• For Your Consideration:
• From 1997: A SIGNED Limited Edition in HARDCOVER of:
• “BILLY RAY’S FARM”
(Wisteria Books, 1997) (Hardcover, First Edition, First Printing)
• BY LARRY BROWN
• ENGRAVINGS BY BARRY MOSER
• SIGNING NOTE: Signed on the Colophon Page in black ink by both the author LARRY BROWN and the artist BARRY MOSER. (Please see photos.)
• “A strong, true voice that speaks with authority and compassion. LARRY BROWN’s work is exceptional by any standard. Talent has struck.”
—HARRY CREWS
• “He is a master.”
—BARRY HANNAH
• ABOUT THIS TITLE:
• “LARRY BROWN’s This first edition of BILLY RAY’S FARM is published in May of 1997 by WISTERIA PRESS of Decatur, Georgia. It was designed by DIWHGT AGNER, with original engravings by BARRY MOSER. The text, in ERIC GILL’s Joanna Roman, was set and printed by MICHAEL and WINIFRED BIXLER…. 265 copies have been printed on Nideggen mouldmade paper, of which 250 numbered copies are for sale. All copies are signed by the author and artist. All copies are bound by CAMPBELL-LOGAN BINDERY…. The numbered copies are in a lap case style binding using Iris cloth. This is copy number 117 on Nideggen paper.”
—THE PUBLISHER
• “BROWN makes us care about these rural days and nights —and the people who pass through them.”
—SOUTHERN LIVING
• “BROWN’s muscular sentences hold us in the intensity of the moment...forceful description with unexpected tenderness.”
—ATLANTA JOURNAL-CONSTITUTION
• “Equal parts HENRY DAVID THOREAU and long-suffering JOB.”
—MINNEAPOLIS STAR TRIBUNE
• “These essays read much like good fiction.”
—LIBRARY JOURNAL
• “BROWN is the real thing.”
—WASHINGTON POST
• “Like his novels, BROWN’s essays are built out of small, often raw details.”
—USA TODAY
• “Read this book. Read it for its emotional honesty and humor....”
—ROANOKE TIMES
• “Unique and highly readable.”
—BOOKLIST
• “These humble personal essays, which provide a glimpse at the long apprenticeship of a writer who came up the hard way, leave the reader hoping BROWN will soon tackle a full-blown autobiography.”
—PUBLISHERS WEEKLY
• “BROWN’s honest, down-to-earth prose is always readable and sometimes moving….”
—KIRKUS REVIEWS
• “In BILLY RAY’S FARM, as in ON FIRE and BROWN’s fiction, he pulls no punches with his readers; moreover, BILLY RAY'S FARM spares its author nothing. Which isn’t to say that this new book will put BROWN alongside those memoirists who mistakenly equate their genre with verbal exhibitionism.”
—DIANN BLAKELY, POET, GOODREADS REVIEW
• “With minimal education, BROWN used his life experiences as material to create great fiction and nonfiction in the spirit of WILLIAM FAULKNER who also lived in Oxford, Mississippi. BILLY RAY’S FARM shows BROWN at his best.”
—MICHAEL H. TIDEMANN, AMAZON REVIEW
• “Simply put, nonfiction at its best.”
—DAVID WARD, GOODREADS REVIEW
• “One of the finest reading experiences I'd had in years.”
—GARY SITES, AMAZON REVIEW
•
• For other details about this book, please see below.
•
TITLE: “BILLY RAY’S FARM”
AUTHOR: LARRY BROWN
ARTIST: BARRY MOSER
TYPE: HARDCOVER
PAGES: 40
PUBLISHER, LOCALE, & YEAR: Wisteria Press (Decatur, Georgia), 1997
ISBN: N/A
CONDITION OF BOOK: VERY GOOD PLUS. (Not issued with Dust Jacket.) Coverboards are encased in a transparent plastic cover, which has slight smudging & scratching (from normal handling) & a circular (closed) cut of about 2 inches near the bottom corner on the back. Book itself is square & firm. Coverboards are pointedly bright & clean. Corners are sharp. Spine is tight & uncreased with sharp tips. Spine-lettering remains bright. Text-block edges & endpapers are fine. The pages are all pointedly bright & clean—with no writing (other than the signatures of LARRY BROWN & BARRY MOSER on the colophon page), no underlining, no highlighting, no foxing, no staining, no tears/rips, no foul odor, etc. This copy is CLEARLY UNREAD.
SHIPPING NEWS: This book will be wrapped with care before being shipped in a cushioned & sturdy box. THANK YOU!
• ABOUT THE AUTHOR:
• “LARRY BROWN is an American original. If a movie were made of his life, DENNIS QUAID or JEFF BRIDGES would get the part. If they could get the accent right. Because LARRY BROWN’s voice is like nothing you’ve ever heard before—that is, unless you’ve spent some time in Oxford, Mississippi. Not the Oxford of WILLIAM FAULKNER, the town's better known artiste. But the Oxford of six-packs and pickup trucks and the pains of mismatched men and women in trailer parks…. LARRY BROWN grew up amid poverty, Southern style. His father was a sharecropper who moved his wife and four children from Mississippi to Memphis when he couldn't make a living farming. When they returned to Oxford 10 years later, his father worked in the same stove factory BROWN would work in a decade or so later. Wherever they were, money was scarce and problems plentiful…. People often ask this trim, wiry man with the friendly manner and boyish smile why he writes about people with such violent, troubled lives. ‘It’s not that I have a bleak outlook on life or anything,’ he says. ‘There is just no way for some lives to have a happy ending….’”
—JUDITH WEINRAUB, WASHINGTON POST
• “LARRY BROWN writes as if he owns—legitimately and without challenge, mind you—the entire grief-stricken, joy-ridden world, and a few things beyond it.”
—BOB SHACOCHIS
• “That he came to writing late, without any institution of higher learning to dictate to him the ideology of good writing, was to his advantage, allowing him to appraise his new vocation with the eyes of someone who knew something of the world….”
—WOODY HAUT, LOS ANGELES REVIEW OF BOOKS
• “I think he’s become one of America’s great stories—how his diligence and his big backbone won out. Something happened in about five years that's quite a miracle. He’s become his own genius.”
—BARRY HANNAH
• “Right from the beginning he was willing to look very straight into the depths of human pain without blinking. If you didn’t blink and were willing to stand there and look with him, you could learn some remarkable things.”
—SHANNON RAVENEL, EDITOR, ALGONQUIN BOOKS OF CHAPEL HILL
• “LARRY BROWN is one of the more distinctive prose artists of our time…. His prose is starkly poetic, his characterizations, occasionally darkly comic, are always uncompromising and convincing.”
—HOUSTON POST
• “It is my feeling that BROWN’s voice is distinctive enough to make it impossible to confuse it with any other writer…. My hope that he will write a lot is entirely selfish, because whatever he writes, I will read.”
—HARRY CREWS
• “The truth of the matter is that BROWN is one of the best writers we have, able in a sentence or two to cut to the heart of things.”
—WASHINGTON POST
• ”Powerful and original.”
―HERBERT MITGANG, NEW YORK TIMES
• “He is blunt and abrasive about subjects that tend to cause flinching. He tells stories in plain language.”
—THE NEW YORKER
• “Direct, powerful, and singularly honest.”
—WILLIE MORRIS
• “LARRY BROWN has an unerring comic sense, a sensitive ear for talk, an unsentimental commitment to his characters….”
—ELLEN DOUGLAS
• “LARRY BROWN is establishing himself as one of the most authentic literary voices of our generation. It’s a voice framed, as many great voices have been, in the inflections of the South. It's a voice as true as a gun rack, unpretentious and uncorrupted, full of wit and sorrow.”
—BALTIMORE EVENING SUN
• “LARRY BROWN is a writer whose language and imagination redeem the very worst life has to offer: a novelist of unusual power.”
—WILLIAM KENNEDY
• “This may be overblown but I’ll say it, anyway: There’s a bit of CHEKHOV in BROWN’s style. Like BROWN, CHEKHOV wrote simply about great tragedy and unexpected humor. He let his characters speak; they didn’t have to alter their behavior to conform to his plans.”
—DAN BARRETT, POPMATTERS
• “Literature of the first order…. Powerful stuff spun by a sure, patient hand…. His characters just are. They call to mind the JOADS in JOHN STEINBECK’s THE GRAPES OF WRATH and the pictures and people in JAMES AGEE’s and WALKER EVANS’s LET US NOW PRAISE FAMOUS MEN.”
―DETROIT FREE PRESS
• “A luminescent prose tempered by wit…a Mississippi so vividly sketched you can all but mount it on your wall.”
—LEON ROOKE, NEW YORK TIMES BOOK REVIEW
• “BROWN has quietly established himself as among the finest of the new generation of Southern writers.”
—DENVER POST
• “LARRY BROWN’s hometown is the same as WILLIAM FAULKNER’s, Oxford, Mississippi. But his [writing] is not imitation FAULKNER. BROWN has his own style and is comfortable in it.”
—CLEANTH BROOKS
• “Reading LARRY BROWN’s work can give you a chill...has the rawness of ERSKINE CALDWELL’s TOBACCO ROAD with a touch of WILLIAM FAULKNER’s brooding theatrics.”
—ST. LOUIS POST-DISPATCH
• “BROWN has earned his place as one of the best new Southern writers.”
—RICHMOND TIMES-DISPATCH
• “LARRY BROWN has emerged as one of our finest writers.”
—COX NEWS SERVICE
• “A writer of stature.”
—PUBLISHERS WEEKLY
• “LARRY BROWN writes like a force of nature.”
—PAT CONROY
• “He knows things…you didn’t think would get found out until Judgment Day.”
—JACK BUTLER
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1. GENERAL TREATMENT. We enjoy treating FLAPPINCAT customers with honesty & respect & warmth because that’s how we like to be treated when we buy things on eBay.
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How We
GRADECONDITION
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DETAILS. The condition of every item we sell will be described in detail.
FLAWS. All discernible flaws will be noted, if not emphasized.
Of course, the grading of condition can be subjective. And since no grader is perfect, it is possible that we may at times miss a flaw.
It is also possible that we may miss some perfections!
Should we make a mistake, you will find FLAPPINCAT eager to fix things with you. Just send us a note and we’ll get on it.
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“POOR.” Except in rare cases, for rare items, we tend to avoid selling items that are in utterly “POOR” condition. It is more likely that on a rare item, only one part of an item (out of numerous parts) will be described as “POOR.”
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(*Get it?)
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What more can we say? Haven't we said enough? Well…we can always repeat ourselves. In summary: FLAPPINCAT is genuinely grateful for your patronage and we aim to express that gratitude in every way we can.
Thanks for trusting
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FLAPPINCAT’s
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Featuring the best from a long-running collection
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