The composition depicts Leda, Queen of Sparta, accompanied by Zeus in the form of a swan, one of the best-known subjects from Greek mythology.

Leda is presented in an elegant neoclassical pose, with flowing drapery and carefully modelled features, while the swan is incorporated closely into the composition.

The unglazed white porcelain body was intended to imitate carved marble, allowing the modelling, folds of fabric, facial features and sculptural contours to remain the main focus.

Mythological and classical subjects were especially fashionable during the Victorian period, when Parian ware allowed finely detailed sculpture to be produced for the domestic interior at a more accessible level than marble or bronze.

The large proportions give this example considerable presence, making it particularly effective as a centrepiece, mantel sculpture or cabinet display.

The base bears the impressed W.H. Goss publication inscription:

“Published as the Act directs
(See 54 Geo III C.56)
November 13th 1866”

This detailed dated inscription provides an important connection to the original Victorian production and registration of the model.

Parian ware is a fine, unglazed porcelain developed to reproduce the appearance of white marble sculpture.

It became highly fashionable during the 19th century and was used for portrait busts, literary figures, classical subjects and ambitious mythological compositions.

The smooth surface and pale colour allowed manufacturers to reproduce intricate sculptural detail while retaining the refined appearance associated with carved stone.

Large mythological figures by recognised Victorian makers are especially appealing to collectors of Parian ware, neoclassical ceramics and decorative sculpture.

Presented in antique condition with signs of age, manufacture and previous restoration.

Restoration is visible to the left hand. The precise extent and age of this restoration are unclear and it may extend beyond the immediately visible area.

No other obvious restoration has been identified during inspection, although buyers should rely upon the detailed photographs when assessing the piece.

A number of firing faults and manufacturing irregularities are present. These include natural surface variations and imperfections associated with the production of large 19th-century Parian figures.

There is general age-related surface wear, marking and discolouration in places, consistent with a sculpture dating from 1866.

Despite the restoration and firing imperfections described, the figure retains strong sculptural presence and displays impressively.

Please study all photographs carefully, including close-up images of the hand, base, inscription and firing faults, as they form an important part of the description and provide the best indication of the overall condition.