• This vintage vocal collection is Pathways of Song, Volume Four—High Voice (Revised Edition), compiled, arranged, translated, and edited by Frank LaForge and Will Earhart.
• Published in the United States by Warner Bros. Publications Inc., this softcover vocal score presents art songs and folk songs for solo high voice with piano accompaniment, ideal for classical voice study and recital performance.
• The contents include works by composers such as Johann Sebastian Bach, Antonio Caldara, Claude Debussy, Edvard Grieg, George Frideric Handel, Joseph Haydn, Franz Schubert, Robert Schumann, and Richard Strauss alongside German, Russian, Norwegian, and other traditional folksongs.
• Representative titles in this volume include Blessed Redeemer (Liebster Herr Jesu), Golden Sun Streaming (Die gold'ne Sonne, voll Freud und Wonne), Now Suffer Me, Fair Maiden, Good Morning (God Morgen), Vouchsafe, O Lord!, Night and Dreams (Nacht und Träume), and Night (Die Nacht), among others.
• A detailed foreword explains the pedagogical aims of the Pathways of Song series, emphasizing graded progression, clear diction, and expressive singing for developing vocalists.
• An extensive Aids in Program Building section groups selections by composer and style across the four volumes, helping teachers and singers design balanced recital programs and study sequences for voice and piano duo.
• The back cover reprints the complete song lists for Volumes I–IV in both high and low voice editions, highlighting the series as an exceptional collection of international art and folk songs for the discriminating vocalist; this listing is for Volume Four—High Voice only.
• Copyright is noted as 1938 (renewed) Warner Bros., Inc., with this revised edition issued by Warner Bros. Publications as part of their vocal music catalog.
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• Condition: Softcover vocal score showing some surface rubbing and small scuffs on the red front and back covers, with light edge and corner wear along the spine and outer margins. Interior pages display mild age toning at the edges but remain supple. Numerous songs contain pencil performance markings and brief notes in the margins, yet the staves, lyrics, and all printed text are clear, complete, and fully legible, and the stapled binding holds pages securely.

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