Delivering an all-metal, tank-like build quality and extreme flexibility for a range of live and studio applications, the BL8 Boundary Microphone from sE Electronics sports a half-cardioid, 3-micron true condenser diaphragm for exceptional sensitivity in the low-frequency range, making it ideal for kick drum miking. With onboard controls for two different low-cut frequencies (80 or 160 Hz), two different attenuation levels (-10 or -20 dB), and two different EQ voicings (Classic or Modern), the BL8 is versatile indeed, deftly handling ambient room miking, pianos, and more with exceptional clarity.

The transformerless, class-A circuitry in the BL8 ensures enough headroom to avoid distortion and an ultralow-noise signal with plentiful transparency. The tour-ready enclosure sports a dent-proof grille and gold-plated XLR contacts to survive the rigors of the road, and the durable design can also support the Kelly Shu Flatz Isolation System, ideal for heavy touring applications. This microphone includes a carry pouch for safe transport.

Low Cut
This switch allows you to curb low-frequency response at two different frequencies (80 or 160 Hz) or leave it flat. For applications like room miking or speech, the low-cut switch reduces unwanted footfall noise and rumble. It can also be used to minimize proximity effect.

Attenuation Pad
The attenuation pad reduces the microphone's signal by 10 or 20 dBs when activated, preventing loud sources from overloading your mixer, preamp, or audio interface. In its center position, the pad is deactivated, and the microphone's output is unaffected.

It is recommended that you initially activate the 10 dB attenuation when miking a kick drum. For very loud sources, you may need to activate the 20 dB attenuation. Moderately loud sources should be fine at the 0 dB setting.

Character
The ideal studio kick drum tone is often different than preferences in a live sound environment. Similar to the award-winning kick-drum mic, the V KICK, the BL8 offers Classic and Modern character voicings.

These options both cut and shape the low-mid frequencies to emphasize transients and punch. In its center position, the capsule's neutral response is retained, which is ideal for a plethora of other applications.

Swappable Capsule
The capsule inside the BL8 can be swapped for an alternative, such as the sE8 omnidirectional capsule, to allow for an even greater range of applications. Simply turn the screw at the center of the mic's grille until its loose, remove the capsule retainer screw, and replace.

Surface Mounting
Using screws, the BL8 can be mounted to a surface, wall, ceiling, or the lid of a grand piano. Simply open the microphone as you would if you were changing the capsule.

The two mounting points are covered with black stickers; remove them with a sharp tool. Then, use a sharp tool to punch through the underlying protective foil, and mount as desired with screws (not included).


Box Contains

sE Electronics BL8 Boundary Microphone

• 1 x sE Electronics Microphone

Box Contains

sE Electronics BL8 Boundary Microphone

• 1 x sE Electronics Microphone

Brand	sE Electronics
Color	Black
Form Factor	Boundary/Surface Mount
Maximum SPL	143 dB SPL
Model	sE Electronics BL8-U
MPN	SEBL8U
Polar Pattern	Half-Cardioid
Form Factor	Boundary/Surface Mount
Element Type	1x Condenser
Polar Pattern	Half-Cardioid
Frequency Range	20 Hz to 20 kHz
Maximum SPL	143 dB SPL
Analog Output	1x XLR 3-Pin Male (on Mic)
Power Sources	Phantom Power
Intended Sound Sources	Piano, Drums, Percussion, Kick Drum, Instruments, Choir, Orchestra, Room Ambiance
Sound Field	Mono
Pad	-10 dB -20 dB
High-Pass Filter	80 Hz 160 Hz
Tone Adjustment	Mid Boost Mid Cut
Impedance	60 Ohms
Load Impedance	> 1 Kilohms
Sensitivity	25 mV/Pa
Dynamic Range	129 dB (without Pad) 149 dB (with Pad)
Signal-to-Noise Ratio	80 dB
Equivalent Noise Level	14 dB A-Weighted
Color	Black
Mounting Thread Size	No Mount Included
Construction Material	Metal
Dimensions	H: 1.12 x W: 3.74 x L: 5.47 / H: 2.84 x W: 9.5 x L: 13.89 cm
Weight	19 oz / 538 g