the 12th century, the celebration had become known as the holy days of obligation in Western Christianity and involved such traditions as ringing church bells for souls in purgatory. It was also "customary for criers dressed in black to parade the streets, ringing a bell of mournful sound and calling on all good Christians to remember the poor souls".[64] The Allhallowtide custom of baking and sharing soul cakes for all christened souls,[65] has been suggested as the origin of trick-or-treating.[66] The custom dates back at least as far as the 15th century[67] and was found in parts of England, Wales, Flanders, Bavaria and Austria.[68] Groups of poor people, often children, would go door-to-door during Allhallowtide, collecting soul cakes, in exchange for praying for the dead, especially the souls of the givers' friends and relatives. This was called "souling".[67][69][70] Soul cakes were also offered for the souls themselves to eat,[68] or the 'soulers' would act as their representatives.[71] As with the Lenten tradition of hot cross buns, soul cakes were often marked with a cross, indicating they were baked as alms.[72]
Shakespeare mentions souling in his comedy The Two Gentlemen of Verona (1593).[73] While souling, Christians would carry "lanterns made of hollowed-out turnips", which could have originally represented souls of the dead;[74][75] jack-o'-lanterns were used to ward off evil spirits.[76][77] On All Saints' and All Souls' Day during the 19th century, candles were lit in homes in Ireland,[78] Flanders, Bavaria, and in Tyrol, where they were called "soul lights",[79] that served "to guide the souls back to visit their earthly homes".[80] In many of these places, candles were also lit at graves on All Souls' Day.[79] In Brittany, libations of milk were poured on the graves of kinfolk,[68] or food would be left overnight on the dinner table for the returning souls;[79] a custom also found in Tyrol and parts of Italy.[81][79]
Christian minister Prince Sorie Conteh linked the wearing of costumes to the belief in vengeful ghosts: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognized by any soul that might be seeking such vengeance, people would don masks or costumes".[82] In the Middle Ages, churches in Europe that were too poor to display relics of martyred saints at Allhallowtide let parishioners dress up as saints instead.[83][84] Some Christians observe this custom at Halloween today.[85] Lesley Bannatyne believes this could have been a Christianization of an earlier pagan custom.[86] Many Christians in mainland Europe, especially in France, believed "that once a year, on Hallowe'en, the dead of the churchyards rose for one wild, hideous carnival" known as the danse macabre, which was often depicted in church decoration.[87] Christopher Allmand and Rosamond McKitterick write in The New Cambridge Medieval History that the danse macabre urged Christians "not to forget the end of all earthly things".[88] The danse macabre was sometimes enacted in European village pageants and court masques, with people "dressing up as corpses from various strata of society", and this may be the origin of Halloween costume parties.[89][90][91][74]
In Britain, these customs came under attack during the Reformation, as Protestants berated purgatory as a "popish" doctrine incompatible with the Calvinist doctrine of predestination. State-sanctioned ceremonies associated with the intercession of saints and prayer for souls in purgatory were abolished during the Elizabethan reform, though All Hallows' Day remained in the English liturgical calendar to "commemorate saints as godly human beings".[92] For some Nonconformist Protestants, the theology of All Hallows' Eve was redefined: "souls cannot be journeying from Purgatory on their way to Heaven, as Catholics frequently believe and assert. Instead, the so-called ghosts are thought to be in actuality evil spirits".[93] Other Protestants believed in an intermediate state known as Hades (Bosom of Abraham).[94] In some localities, Catholics and Protestants continued souling, candlelit processions, or ringing church bells for the dead;[48][95] the Anglican church eventually suppressed this bell-ringing.[96] Mark Donnelly, a professor of medieval archaeology, and historian Daniel Diehl write that "barns and homes were blessed to protect people and livestock from the effect of witches, who were believed to accompany the malignant spirits as they traveled the earth".[97]
After 1605, Hallowtide was eclipsed in England by Guy Fawkes Night (5 November), which appropriated some of its customs.[98] In England, the ending of official ceremonies related to the intercession of saints led to the development of new, unofficial Hallowtide customs. In 18th–19th century rural Lancashire, Catholic families gathered on hills on the night of All Hallows' Eve. One held a bunch of burning straw on a pitchfork while the rest knelt around him, praying for the souls of relatives and friends until the flames went out. This was known as teen'lay.[99] There was a similar custom in Hertfordshire, and the lighting of 'tindle' fires in Derbyshire.[100] Some suggested these 'tindles' were originally lit to "guide the poor souls back to earth".[101] In Scotland and Ireland, old Allhallowtide customs that were at odds with Reformed teaching were not suppressed as they "were important to the life cycle and rites of passage of local communities" and curbing them would have been difficult.[26]
In parts of Italy until the 15th century, families left a meal out for the ghosts of relatives, before leaving for church services.[81] In 19th-century Italy, churches staged "theatrical re-enactments of scenes from the lives of the saints" on All Hallows' Day, with "participants represented by realistic wax figures".[81] In 1823, the graveyard of Holy Spirit Hospital in Rome presented a scene in which bodies of those who recently died were arrayed around a wax statue of an angel who pointed upward towards heaven.[81] In the same country, "parish priests went house-to-house, asking for small gifts of food which they shared among themselves throughout that night".[81] In Spain, they continue to bake special pastries called "bones of the holy" (Spanish: Huesos de Santo) and set them on graves.[102] At cemeteries in Spain and France, as well as in Latin America, priests lead Christian processions and services during Allhallowtide, after which people keep an all night vigil.[103] In 19th-century San Sebastián, there was a procession to the city cemetery at Allhallowtide, an event that drew beggars who "appeal[ed] to the tender recollections of one's deceased relations and friends" for sympathy.
Gaelic folk influence
Today's Halloween customs are thought to have been influenced by folk customs and beliefs from the Celtic-speaking countries, some of which are believed to have pagan roots.[105] Jack Santino, a folklorist, writes that "there was throughout Ireland an uneasy truce existing between customs and beliefs associated with Christianity and those associated with religions that were Irish before Christianity arrived".[106] The origins of Halloween customs are typically linked to the Gaelic festival Samhain.[107]
Samhain is one of the quarter days in the medieval Gaelic calendar and has been celebrated on 31 October – 1 November[108] in Ireland, Scotland and the Isle of Man.[109][110] A kindred festival has been held by the Brittonic Celts, called Calan Gaeaf in Wales, Kalan Gwav in Cornwall and Kalan Goañv in Brittany; a name meaning "first day of winter". For the Celts, the day ended and began at sunset; thus the festival begins the evening before 1 November by modern reckoning.[111] Samhain is mentioned in some of the earliest Irish literature. The names have been used by historians to refer to Celtic Halloween customs up until the 19th century,[112] and are still the Gaelic and Welsh names for Halloween.
Samhain marked the end of the harvest season and beginning of winter or the 'darker half' of the year.[114][115] It was seen as a liminal time, when the boundary between this world and the Otherworld thinned. This meant the Aos Sí, the 'spirits' or 'fairies', could more easily come into this world and were particularly active.[116][117] Most scholars see them as "degraded versions of ancient gods [...] whose power remained active in the people's minds even after they had been officially replaced by later religious beliefs".[118] They were both respected and feared, with individuals often invoking the protection of God when approaching their dwellings.[119][120] At Samhain, the Aos Sí were appeased to ensure the people and livestock survived the winter. Offerings of food and drink, or portions of the crops, were left outside for them.[121][122][123] The souls of the dead were also said to revisit their homes seeking hospitality.[124] Places were set at the dinner table and by the fire to welcome them.[125] The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures.[68] In 19th century Ireland, "candles would be lit and prayers formally offered for the souls of the dead. After this the eating, drinking, and games would begin".[126]
Throughout Ireland and Britain, especially in the Celtic-speaking regions, the household festivities included divination rituals and games intended to foretell one's future, especially regarding death and marriage.[127] Apples and nuts were often used, and customs included apple bobbing, nut roasting, scrying or mirror-gazing, pouring molten lead or egg whites into water, dream interpretation, and others.[128] Special bonfires were lit and there were rituals involving them. Their flames, smoke, and ashes were deemed to have protective and cleansing powers.[114] In some places, torches lit from the bonfire were carried sunwise around homes and fields to protect them.[112] It is suggested the fires were a kind of imitative or sympathetic magic – they mimicked the Sun and held back the decay and darkness of winter.[125][129][130] They were also used for divination and to ward off evil spirits.[76] In Scotland, these bonfires and divination games were banned by the church elders in some parishes.[131] In Wales, bonfires were also lit to "prevent the souls of the dead from falling to earth".[132] Later, these bonfires "kept away the devil".[133]
From at least the 16th century,[135] the festival included mumming and guising in Ireland, Scotland, the Isle of Man and Wales.[136] This involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf, similar to 'souling'. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[137] In parts of southern Ireland, the guisers included a hobby horse. A man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses – some of which had pagan overtones – in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[138] In Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[136] F. Marian McNeill suggests the ancient festival included people in costume representing the spirits, and that faces were marked or blackened with ashes from the sacred bonfire.[135] In parts of Wales, men went about dressed as fearsome beings called gwrachod.[136] In the late 19th and early 20th century, young people in Glamorgan and Orkney cross-dressed.[136]
Elsewhere in Europe, mumming was part of other festivals, but in the Celtic-speaking regions, it was "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[136] From at least the 18th century, "imitating malignant spirits" led to playing pranks in Ireland and the Scottish Highlands. Wearing costumes and playing pranks at Halloween did not spread to England until the 20th century.[136] Pranksters used hollowed-out turnips or mangel wurzels as lanterns, often carved with grotesque faces.[136] By those who made them, the lanterns were variously said to represent the spirits,[136] or used to ward off evil spirits.[139][140] They were common in parts of Ireland and the Scottish Highlands in the 19th century,[136] as well as in Somerset (see Punkie Night). In the 20th century they spread to other parts of Britain and became generally known as jack-o'-lanterns.
Spread to North America
Lesley Bannatyne and Cindy Ott write that Anglican colonists in the southern United States and Catholic colonists in Maryland "recognized All Hallows' Eve in their church calendars",[141][142] although the Puritans of New England strongly opposed the holiday, along with other traditional celebrations of the established Church, including Christmas.[143] Almanacs of the late 18th and early 19th century give no indication that Halloween was widely celebrated in North America.[26]
It was not until after mass Irish and Scottish immigration in the 19th century that Halloween became a major holiday in America.[26] Most American Halloween traditions were inherited from the Irish and Scots,[27][144] though "In Cajun areas, a nocturnal Mass was said in cemeteries on Halloween night. Candles that had been blessed were placed on graves, and families sometimes spent the entire night at the graveside".[145] Originally confined to these immigrant communities, it was gradually assimilated into mainstream society and was celebrated coast to coast by people of all social, racial, and religious backgrounds by the early 20th century.[146] Then, through American influence, these Halloween traditions spread to many other countries by the late 20th and early 21st century, including to mainland Europe and some parts of the Far East.[28][16][147]
Symbols
At Halloween, yards, public spaces, and some houses may be decorated with traditionally macabre symbols including skeletons, ghosts, cobwebs, headstones, and witches.
Development of artifacts and symbols associated with Halloween formed over time. Jack-o'-lanterns are traditionally carried by guisers on All Hallows' Eve in order to frighten evil spirits.[75][148] There is a popular Irish Christian folktale associated with the jack-o'-lantern,[149] which in folklore is said to represent a "soul who has been denied entry into both heaven and hell":[150]
On route home after a night's drinking, Jack encounters the Devil and tricks him into climbing a tree. A quick-thinking Jack etches the sign of the cross into the bark, thus trapping the Devil. Jack strikes a bargain that Satan can never claim his soul. After a life of sin, drink, and mendacity, Jack is refused entry to heaven when he dies. Keeping his promise, the Devil refuses to let Jack into hell and throws a live coal straight from the fires of hell at him. It was a cold night, so Jack places the coal in a hollowed out turnip to stop it from going out, since which time Jack and his lantern have been roaming looking for a place to rest.[151]
In Ireland, Scotland, and Northern England the turnip has traditionally been carved during Halloween,[152][153] but immigrants to North America used the native pumpkin, which is both much softer and much larger, making it easier to carve than a turnip.[152] The American tradition of carving pumpkins is recorded in 1837[154] and was originally associated with harvest time in general, not becoming specifically associated with Halloween until the mid-to-late 19th century.[155]
The modern imagery of Halloween comes from many sources, including Christian eschatology, national customs, works of Gothic and horror literature (such as the novels Frankenstein; or, The Modern Prometheus and Dracula) and classic horror films such as Frankenstein (1931) and The Mummy (1932).[156][157] Imagery of the skull, a reference to Golgotha in the Christian tradition, serves as "a reminder of death and the transitory quality of human life" and is consequently found in memento mori and vanitas compositions;[158] skulls have therefore been commonplace in Halloween, which touches on this theme.[159] Traditionally, the back walls of churches are "decorated with a depiction of the Last Judgment, complete with graves opening and the dead rising, with a heaven filled with angels and a hell filled with devils", a motif that has permeated the observance of this triduum.[160] One of the earliest works on the subject of Halloween is from Scottish poet John Mayne, who, in 1780, made note of pranks at Halloween—"What fearfu' pranks ensue!", as well as the supernatural associated with the night, "bogles" (ghosts)[161]—influencing Robert Burns' "Halloween" (1785).[162] Elements of the autumn season, such as pumpkins, corn husks, and scarecrows, are also prevalent. Homes are often decorated with these types of symbols around Halloween. Halloween imagery includes themes of death, evil, and mythical monsters.[163] Black cats, which have been long associated with witches, are also a common symbol of Halloween. Black, orange, and sometimes purple are Halloween's traditional colors.
Trick-or-treating and guising
Main article: Trick-or-treating
Trick-or-treating is a customary celebration for children on Halloween. Children go in costume from house to house, asking for treats such as candy or sometimes money, with the question, "Trick or treat?" The word "trick" implies a "threat" to perform mischief on the homeowners or their property if no treat is given.[66] The practice is said to have roots in the medieval practice of mumming, which is closely related to souling.[165] John Pymm wrote that "many of the feast days associated with the presentation of mumming plays were celebrated by the Christian Church."[166] These feast days included All Hallows' Eve, Christmas, Twelfth Night and Shrove Tuesday.[167][168] Mumming practiced in Germany, Scandinavia and other parts of Europe,[169] involved masked persons in fancy dress who "paraded the streets and entered houses to dance or play dice in silence".
In England, from the medieval period,[171] up until the 1930s,[172] people practiced the Christian custom of souling on Halloween, which involved groups of soulers, both Protestant and Catholic,[95] going from parish to parish, begging the rich for soul cakes, in exchange for praying for the souls of the givers and their friends.[69] In the Philippines, the practice of souling is called Pangangaluluwa and is practiced on All Hallows' Eve among children in rural areas.[29] People drape themselves in white cloths to represent souls and then visit houses, where they sing in return for prayers and sweets.[29]
In Scotland and Ireland, guising—children disguised in costume going from door to door for food or coins—is a secular Halloween custom.[173] It is recorded in Scotland at Halloween in 1895 where masqueraders in disguise carrying lanterns made out of scooped out turnips, visit homes to be rewarded with cakes, fruit, and money.[153][174] In Ireland, the most popular phrase for kids to shout (until the 2000s) was "Help the Halloween Party".[173] Author Nicholas Rogers cites an early example of guising in North America in 1911, where a newspaper in Kingston, Ontario, Canada, reported children going "guising" around the neighborhood.[175]
American historian and author Ruth Edna Kelley of Massachusetts wrote the first book-length history of Halloween in the US: The Book of Hallowe'en (1919), and references souling in the chapter "Hallowe'en in America".[176] In her book, Kelley touches on customs that arrived from across the Atlantic; "Americans have fostered them, and are making this an occasion something like what it must have been in its best days overseas. All Halloween customs in the United States are borrowed directly or adapted from those of other countries".[177]
While the first reference to "guising" in North America occurs in 1911, another reference to ritual begging on Halloween appears, place unknown, in 1915, with a third reference in Chicago in 1920.[178] The earliest known use in print of the term "trick or treat" appears in 1927, in the Blackie Herald, of Alberta, Canada.[179]
The thousands of Halloween postcards produced between the turn of the 20th century and the 1920s commonly show children but not trick-or-treating.[180] Trick-or-treating does not seem to have become a widespread practice in North America until the 1930s, with the first US appearances of the term in 1934,[181] and the first use in a national publication occurring in 1939.[182]
A popular variant of trick-or-treating, known as trunk-or-treating (or Halloween tailgating), occurs when "children are offered treats from the trunks of cars parked in a church parking lot", or sometimes, a school parking lot.[102][183] In a trunk-or-treat event, the trunk (boot) of each automobile is decorated with a certain theme,[184] such as those of children's literature, movies, scripture, and job roles.[185] Trunk-or-treating has grown in popularity due to its perception as being more safe than going door to door, a point that resonates well with parents, as well as the fact that it "solves the rural conundrum in which homes [are] built a half-mile apart".
Costumes
Main article: Halloween costume
Halloween costumes were traditionally modeled after figures such as vampires, ghosts, skeletons, scary looking witches, and devils.[66] Over time, the costume selection extended to include popular characters from fiction, celebrities, and generic archetypes such as ninjas and princesses.
Dressing up in costumes and going "guising" was prevalent in Scotland and Ireland at Halloween by the late 19th century.[153] A Scottish term, the tradition is called "guising" because of the disguises or costumes worn by the children.[174] In Ireland and Scotland, the masks are known as 'false faces',[41][188] a term recorded in Ayr, Scotland in 1890 by a Scot describing guisers: "I had mind it was Halloween ... the wee callans (boys) were at it already, rinning aboot wi' their fause-faces (false faces) on and their bits o' turnip lanthrons (lanterns) in their haun (hand)".[41] Costuming became popular for Halloween parties in the US in the early 20th century, as often for adults as for children, and when trick-or-treating was becoming popular in Canada and the US in the 1920s and 1930s.[179][189]
Eddie J. Smith, in his book Halloween, Hallowed is Thy Name, offers a religious perspective to the wearing of costumes on All Hallows' Eve, suggesting that by dressing up as creatures "who at one time caused us to fear and tremble", people are able to poke fun at Satan "whose kingdom has been plundered by our Saviour". Images of skeletons and the dead are traditional decorations used as memento mori.[190][191]
"Trick-or-Treat for UNICEF" is a fundraising program to support UNICEF,[66] a United Nations Programme that provides humanitarian aid to children in developing countries. Started as a local event in a Northeast Philadelphia neighborhood in 1950 and expanded nationally in 1952, the program involves the distribution of small boxes by schools (or in modern times, corporate sponsors like Hallmark, at their licensed stores) to trick-or-treaters, in which they can solicit small-change donations from the houses they visit. It is estimated that children have collected more than $118 million for UNICEF since its inception. In Canada, in 2006, UNICEF decided to discontinue their Halloween collection boxes, citing safety and administrative concerns; after consultation with schools, they instead redesigned the program.[192][193]
The yearly New York's Village Halloween Parade was begun in 1974; it is the world's largest Halloween parade and America's only major nighttime parade, attracting more than 60,000 costumed participants, two million spectators, and a worldwide television audience.[194]
Since the late 2010s, ethnic stereotypes as costumes have increasingly come under scrutiny in the United States.[195][196][197]
Pet costumes
According to a 2018 report from the National Retail Federation, 30 million Americans will spend an estimated $480 million on Halloween costumes for their pets in 2018. This is up from an estimated $200 million in 2010. The most popular costumes for pets are the pumpkin, followed by the hot dog, and the bumblebee in third place.
Games and other activities
There are several games traditionally associated with Halloween. Some of these games originated as divination rituals or ways of foretelling one's future, especially regarding death, marriage and children. During the Middle Ages, these rituals were done by a "rare few" in rural communities as they were considered to be "deadly serious" practices.[199] In recent centuries, these divination games have been "a common feature of the household festivities" in Ireland and Britain.[127] They often involve apples and hazelnuts. In Celtic mythology, apples were strongly associated with the Otherworld and immortality, while hazelnuts were associated with divine wisdom.[200] Some also suggest that they derive from Roman practices in celebration of Pomona.
The following activities were a common feature of Halloween in Ireland and Britain during the 17th–20th centuries. Some have become more widespread and continue to be popular today. One common game is apple bobbing or dunking (which may be called "dooking" in Scotland)[201] in which apples float in a tub or a large basin of water and the participants must use only their teeth to remove an apple from the basin. Variants of dunking involve kneeling on a chair, holding a fork between the teeth and trying to drive the fork into an apple, or embedding a coin in the apple which participants had to remove with their teeth. Another common game involves hanging up treacle or syrup-coated scones by strings; these must be eaten without using hands while they remain attached to the string, an activity that inevitably leads to a sticky face. A similar game involved hanging an apple from a string with a coin embedded; the coin had to be removed without using hands. Another once-popular game involves hanging a small wooden rod from the ceiling at head height, with a lit candle on one end and an apple hanging from the other. The rod is spun round, and everyone takes turns to try to catch the apple with their teeth.
Several of the traditional activities from Ireland and Britain involve foretelling one's future partner or spouse. An apple would be peeled in one long strip, then the peel tossed over the shoulder. The peel is believed to land in the shape of the first letter of the future spouse's name.[203][204] Two hazelnuts would be roasted near a fire; one named for the person roasting them and the other for the person they desire. If the nuts jump away from the heat, it is a bad sign, but if the nuts roast quietly it foretells a good match.[205][206] A salty oatmeal bannock would be baked; the person would eat it in three bites and then go to bed in silence without anything to drink. This is said to result in a dream in which their future spouse offers them a drink to quench their thirst.[207] Unmarried women were told that if they sat in a darkened room and gazed into a mirror on Halloween night, the face of their future husband would appear in the mirror.[208] The custom was widespread enough to be commemorated on greeting cards[209] from the late 19th century and early 20th century.
Another popular Irish game was known as púicíní ("blindfolds"); a person would be blindfolded and then would choose between several saucers. The item in the saucer would provide a hint as to their future: a ring would mean that they would marry soon; clay, that they would die soon, perhaps within the year; water, that they would emigrate; rosary beads, that they would take Holy Orders (become a nun, priest, monk, etc.); a coin, that they would become rich; a bean, that they would be poor.[210][211][212][213] The game features prominently in the James Joyce short story "Clay" (1914).
In Ireland and Scotland, items would be hidden in food – usually a cake, barmbrack, cranachan, champ or colcannon – and portions of it served out at random. A person's future would be foretold by the item they happened to find; for example, a ring meant marriage and a coin meant wealth.[217]
Up until the 19th century, the Halloween bonfires were also used for divination in parts of Scotland, Wales and Brittany. When the fire died down, a ring of stones would be laid in the ashes, one for each person. In the morning, if any stone was mislaid it was said that the person it represented would not live out the year.[112] In Mexico, children create altars to invite the spirits of deceased children to return (angelitos).[218]
Telling ghost stories, listening to Halloween-themed songs and watching horror films are common fixtures of Halloween parties. Episodes of television series and Halloween-themed specials (with the specials usually aimed at children) are commonly aired on or before Halloween, while new horror films are often released before Halloween to take advantage of the holiday.
Haunted attractions
Main article: Haunted attraction (simulated)
Haunted attractions are entertainment venues designed to thrill and scare patrons. Most attractions are seasonal Halloween businesses that may include haunted houses, corn mazes, and hayrides,[219] and the level of sophistication of the effects has risen as the industry has grown.
The first recorded purpose-built haunted attraction was the Orton and Spooner Ghost House, which opened in 1915 in Liphook, England. This attraction actually most closely resembles a carnival fun house, powered by steam.[220][221] The House still exists, in the Hollycombe Steam Collection.
It was during the 1930s, about the same time as trick-or-treating, that Halloween-themed haunted houses first began to appear in America. It was in the late 1950s that haunted houses as a major attraction began to appear, focusing first on California. Sponsored by the Children's Health Home Junior Auxiliary, the San Mateo Haunted House opened in 1957. The San Bernardino Assistance League Haunted House opened in 1958. Home haunts began appearing across the country during 1962 and 1963. In 1964, the San Manteo Haunted House opened, as well as the Children's Museum Haunted House in Indianapolis.[222]
The haunted house as an American cultural icon can be attributed to the opening of The Haunted Mansion in Disneyland on 12 August 1969.[223] Knott's Berry Farm began hosting its own Halloween night attraction, Knott's Scary Farm, which opened in 1973.[224] Evangelical Christians adopted a form of these attractions by opening one of the first "hell houses" in 1972.[225]
The first Halloween haunted house run by a nonprofit organization was produced in 1970 by the Sycamore-Deer Park Jaycees in Clifton, Ohio. It was cosponsored by WSAI, an AM radio station broadcasting out of Cincinnati, Ohio. It was last produced in 1982.[226] Other Jaycees followed suit with their own versions after the success of the Ohio house. The March of Dimes copyrighted a "Mini haunted house for the March of Dimes" in 1976 and began fundraising through their local chapters by conducting haunted houses soon after. Although they apparently quit supporting this type of event nationally sometime in the 1980s, some March of Dimes haunted houses have persisted until today.[227]
On the evening of 11 May 1984, in Jackson Township, New Jersey, the Haunted Castle at Six Flags Great Adventure caught fire. As a result of the fire, eight teenagers perished.[228] The backlash to the tragedy was a tightening of regulations relating to safety, building codes and the frequency of inspections of attractions nationwide. The smaller venues, especially the nonprofit attractions, were unable to compete financially, and the better funded commercial enterprises filled the vacuum.[229][230] Facilities that were once able to avoid regulation because they were considered to be temporary installations now had to adhere to the stricter codes required of permanent attractions.[231][232][233]
In the late 1980s and early 1990s, theme parks became a notable figure in the Halloween business. Six Flags Fright Fest began in 1986 and Universal Studios Florida began Halloween Horror Nights in 1991. Knott's Scary Farm experienced a surge in attendance in the 1990s as a result of America's obsession with Halloween as a cultural event. Theme parks have played a major role in globalizing the holiday. Universal Studios Singapore and Universal Studios Japan both participate, while Disney now mounts Mickey's Not-So-Scary Halloween Party events at its parks in Paris, Hong Kong and Tokyo, as well as in the United States.[234] The theme park haunts are by far the largest, both in scale and attendance.[235]
Food
On All Hallows' Eve, many Western Christian denominations encourage abstinence from meat, giving rise to a variety of vegetarian foods associated with this day.[236]
Because in the Northern Hemisphere Halloween comes in the wake of the yearly apple harvest, candy apples (known as toffee apples outside North America), caramel apples or taffy apples are common Halloween treats made by rolling whole apples in a sticky sugar syrup or caramel, sometimes followed by rolling them in nuts.
At one time, candy apples were commonly given to trick-or-treating children, but the practice rapidly waned in the wake of widespread rumors that some individuals were embedding items like pins and razor blades in the apples in the United States.[237] While there is evidence of such incidents,[238] relative to the degree of reporting of such cases, actual cases involving malicious acts are extremely rare and have never resulted in serious injury. Nonetheless, many parents assumed that such heinous practices were rampant because of the mass media. At the peak of the hysteria, some hospitals offered free X-rays of children's Halloween hauls in order to find evidence of tampering. Virtually all of the few known candy poisoning incidents involved parents who poisoned their own children's candy.[239]
One custom that persists in modern-day Ireland is the baking (or more often nowadays, the purchase) of a barmbrack (Irish: báirín breac), which is a light fruitcake, into which a plain ring, a coin, and other charms are placed before baking.[240] It is considered fortunate to be the lucky one who finds it.[240] It has also been said that those who get a ring will find their true love in the ensuing year. This is similar to the tradition of king cake at the festival of Epiphany. Halloween-themed foods are also produced by companies in the lead up to the night, for example Cadbury releasing Goo Heads (similar to Creme Eggs) in spooky wrapping.[241]
A Halloween cake decorated with ghosts, spider webs, skulls and long bones, and spiders. The cake is topped with a jack-o'-lantern.
Foods such as cakes will often be decorated with Halloween colors (typically black, orange, and purple) and motifs for parties and events. Popular themes include pumpkins, spiders, and body parts.[242][243][244]
List of foods associated with Halloween:
Barmbrack (Ireland)
Bonfire toffee (Great Britain)
Candy apples/toffee apples (Great Britain and Ireland)
Candy apples, candy corn, candy pumpkins (North America)
Monkey nuts (peanuts in their shells) (Ireland and Scotland)
Caramel apples
Caramel corn
Colcannon (Ireland; see below)
Sweets/candy/chocolate, often with novelty shapes like skulls, pumpkins, bats, etc.
Roasted pumpkin seeds
Roasted sweet corn
Soul cakes
Pumpkin pie
Christian observances
On Hallowe'en (All Hallows' Eve), in Poland, believers were once taught to pray out loud as they walk through the forests in order that the souls of the dead might find comfort; in Spain, Christian priests in tiny villages toll their church bells in order to remind their congregants to remember the dead on All Hallows' Eve.[245] In Ireland, and among immigrants in Canada, a custom includes the Christian practice of abstinence, keeping All Hallows' Eve as a meat-free day and serving pancakes or colcannon instead.[246]
The Christian Church traditionally observed Hallowe'en through a vigil. Worshippers prepared themselves for feasting on the following All Saints' Day with prayers and fasting.[247] This church service is known as the Vigil of All Hallows or the Vigil of All Saints;[248][249] an initiative known as Night of Light seeks to further spread the Vigil of All Hallows throughout Christendom.[250][251] After the service, "suitable festivities and entertainments" often follow, as well as a visit to the graveyard or cemetery, where flowers and candles are often placed in preparation for All Hallows' Day.[252][253] In England, Light Parties are organized by churches after worship services on Halloween with the focus on Jesus as the Light of the World.[254] In Finland, because so many people visit the cemeteries on All Hallows' Eve to light votive candles there, they "are known as valomeri, or seas of light".
Today, Christian attitudes towards Halloween are diverse. In the Anglican Church, some dioceses have chosen to emphasize the Christian traditions associated with All Hallows' Eve.[256][257] Some of these practices include praying, fasting and attending worship services.[1][4][5]
O LORD our God, increase, we pray thee, and multiply upon us the gifts of thy grace: that we, who do prevent the glorious festival of all thy Saints, may of thee be enabled joyfully to follow them in all virtuous and godly living. Through Jesus Christ, Our Lord, who liveth and reigneth with thee, in the unity of the Holy Ghost, ever one God, world without end. Amen. —Collect of the Vigil of All Saints, The Anglican Breviary[258]
Other Protestant Christians also celebrate All Hallows' Eve as Reformation Day, a day to remember the Protestant Reformation, alongside All Hallows' Eve or independently from it.[259] This is because Martin Luther is said to have nailed his Ninety-five Theses to All Saints' Church in Wittenberg on All Hallows' Eve.[260] Often, "Harvest Festivals" or "Reformation Festivals" are held on All Hallows' Eve, in which children dress up as Bible characters or Reformers.[261] In addition to distributing candy to children who are trick-or-treating on Hallowe'en, many Christians also provide gospel tracts to them. One organization, the American Tract Society, stated that around 3 million gospel tracts are ordered from them alone for Hallowe'en celebrations.[262] Others order Halloween-themed Scripture Candy to pass out to children on this day.
Some Christians feel concerned about the modern celebration of Halloween because they feel it trivializes – or celebrates – paganism, the occult, or other practices and cultural phenomena deemed incompatible with their beliefs.[265] Father Gabriele Amorth, an exorcist in Rome, has said, "if English and American children like to dress up as witches and devils on one night of the year that is not a problem. If it is just a game, there is no harm in that."[266] The Catholic Archdiocese of Boston has organized a "Saint Fest" on Halloween.[267] Similarly, many contemporary Protestant churches view Halloween as a fun event for children, holding events in their churches where children and their parents can dress up, play games, and get candy for free. To these Christians, Halloween holds no threat to the spiritual lives of children: being taught about death and mortality, and the ways of the Celtic ancestors actually being a valuable life lesson and a part of many of their parishioners' heritage.[268] Christian minister Sam Portaro wrote that Halloween is about using "humor and ridicule to confront the power of death".[269]
In the Catholic Church, Halloween's Christian connection is acknowledged, and Halloween celebrations are common in many Catholic parochial schools, such as in the United States,[270][271] while schools throughout Ireland also close for the Halloween break.[272][273] A few fundamentalist and evangelical churches use "Hell houses" and comic-style tracts in order to make use of Halloween's popularity as an opportunity for evangelism.[274] Others consider Halloween to be completely incompatible with the Christian faith due to its putative origins in the Festival of the Dead celebration.[275] Indeed, even though Eastern Orthodox Christians observe All Hallows' Day on the First Sunday after Pentecost, the Eastern Orthodox Church recommends the observance of Vespers or a Paraklesis on the Western observance of All Hallows' Eve, out of the pastoral need to provide an alternative to popular celebrations.[276]
Analogous celebrations and perspectives
Judaism
Main article: Jews and Halloween
According to Alfred J. Kolatch in the Second Jewish Book of Why, in Judaism, Halloween is not permitted by Jewish Halakha because it violates Leviticus 18:3, which forbids Jews from partaking in Gentile customs. Many Jews observe Yizkor communally four times a year, which is vaguely similar to the observance of Allhallowtide in Christianity, in the sense that prayers are said for both "martyrs and for one's own family".[277] Nevertheless, many American Jews celebrate Halloween, disconnected from its Christian origins.[278] Reform Rabbi Jeffrey Goldwasser has said that "There is no religious reason why contemporary Jews should not celebrate Halloween" while Orthodox Rabbi Michael Broyde has argued against Jews' observing the holiday.[279] Purim has sometimes been compared to Halloween, in part due to some observants wearing costumes, especially of Biblical figures described in the Purim narrative.[280]
Islam
Sheikh Idris Palmer, author of A Brief Illustrated Guide to Understanding Islam, has ruled that Muslims should not participate in Halloween, stating that "participation in Halloween is worse than participation in Christmas, Easter, ... it is more sinful than congratulating the Christians for their prostration to the crucifix".[281] It has also been ruled to be haram by the National Fatwa Council of Malaysia because of its alleged pagan roots stating "Halloween is celebrated using a humorous theme mixed with horror to entertain and resist the spirit of death that influence humans".[282][283] Dar Al-Ifta Al-Missriyyah disagrees provided the celebration is not referred to as an 'eid' and that behaviour remains in line with Islamic principles.[284]
Hinduism
Hindus remember the dead during the festival of Pitru Paksha, during which Hindus pay homage to and perform a ceremony "to keep the souls of their ancestors at rest". It is celebrated in the Hindu month of Bhadrapada, usually in mid-September.[285] The celebration of the Hindu festival Diwali sometimes conflicts with the date of Halloween; but some Hindus choose to participate in the popular customs of Halloween.[286] Other Hindus, such as Soumya Dasgupta, have opposed the celebration on the grounds that Western holidays like Halloween have "begun to adversely affect our indigenous festivals".[287]
Neopaganism
There is no consistent rule or view on Halloween amongst those who describe themselves as Neopagans or Wiccans. Some Neopagans do not observe Halloween, but instead observe Samhain on 1 November,[288] some neopagans do enjoy Halloween festivities, stating that one can observe both "the solemnity of Samhain in addition to the fun of Halloween". Some neopagans are opposed to the celebration of Hallowe'en, stating that it "trivializes Samhain",[289] and "avoid Halloween, because of the interruptions from trick or treaters".[290] The Manitoban writes that "Wiccans don't officially celebrate Halloween, despite the fact that 31 Oct. will still have a star beside it in any good Wiccan's day planner. Starting at sundown, Wiccans celebrate a holiday known as Samhain. Samhain actually comes from old Celtic traditions and is not exclusive to Neopagan religions like Wicca. While the traditions of this holiday originate in Celtic countries, modern day Wiccans don't try to historically replicate Samhain celebrations. Some traditional Samhain rituals are still practised, but at its core, the period is treated as a time to celebrate darkness and the dead – a possible reason why Samhain can be confused with Halloween celebrations."[288]
Geography
Main article: Geography of Halloween
The traditions and importance of Halloween vary greatly among countries that observe it. In Scotland and Ireland, traditional Halloween customs include children dressing up in costume going "guising", holding parties, while other practices in Ireland include lighting bonfires, and having firework displays.[173][291][292] In Brittany children would play practical jokes by setting candles inside skulls in graveyards to frighten visitors.[293] Mass transatlantic immigration in the 19th century popularized Halloween in North America, and celebration in the United States and Canada has had a significant impact on how the event is observed in other nations.[173] This larger North American influence, particularly in iconic and commercial elements, has extended to places such as Brazil, Colombia, Ecuador, Chile,[294] Australia,[295] New Zealand,[296] (most) continental Europe, Finland,[297] Japan, and other parts of East Asia.[16]
Cost
According to the National Retail Federation, Americans are expected to spend $12.2 billion on Halloween in 2023, up from $10.6 billion in 2022. Of this amount, $3.9 billion is projected to be spent on home decorations, up from $2.7 billion in 2019. The popularity of Halloween decorations has been growing in recent years, with retailers offering a wider range of increasingly elaborate and oversized decorations." (wikipedia)