Studies in Black literature from the Civil War have focused mainly on a few influential movements centered in large northern cities. Black writers in the South still remain largely unknown to the general reader. J. Lee Greene, late professor of African-American literature at the University of North Carolina at Chapel Hill, has taken a pioneering step in his Time's Unfading Garden, Anne Spencer's Life and Poetry (Baton Rouge: LSU Press, 1977). Anne Spencer (1882-1975), born Bannister and the daughter of slaves, was an American poet, teacher, civil rights activist, librarian, and gardener. As a gardener, she often used imagery from the plants she cultivated to articulate her themes and often used the image of the garden itself. Although she never released a poetry volume, Spencer was a widely anthologized poet, and published more than thirty poems in anthologies and was the first Virginian and one of three African-American women included in the highly influential Norton Anthology of Modern Poetry. She was friendly with W. E. B, DuBois and Langston Hughes, engaging in spirited discussions of society and poetry in her home. She offended whites with her diatribes against white supremacy, school integration, and interracial friendships. Despite spending most of her life in her Lynchburg hometown, her civil rights activism connected her with civil rights leaders and her home became an important center and intellectual meeting place for civil rights movement leaders such as Thurgood Marshall and Martin Luther King, Jr. She also started a local chapter of the NAACP. Although Spencer has been regarded as one of the significant female poets of the Harlem Renaissance, she was also an important innovator of American modernism. At the time of her death, Spencer left behind unpublished work, including a novel and cantos in honor of abolitionist John Brown.
In his Time's Unfading Garden, Anne Spencer's Life and Poetry J. Lee Greene devotes himself to interpreting the individual poems Spencer penned and exploring the broader themes she was addressing in her small body of published work. A Black poet living in the Jim Crow South, she succeeded in sublimating her outrage of the injustices of her age into broader themes. After a careful study of her poems, Greene seeks to allow his readers to better understand their themes and vision. He succcessfully reveals much about this unheralded American poet, her process, her copious notes found in notebooks and on scraps of paper, and her method of composition. In an appendix, Greene includes forty-two of fifty poems "now available as complete poems or significant fragments".of the over a thousand poems Spencer wrote. Greene also offers a rare look into the private life of Spencer, who had previously declined to have anything written about her at all. Hardcover with mylar protected dust jacket; 1st ed, 204 pp. Out-of-print. Minor age-related wear; very good.
Greene dedicated the book to and inscribed it for Louis Rubin "whose positive and permanent influence ever remain an inspiration." Rubin (1923-2013) was an American literature scholar and critic, writing teacher, poet, and author. He taught for many years, first at Hollins College in Virginia and later at the University of North Carolina at Chapel Hill. Rubin is credited with helping establish Southern literature as a legitimate field in American literature and the founding of Algonquin Press which has become nationally known for publishing Southern authors.
NOTE: The distortion in the photo of the book is owing to light reflection off of the mylar protective dust jacket cover.
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