FOR SALE:
A vintage, Halloween-themed outdoor flag/indoor wall banner
1995 "TOP HAT GHOST" HALLOWEEN FLAG (28" X 40") BY FOUR STAR
DETAILS:
Decorate your house of horrors with a Halloween yard flag!
This vertical flag/wall banner from Four Star International Trading Company features a fun and wacky, Halloween-themed design. This traditional style, seasonal yard flag can be hung from a pole, or used indoor as wall decor.
▪︎Hand-embroidered design
▪︎Made of durable nylon▪︎Great for use as an outdoor flag or indoor wall banner
CONDITION:
In good, pre-owned condition. Some of the embroidery has loose threads. Pole not included. Please see photos.
To ensure safe delivery all items are carefully packaged before shipping out.
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*ALL PHOTOS AND TEXT ARE INTELLECTUAL PROPERTY OF SIDEWAYS STAIRS CO. ALL RIGHTS RESERVED.*
"Halloween or Hallowe'en (less commonly known as Allhalloween,[5] All Hallows' Eve,[6] or All Saints' Eve)[7] is a celebration observed in many countries on 31 October, the eve of the Western Christian feast of All Saints' Day. It begins the observance of Allhallowtide,[8] the time in the liturgical year dedicated to remembering the dead, including saints (hallows), martyrs, and all the faithful departed.[9][10][11][12]
One theory holds that many Halloween traditions were influenced by Celtic harvest festivals, particularly the Gaelic festival Samhain, which are believed to have pagan roots.[13][14][15][16] Some go further and suggest that Samhain may have been Christianized as All Hallow's Day, along with its eve, by the early Church.[17] Other academics believe Halloween began solely as a Christian holiday, being the vigil of All Hallow's Day.[18][19][20][21] Celebrated in Ireland and Scotland for centuries, Irish and Scottish immigrants took many Halloween customs to North America in the 19th century,[22][23] and then through American influence Halloween had spread to other countries by the late 20th and early 21st century.[24][25]
Popular Halloween activities include trick-or-treating (or the related guising and souling), attending Halloween costume parties, carving pumpkins or turnips into jack-o'-lanterns, lighting bonfires, apple bobbing, divination games, playing pranks, visiting haunted attractions, telling scary stories, and watching horror or Halloween-themed films.[26] Some people practice the Christian religious observances of All Hallows' Eve, including attending church services and lighting candles on the graves of the dead,[27][28][29] although it is a secular celebration for others.[30][31][32] Some Christians historically abstained from meat on All Hallows' Eve, a tradition reflected in the eating of certain vegetarian foods on this vigil day, including apples, potato pancakes, and soul cakes.[33][34][35][36]
Etymology
"Halloween" (1785) by Scottish poet Robert Burns, recounts various legends of the holiday.
The word Halloween or Hallowe'en ("Saints' evening"[37]) is of Christian origin;[38][39] a term equivalent to "All Hallows Eve" is attested in Old English.[40] The word hallowe[']en comes from the Scottish form of All Hallows' Eve (the evening before All Hallows' Day):[41] even is the Scots term for "eve" or "evening",[42] and is contracted to e'en or een;[43] (All) Hallow(s) E(v)en became Hallowe'en.
History
Christian origins and historic customs
Halloween is thought to have influences from Christian beliefs and practices.[44][45] The English word 'Halloween' comes from "All Hallows' Eve", being the evening before the Christian holy days of All Hallows' Day (All Saints' Day) on 1 November and All Souls' Day on 2 November.[46] Since the time of the early Church,[47] major feasts in Christianity (such as Christmas, Easter and Pentecost) had vigils that began the night before, as did the feast of All Hallows'.[48][44] These three days are collectively called Allhallowtide and are a time when Western Christians honour all saints and pray for recently departed souls who have yet to reach Heaven. Commemorations of all saints and martyrs were held by several churches on various dates, mostly in springtime.[49] In 4th-century Roman Edessa it was held on 13 May, and on 13 May 609, Pope Boniface IV re-dedicated the Pantheon in Rome to "St Mary and all martyrs".[50] This was the date of Lemuria, an ancient Roman festival of the dead.[51]
In the 8th century, Pope Gregory III (731–741) founded an oratory in St Peter's for the relics "of the holy apostles and of all saints, martyrs and confessors".[44][52] Some sources say it was dedicated on 1 November,[53] while others say it was on Palm Sunday in April 732.[54][55] By 800, there is evidence that churches in Ireland[56] and Northumbria were holding a feast commemorating all saints on 1 November.[57] Alcuin of Northumbria, a member of Charlemagne's court, may then have introduced this 1 November date in the Frankish Empire.[58] In 835, it became the official date in the Frankish Empire.[57] Some suggest this was due to Celtic influence, while others suggest it was a Germanic idea,[57] although it is claimed that both Germanic and Celtic-speaking peoples commemorated the dead at the beginning of winter.[59] They may have seen it as the most fitting time to do so, as it is a time of 'dying' in nature.[57][59] It is also suggested the change was made on the "practical grounds that Rome in summer could not accommodate the great number of pilgrims who flocked to it", and perhaps because of public health concerns over Roman Fever, which claimed a number of lives during Rome's sultry summers.[60][44]
On All Hallows' Eve, Christians in some parts of the world visit cemeteries to pray and place flowers and candles on the graves of their loved ones.[61] Top: Christians in Bangladesh lighting candles on the headstone of a relative. Bottom: Lutheran Christians praying and lighting candles in front of the central crucifix of a graveyard.
By the end of the 12th century, the celebration had become known as the holy days of obligation in Western Christianity and involved such traditions as ringing church bells for souls in purgatory. It was also "customary for criers dressed in black to parade the streets, ringing a bell of mournful sound and calling on all good Christians to remember the poor souls".[62] The Allhallowtide custom of baking and sharing soul cakes for all christened souls,[63] has been suggested as the origin of trick-or-treating.[64] The custom dates back at least as far as the 15th century[65] and was found in parts of England, Wales, Flanders, Bavaria and Austria.[66] Groups of poor people, often children, would go door-to-door during Allhallowtide, collecting soul cakes, in exchange for praying for the dead, especially the souls of the givers' friends and relatives. This was called "souling".[65][67][68] Soul cakes were also offered for the souls themselves to eat,[66] or the 'soulers' would act as their representatives.[69] As with the Lenten tradition of hot cross buns, soul cakes were often marked with a cross, indicating they were baked as alms.[70] Shakespeare mentions souling in his comedy The Two Gentlemen of Verona (1593).[71] While souling, Christians would carry "lanterns made of hollowed-out turnips", which could have originally represented souls of the dead;[72][73] jack-o'-lanterns were used to ward off evil spirits.[74][75] On All Saints' and All Souls' Day during the 19th century, candles were lit in homes in Ireland,[76] Flanders, Bavaria, and in Tyrol, where they were called "soul lights",[77] that served "to guide the souls back to visit their earthly homes".[78] In many of these places, candles were also lit at graves on All Souls' Day.[77] In Brittany, libations of milk were poured on the graves of kinfolk,[66] or food would be left overnight on the dinner table for the returning souls;[77] a custom also found in Tyrol and parts of Italy.[79][77]
Christian minister Prince Sorie Conteh linked the wearing of costumes to the belief in vengeful ghosts: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognized by any soul that might be seeking such vengeance, people would don masks or costumes".[80] In the Middle Ages, churches in Europe that were too poor to display relics of martyred saints at Allhallowtide let parishioners dress up as saints instead.[81][82] Some Christians observe this custom at Halloween today.[83] Lesley Bannatyne believes this could have been a Christianization of an earlier pagan custom.[84] Many Christians in mainland Europe, especially in France, believed "that once a year, on Hallowe'en, the dead of the churchyards rose for one wild, hideous carnival" known as the danse macabre, which was often depicted in church decoration.[85] Christopher Allmand and Rosamond McKitterick write in The New Cambridge Medieval History that the danse macabre urged Christians "not to forget the end of all earthly things".[86] The danse macabre was sometimes enacted in European village pageants and court masques, with people "dressing up as corpses from various strata of society", and this may be the origin of Halloween costume parties.[87][88][89][72]
In Britain, these customs came under attack during the Reformation, as Protestants berated purgatory as a "popish" doctrine incompatible with the Calvinist doctrine of predestination. State-sanctioned ceremonies associated with the intercession of saints and prayer for souls in purgatory were abolished during the Elizabethan reform, though All Hallow's Day remained in the English liturgical calendar to "commemorate saints as godly human beings".[90] For some Nonconformist Protestants, the theology of All Hallows' Eve was redefined; "souls cannot be journeying from Purgatory on their way to Heaven, as Catholics frequently believe and assert. Instead, the so-called ghosts are thought to be in actuality evil spirits".[91] Other Protestants believed in an intermediate state known as Hades (Bosom of Abraham).[92] In some localities, Catholics and Protestants continued souling, candlelit processions, or ringing church bells for the dead;[46][93] the Anglican church eventually suppressed this bell-ringing.[94] Mark Donnelly, a professor of medieval archaeology, and historian Daniel Diehl write that "barns and homes were blessed to protect people and livestock from the effect of witches, who were believed to accompany the malignant spirits as they traveled the earth".[95] After 1605, Hallowtide was eclipsed in England by Guy Fawkes Night (5 November), which appropriated some of its customs.[96] In England, the ending of official ceremonies related to the intercession of saints led to the development of new, unofficial Hallowtide customs. In 18th–19th century rural Lancashire, Catholic families gathered on hills on the night of All Hallows' Eve. One held a bunch of burning straw on a pitchfork while the rest knelt around him, praying for the souls of relatives and friends until the flames went out. This was known as teen'lay.[97] There was a similar custom in Hertfordshire, and the lighting of 'tindle' fires in Derbyshire.[98] Some suggested these 'tindles' were originally lit to "guide the poor souls back to earth".[99] In Scotland and Ireland, old Allhallowtide customs that were at odds with Reformed teaching were not suppressed as they "were important to the life cycle and rites of passage of local communities" and curbing them would have been difficult.[22]
In parts of Italy until the 15th century, families left a meal out for the ghosts of relatives, before leaving for church services.[79] In 19th-century Italy, churches staged "theatrical re-enactments of scenes from the lives of the saints" on All Hallow's Day, with "participants represented by realistic wax figures".[79] In 1823, the graveyard of Holy Spirit Hospital in Rome presented a scene in which bodies of those who recently died were arrayed around a wax statue of an angel who pointed upward towards heaven.[79] In the same country, "parish priests went house-to-house, asking for small gifts of food which they shared among themselves throughout that night".[79] In Spain, they continue to bake special pastries called "bones of the holy" (Spanish: Huesos de Santo) and set them on graves.[100] At cemeteries in Spain and France, as well as in Latin America, priests lead Christian processions and services during Allhallowtide, after which people keep an all night vigil.[101] In 19th-century San Sebastián, there was a procession to the city cemetery at Allhallowtide, an event that drew beggars who "appeal[ed] to the tender recollectons of one's deceased relations and friends" for sympathy.[102]
Gaelic folk influence
An early 20th-century Irish Halloween mask displayed at the Museum of Country Life
Today's Halloween customs are thought to have been influenced by folk customs and beliefs from the Celtic-speaking countries, some of which are believed to have pagan roots.[103] Jack Santino, a folklorist, writes that "there was throughout Ireland an uneasy truce existing between customs and beliefs associated with Christianity and those associated with religions that were Irish before Christianity arrived".[104] The origins of Halloween customs are typically linked to the Gaelic festival Samhain.[105]
Samhain is one of the quarter days in the medieval Gaelic calendar and has been celebrated on 31 October – 1 November[106] in Ireland, Scotland and the Isle of Man.[107][108] A kindred festival has been held by the Brittonic Celts, called Calan Gaeaf in Wales, Kalan Gwav in Cornwall and Kalan Goañv in Brittany; a name meaning "first day of winter". For the Celts, the day ended and began at sunset; thus the festival begins the evening before 1 November by modern reckoning.[109] Samhain is mentioned in some of the earliest Irish literature. The names have been used by historians to refer to Celtic Halloween customs up until the 19th century,[110] and are still the Gaelic and Welsh names for Halloween.
Snap-Apple Night, painted by Daniel Maclise in 1833, shows people feasting and playing divination games on Halloween in Ireland.[111]
Samhain marked the end of the harvest season and beginning of winter or the 'darker half' of the year.[112][113] It was seen as a liminal time, when the boundary between this world and the Otherworld thinned. This meant the Aos Sí, the 'spirits' or 'fairies', could more easily come into this world and were particularly active.[114][115] Most scholars see them as "degraded versions of ancient gods [...] whose power remained active in the people's minds even after they had been officially replaced by later religious beliefs".[116] They were both respected and feared, with individuals often invoking the protection of God when approaching their dwellings.[117][118] At Samhain, the Aos Sí were appeased to ensure the people and livestock survived the winter. Offerings of food and drink, or portions of the crops, were left outside for them.[119][120][121] The souls of the dead were also said to revisit their homes seeking hospitality.[122] Places were set at the dinner table and by the fire to welcome them.[123] The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures.[66] In 19th century Ireland, "candles would be lit and prayers formally offered for the souls of the dead. After this the eating, drinking, and games would begin".[124]
Throughout Ireland and Britain, especially in the Celtic-speaking regions, the household festivities included divination rituals and games intended to foretell one's future, especially regarding death and marriage.[125] Apples and nuts were often used, and customs included apple bobbing, nut roasting, scrying or mirror-gazing, pouring molten lead or egg whites into water, dream interpretation, and others.[126] Special bonfires were lit and there were rituals involving them. Their flames, smoke, and ashes were deemed to have protective and cleansing powers.[112] In some places, torches lit from the bonfire were carried sunwise around homes and fields to protect them.[110] It is suggested the fires were a kind of imitative or sympathetic magic – they mimicked the Sun and held back the decay and darkness of winter.[123][127][128] They were also used for divination and to ward off evil spirits.[74] In Scotland, these bonfires and divination games were banned by the church elders in some parishes.[129] In Wales, bonfires were also lit to "prevent the souls of the dead from falling to earth".[130] Later, these bonfires "kept away the devil".[131]
photograph
A plaster cast of a traditional Irish Halloween turnip (rutabaga) lantern on display in the Museum of Country Life, Ireland[132]
From at least the 16th century,[133] the festival included mumming and guising in Ireland, Scotland, the Isle of Man and Wales.[134] This involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf, similar to 'souling'. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[135] In parts of southern Ireland, the guisers included a hobby horse. A man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses – some of which had pagan overtones – in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[136] In Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[134] F. Marian McNeill suggests the ancient festival included people in costume representing the spirits, and that faces were marked or blackened with ashes from the sacred bonfire.[133] In parts of Wales, men went about dressed as fearsome beings called gwrachod.[134] In the late 19th and early 20th century, young people in Glamorgan and Orkney cross-dressed.[134]
Elsewhere in Europe, mumming was part of other festivals, but in the Celtic-speaking regions, it was "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[134] From at least the 18th century, "imitating malignant spirits" led to playing pranks in Ireland and the Scottish Highlands. Wearing costumes and playing pranks at Halloween did not spread to England until the 20th century.[134] Pranksters used hollowed-out turnips or mangel wurzels as lanterns, often carved with grotesque faces.[134] By those who made them, the lanterns were variously said to represent the spirits,[134] or used to ward off evil spirits.[137][138] They were common in parts of Ireland and the Scottish Highlands in the 19th century,[134] as well as in Somerset (see Punkie Night). In the 20th century they spread to other parts of Britain and became generally known as jack-o'-lanterns.[134]
Spread to North America
The annual New York Halloween Parade in Greenwich Village, Manhattan, is the world's largest Halloween parade, with millions of spectators annually, and has its roots in New York’s queer community.[139]
Lesley Bannatyne and Cindy Ott write that Anglican colonists in the southern United States and Catholic colonists in Maryland "recognized All Hallow's Eve in their church calendars",[140][141] although the Puritans of New England strongly opposed the holiday, along with other traditional celebrations of the established Church, including Christmas.[142] Almanacs of the late 18th and early 19th century give no indication that Halloween was widely celebrated in North America.[22]
It was not until after mass Irish and Scottish immigration in the 19th century that Halloween became a major holiday in America.[22] Most American Halloween traditions were inherited from the Irish and Scots,[23][143] though "In Cajun areas, a nocturnal Mass was said in cemeteries on Halloween night. Candles that had been blessed were placed on graves, and families sometimes spent the entire night at the graveside".[144] Originally confined to these immigrant communities, it was gradually assimilated into mainstream society and was celebrated coast to coast by people of all social, racial, and religious backgrounds by the early 20th century.[145] Then, through American influence, these Halloween traditions spread to many other countries by the late 20th and early 21st century, including to mainland Europe and some parts of the Far East.[24][25][146]
Symbols
At Halloween, yards, public spaces, and some houses may be decorated with traditionally macabre symbols including skeletons, ghosts, cobwebs, headstones, and scary looking witches.
Development of artifacts and symbols associated with Halloween formed over time. Jack-o'-lanterns are traditionally carried by guisers on All Hallows' Eve in order to frighten evil spirits.[73][147] There is a popular Irish Christian folktale associated with the jack-o'-lantern,[148] which in folklore is said to represent a "soul who has been denied entry into both heaven and hell":[149]
On route home after a night's drinking, Jack encounters the Devil and tricks him into climbing a tree. A quick-thinking Jack etches the sign of the cross into the bark, thus trapping the Devil. Jack strikes a bargain that Satan can never claim his soul. After a life of sin, drink, and mendacity, Jack is refused entry to heaven when he dies. Keeping his promise, the Devil refuses to let Jack into hell and throws a live coal straight from the fires of hell at him. It was a cold night, so Jack places the coal in a hollowed out turnip to stop it from going out, since which time Jack and his lantern have been roaming looking for a place to rest.[150]
In Ireland and Scotland, the turnip has traditionally been carved during Halloween,[151][152] but immigrants to North America used the native pumpkin, which is both much softer and much larger, making it easier to carve than a turnip.[151] The American tradition of carving pumpkins is recorded in 1837[153] and was originally associated with harvest time in general, not becoming specifically associated with Halloween until the mid-to-late 19th century.[154]
Decorated house in Weatherly, Pennsylvania
The modern imagery of Halloween comes from many sources, including Christian eschatology, national customs, works of Gothic and horror literature (such as the novels Frankenstein; or, The Modern Prometheus and Dracula) and classic horror films such as Frankenstein (1931) and The Mummy (1932).[155][156] Imagery of the skull, a reference to Golgotha in the Christian tradition, serves as "a reminder of death and the transitory quality of human life" and is consequently found in memento mori and vanitas compositions;[157] skulls have therefore been commonplace in Halloween, which touches on this theme.[158] Traditionally, the back walls of churches are "decorated with a depiction of the Last Judgment, complete with graves opening and the dead rising, with a heaven filled with angels and a hell filled with devils", a motif that has permeated the observance of this triduum.[159] One of the earliest works on the subject of Halloween is from Scottish poet John Mayne, who, in 1780, made note of pranks at Halloween; "What fearfu' pranks ensue!", as well as the supernatural associated with the night, "bogles" (ghosts),[160] influencing Robert Burns' "Halloween" (1785).[161] Elements of the autumn season, such as pumpkins, corn husks, and scarecrows, are also prevalent. Homes are often decorated with these types of symbols around Halloween. Halloween imagery includes themes of death, evil, and mythical monsters.[162] Black cats, which have been long associated with witches, are also a common symbol of Halloween. Black, orange, and sometimes purple are Halloween's traditional colors.[163]
Trick-or-treating and guising
Main article: Trick-or-treating
Trick-or-treaters in Sweden
Trick-or-treating is a customary celebration for children on Halloween. Children go in costume from house to house, asking for treats such as candy or sometimes money, with the question, "Trick or treat?" The word "trick" implies a "threat" to perform mischief on the homeowners or their property if no treat is given.[64] The practice is said to have roots in the medieval practice of mumming, which is closely related to souling.[164] John Pymm wrote that "many of the feast days associated with the presentation of mumming plays were celebrated by the Christian Church."[165] These feast days included All Hallows' Eve, Christmas, Twelfth Night and Shrove Tuesday.[166][167] Mumming practiced in Germany, Scandinavia and other parts of Europe,[168] involved masked persons in fancy dress who "paraded the streets and entered houses to dance or play dice in silence".[169]
Girl in a Halloween costume in 1928, Ontario, Canada, the same province where the Scottish Halloween custom of guising was first recorded in North America
In England, from the medieval period,[170] up until the 1930s,[171] people practiced the Christian custom of souling on Halloween, which involved groups of soulers, both Protestant and Catholic,[93] going from parish to parish, begging the rich for soul cakes, in exchange for praying for the souls of the givers and their friends.[67] In the Philippines, the practice of souling is called Pangangaluluwa and is practiced on All Hallow's Eve among children in rural areas.[26] People drape themselves in white cloths to represent souls and then visit houses, where they sing in return for prayers and sweets.[26]
In Scotland and Ireland, guising – children disguised in costume going from door to door for food or coins – is a traditional Halloween custom.[172] It is recorded in Scotland at Halloween in 1895 where masqueraders in disguise carrying lanterns made out of scooped out turnips, visit homes to be rewarded with cakes, fruit, and money.[152][173] In Ireland, the most popular phrase for kids to shout (until the 2000s) was "Help the Halloween Party".[172] The practice of guising at Halloween in North America was first recorded in 1911, where a newspaper in Kingston, Ontario, Canada, reported children going "guising" around the neighborhood.[174]
American historian and author Ruth Edna Kelley of Massachusetts wrote the first book-length history of Halloween in the US; The Book of Hallowe'en (1919), and references souling in the chapter "Hallowe'en in America".[175] In her book, Kelley touches on customs that arrived from across the Atlantic; "Americans have fostered them, and are making this an occasion something like what it must have been in its best days overseas. All Halloween customs in the United States are borrowed directly or adapted from those of other countries".[176]
While the first reference to "guising" in North America occurs in 1911, another reference to ritual begging on Halloween appears, place unknown, in 1915, with a third reference in Chicago in 1920.[177] The earliest known use in print of the term "trick or treat" appears in 1927, in the Blackie Herald, of Alberta, Canada.[178]
An automobile trunk at a trunk-or-treat event at St. John Lutheran Church and Early Learning Center in Darien, Illinois
The thousands of Halloween postcards produced between the turn of the 20th century and the 1920s commonly show children but not trick-or-treating.[179] Trick-or-treating does not seem to have become a widespread practice in North America until the 1930s, with the first US appearances of the term in 1934,[180] and the first use in a national publication occurring in 1939.[181]
A popular variant of trick-or-treating, known as trunk-or-treating (or Halloween tailgating), occurs when "children are offered treats from the trunks of cars parked in a church parking lot", or sometimes, a school parking lot.[100][182] In a trunk-or-treat event, the trunk (boot) of each automobile is decorated with a certain theme,[183] such as those of children's literature, movies, scripture, and job roles.[184] Trunk-or-treating has grown in popularity due to its perception as being more safe than going door to door, a point that resonates well with parents, as well as the fact that it "solves the rural conundrum in which homes [are] built a half-mile apart".[185][186]
Costumes
Main article: Halloween costume
Halloween costumes were traditionally modeled after figures such as vampires, ghosts, skeletons, scary looking witches, and devils.[64] Over time, the costume selection extended to include popular characters from fiction, celebrities, and generic archetypes such as ninjas and princesses.
Halloween shop in Derry, Northern Ireland, selling masks
Dressing up in costumes and going "guising" was prevalent in Scotland and Ireland at Halloween by the late 19th century.[152] A Scottish term, the tradition is called "guising" because of the disguises or costumes worn by the children.[173] In Ireland and Scotland, the masks are known as 'false faces',[38][187] a term recorded in Ayr, Scotland in 1890 by a Scot describing guisers: "I had mind it was Halloween . . . the wee callans were at it already, rinning aboot wi’ their fause-faces (false faces) on and their bits o’ turnip lanthrons (lanterns) in their haun (hand)".[38] Costuming became popular for Halloween parties in the US in the early 20th century, as often for adults as for children, and when trick-or-treating was becoming popular in Canada and the US in the 1920s and 1930s.[178][188]
Eddie J. Smith, in his book Halloween, Hallowed is Thy Name, offers a religious perspective to the wearing of costumes on All Hallows' Eve, suggesting that by dressing up as creatures "who at one time caused us to fear and tremble", people are able to poke fun at Satan "whose kingdom has been plundered by our Saviour". Images of skeletons and the dead are traditional decorations used as memento mori.[189][190]
"Trick-or-Treat for UNICEF" is a fundraising program to support UNICEF,[64] a United Nations Programme that provides humanitarian aid to children in developing countries. Started as a local event in a Northeast Philadelphia neighborhood in 1950 and expanded nationally in 1952, the program involves the distribution of small boxes by schools (or in modern times, corporate sponsors like Hallmark, at their licensed stores) to trick-or-treaters, in which they can solicit small-change donations from the houses they visit. It is estimated that children have collected more than $118 million for UNICEF since its inception. In Canada, in 2006, UNICEF decided to discontinue their Halloween collection boxes, citing safety and administrative concerns; after consultation with schools, they instead redesigned the program.[191][192]
The yearly New York's Village Halloween Parade was begun in 1974; it is the world's largest Halloween parade and America's only major nighttime parade, attracting more than 60,000 costumed participants, two million spectators, and a worldwide television audience.[193]
Since the late 2010s, ethnic stereotypes as costumes have increasingly come under scrutiny in the United States.[194] Such and other potentially offensive costumes have been met with increasing public disapproval.[195][196]
Pet costumes
According to a 2018 report from the National Retail Federation, 30 million Americans will spend an estimated $480 million on Halloween costumes for their pets in 2018. This is up from an estimated $200 million in 2010. The most popular costumes for pets are the pumpkin, followed by the hot dog, and the bumblebee in third place.[197]
Games and other activities
In this 1904 Halloween greeting card, divination is depicted: the young woman looking into a mirror in a darkened room hopes to catch a glimpse of her future husband.
There are several games traditionally associated with Halloween. Some of these games originated as divination rituals or ways of foretelling one's future, especially regarding death, marriage and children. During the Middle Ages, these rituals were done by a "rare few" in rural communities as they were considered to be "deadly serious" practices.[198] In recent centuries, these divination games have been "a common feature of the household festivities" in Ireland and Britain.[125] They often involve apples and hazelnuts. In Celtic mythology, apples were strongly associated with the Otherworld and immortality, while hazelnuts were associated with divine wisdom.[199] Some also suggest that they derive from Roman practices in celebration of Pomona.[64]
Children bobbing for apples at Hallowe'en
The following activities were a common feature of Halloween in Ireland and Britain during the 17th–20th centuries. Some have become more widespread and continue to be popular today. One common game is apple bobbing or dunking (which may be called "dooking" in Scotland)[200] in which apples float in a tub or a large basin of water and the participants must use only their teeth to remove an apple from the basin. A variant of dunking involves kneeling on a chair, holding a fork between the teeth and trying to drive the fork into an apple. Another common game involves hanging up treacle or syrup-coated scones by strings; these must be eaten without using hands while they remain attached to the string, an activity that inevitably leads to a sticky face. Another once-popular game involves hanging a small wooden rod from the ceiling at head height, with a lit candle on one end and an apple hanging from the other. The rod is spun round and everyone takes turns to try to catch the apple with their teeth.[201]
Image from the Book of Hallowe'en (1919) showing several Halloween activities, such as nut roasting
Several of the traditional activities from Ireland and Britain involve foretelling one's future partner or spouse. An apple would be peeled in one long strip, then the peel tossed over the shoulder. The peel is believed to land in the shape of the first letter of the future spouse's name.[202][203] Two hazelnuts would be roasted near a fire; one named for the person roasting them and the other for the person they desire. If the nuts jump away from the heat, it is a bad sign, but if the nuts roast quietly it foretells a good match.[204][205] A salty oatmeal bannock would be baked; the person would eat it in three bites and then go to bed in silence without anything to drink. This is said to result in a dream in which their future spouse offers them a drink to quench their thirst.[206] Unmarried women were told that if they sat in a darkened room and gazed into a mirror on Halloween night, the face of their future husband would appear in the mirror.[207] The custom was widespread enough to be commemorated on greeting cards[208] from the late 19th century and early 20th century.
Another popular Irish game was known as púicíní ("blindfolds"); a person would be blindfolded and then would choose between several saucers. The item in the saucer would provide a hint as to their future: a ring would mean that they would marry soon; clay, that they would die soon, perhaps within the year; water, that they would emigrate; rosary beads, that they would take Holy Orders (become a nun, priest, monk, etc.); a coin, that they would become rich; a bean, that they would be poor.[209][210][211][212] The game features prominently in the James Joyce short story "Clay" (1914).[213][214][215]
In Ireland and Scotland, items would be hidden in food – usually a cake, barmbrack, cranachan, champ or colcannon – and portions of it served out at random. A person's future would be foretold by the item they happened to find; for example, a ring meant marriage and a coin meant wealth.[216]
Up until the 19th century, the Halloween bonfires were also used for divination in parts of Scotland, Wales and Brittany. When the fire died down, a ring of stones would be laid in the ashes, one for each person. In the morning, if any stone was mislaid it was said that the person it represented would not live out the year.[110]
Telling ghost stories, listening to Halloween-themed songs and watching horror films are common fixtures of Halloween parties. Episodes of television series and Halloween-themed specials (with the specials usually aimed at children) are commonly aired on or before Halloween, while new horror films are often released before Halloween to take advantage of the holiday.
Haunted attractions
Main article: Haunted attraction (simulated)
Humorous tombstones in front of a house in California
Humorous display window in Historic 25th Street, Ogden, Utah
Haunted attractions are entertainment venues designed to thrill and scare patrons. Most attractions are seasonal Halloween businesses that may include haunted houses, corn mazes, and hayrides,[217] and the level of sophistication of the effects has risen as the industry has grown.
The first recorded purpose-built haunted attraction was the Orton and Spooner Ghost House, which opened in 1915 in Liphook, England. This attraction actually most closely resembles a carnival fun house, powered by steam.[218][219] The House still exists, in the Hollycombe Steam Collection.
It was during the 1930s, about the same time as trick-or-treating, that Halloween-themed haunted houses first began to appear in America. It was in the late 1950s that haunted houses as a major attraction began to appear, focusing first on California. Sponsored by the Children's Health Home Junior Auxiliary, the San Mateo Haunted House opened in 1957. The San Bernardino Assistance League Haunted House opened in 1958. Home haunts began appearing across the country during 1962 and 1963. In 1964, the San Manteo Haunted House opened, as well as the Children's Museum Haunted House in Indianapolis.[220]
The haunted house as an American cultural icon can be attributed to the opening of The Haunted Mansion in Disneyland on 12 August 1969.[221] Knott's Berry Farm began hosting its own Halloween night attraction, Knott's Scary Farm, which opened in 1973.[222] Evangelical Christians adopted a form of these attractions by opening one of the first "hell houses" in 1972.[223]
The first Halloween haunted house run by a nonprofit organization was produced in 1970 by the Sycamore-Deer Park Jaycees in Clifton, Ohio. It was cosponsored by WSAI, an AM radio station broadcasting out of Cincinnati, Ohio. It was last produced in 1982.[224] Other Jaycees followed suit with their own versions after the success of the Ohio house. The March of Dimes copyrighted a "Mini haunted house for the March of Dimes" in 1976 and began fundraising through their local chapters by conducting haunted houses soon after. Although they apparently quit supporting this type of event nationally sometime in the 1980s, some March of Dimes haunted houses have persisted until today.[225]
On the evening of 11 May 1984, in Jackson Township, New Jersey, the Haunted Castle (Six Flags Great Adventure) caught fire. As a result of the fire, eight teenagers perished.[226] The backlash to the tragedy was a tightening of regulations relating to safety, building codes and the frequency of inspections of attractions nationwide. The smaller venues, especially the nonprofit attractions, were unable to compete financially, and the better funded commercial enterprises filled the vacuum.[227][228] Facilities that were once able to avoid regulation because they were considered to be temporary installations now had to adhere to the stricter codes required of permanent attractions.[229][230][231]
In the late 1980s and early 1990s, theme parks entered the business seriously. Six Flags Fright Fest began in 1986 and Universal Studios Florida began Halloween Horror Nights in 1991. Knott's Scary Farm experienced a surge in attendance in the 1990s as a result of America's obsession with Halloween as a cultural event. Theme parks have played a major role in globalizing the holiday. Universal Studios Singapore and Universal Studios Japan both participate, while Disney now mounts Mickey's Not-So-Scary Halloween Party events at its parks in Paris, Hong Kong and Tokyo, as well as in the United States.[232] The theme park haunts are by far the largest, both in scale and attendance.[233]
Food
Pumpkins for sale during Halloween
On All Hallows' Eve, many Western Christian denominations encourage abstinence from meat, giving rise to a variety of vegetarian foods associated with this day.[234]
A candy apple
Because in the Northern Hemisphere Halloween comes in the wake of the yearly apple harvest, candy apples (known as toffee apples outside North America), caramel apples or taffy apples are common Halloween treats made by rolling whole apples in a sticky sugar syrup, sometimes followed by rolling them in nuts.
At one time, candy apples were commonly given to trick-or-treating children, but the practice rapidly waned in the wake of widespread rumors that some individuals were embedding items like pins and razor blades in the apples in the United States.[235] While there is evidence of such incidents,[236] relative to the degree of reporting of such cases, actual cases involving malicious acts are extremely rare and have never resulted in serious injury. Nonetheless, many parents assumed that such heinous practices were rampant because of the mass media. At the peak of the hysteria, some hospitals offered free X-rays of children's Halloween hauls in order to find evidence of tampering. Virtually all of the few known candy incidents involved parents who poisoned their own children's candy.[237]
One custom that persists in modern-day Ireland is the baking (or more often nowadays, the purchase) of a barmbrack (Irish: báirín breac), which is a light fruitcake, into which a plain ring, a coin, and other charms are placed before baking.[238] It is considered fortunate to be the lucky one who finds it.[238] It has also been said that those who get a ring will find their true love in the ensuing year. This is similar to the tradition of king cake at the festival of Epiphany.
A jack-o'-lantern Halloween cake with a witches hat
List of foods associated with Halloween:
Barmbrack (Ireland)
Bonfire toffee (Great Britain)
Candy apples/toffee apples (Great Britain and Ireland)
Candy apples, candy corn, candy pumpkins (North America)
Chocolate
Monkey nuts (peanuts in their shells) (Ireland and Scotland)
Caramel apples
Caramel corn
Colcannon (Ireland; see below)
Halloween cake
Sweets/candy
Novelty candy shaped like skulls, pumpkins, bats, worms, etc.
Roasted pumpkin seeds
Roasted sweet corn
Soul cakes
Pumpkin Pie
Christian religious observances
The Vigil of All Hallows' is being celebrated at an Episcopal Christian church on Hallowe'en
On Hallowe'en (All Hallows' Eve), in Poland, believers were once taught to pray out loud as they walk through the forests in order that the souls of the dead might find comfort; in Spain, Christian priests in tiny villages toll their church bells in order to remind their congregants to remember the dead on All Hallows' Eve.[239] In Ireland, and among immigrants in Canada, a custom includes the Christian practice of abstinence, keeping All Hallows' Eve as a meat-free day and serving pancakes or colcannon instead.[240] In Mexico children make an altar to invite the return of the spirits of dead children (angelitos).[241]
The Christian Church traditionally observed Hallowe'en through a vigil. Worshippers prepared themselves for feasting on the following All Saints' Day with prayers and fasting.[242] This church service is known as the Vigil of All Hallows or the Vigil of All Saints;[243][244] an initiative known as Night of Light seeks to further spread the Vigil of All Hallows throughout Christendom.[245][246] After the service, "suitable festivities and entertainments" often follow, as well as a visit to the graveyard or cemetery, where flowers and candles are often placed in preparation for All Hallows' Day.[247][248] In Finland, because so many people visit the cemeteries on All Hallows' Eve to light votive candles there, they "are known as valomeri, or seas of light".[249]
Halloween Scripture Candy with gospel tract
Today, Christian attitudes towards Halloween are diverse. In the Anglican Church, some dioceses have chosen to emphasize the Christian traditions associated with All Hallow's Eve.[250][251] Some of these practices include praying, fasting and attending worship services.[1][2][3]
O LORD our God, increase, we pray thee, and multiply upon us the gifts of thy grace: that we, who do prevent the glorious festival of all thy Saints, may of thee be enabled joyfully to follow them in all virtuous and godly living. Through Jesus Christ, Our Lord, who liveth and reigneth with thee, in the unity of the Holy Ghost, ever one God, world without end. Amen. —Collect of the Vigil of All Saints, The Anglican Breviary[252]
Votive candles in the Halloween section of Walmart
Other Protestant Christians also celebrate All Hallows' Eve as Reformation Day, a day to remember the Protestant Reformation, alongside All Hallow's Eve or independently from it.[253] This is because Martin Luther is said to have nailed his Ninety-five Theses to All Saints' Church in Wittenberg on All Hallows' Eve.[254] Often, "Harvest Festivals" or "Reformation Festivals" are held on All Hallows' Eve, in which children dress up as Bible characters or Reformers.[255] In addition to distributing candy to children who are trick-or-treating on Hallowe'en, many Christians also provide gospel tracts to them. One organization, the American Tract Society, stated that around 3 million gospel tracts are ordered from them alone for Hallowe'en celebrations.[256] Others order Halloween-themed Scripture Candy to pass out to children on this day.[257][258]
Belizean children dressed up as Biblical figures and Christian saints
Some Christians feel concerned about the modern celebration of Halloween because they feel it trivializes – or celebrates – paganism, the occult, or other practices and cultural phenomena deemed incompatible with their beliefs.[259] Father Gabriele Amorth, an exorcist in Rome, has said, "if English and American children like to dress up as witches and devils on one night of the year that is not a problem. If it is just a game, there is no harm in that."[260] In more recent years, the Roman Catholic Archdiocese of Boston has organized a "Saint Fest" on Halloween.[261] Similarly, many contemporary Protestant churches view Halloween as a fun event for children, holding events in their churches where children and their parents can dress up, play games, and get candy for free. To these Christians, Halloween holds no threat to the spiritual lives of children: being taught about death and mortality, and the ways of the Celtic ancestors actually being a valuable life lesson and a part of many of their parishioners' heritage.[262] Christian minister Sam Portaro wrote that Halloween is about using "humor and ridicule to confront the power of death".[263]
In the Roman Catholic Church, Halloween's Christian connection is acknowledged, and Halloween celebrations are common in many Catholic parochial schools in the United States.[264][265] Many fundamentalist and evangelical churches use "Hell houses" and comic-style tracts in order to make use of Halloween's popularity as an opportunity for evangelism.[266] Others consider Halloween to be completely incompatible with the Christian faith due to its putative origins in the Festival of the Dead celebration.[267] Indeed, even though Eastern Orthodox Christians observe All Hallows' Day on the First Sunday after Pentecost, The Eastern Orthodox Church recommends the observance of Vespers or a Paraklesis on the Western observance of All Hallows' Eve, out of the pastoral need to provide an alternative to popular celebrations.[268]
Analogous celebrations and perspectives
Judaism
According to Alfred J. Kolatch in the Second Jewish Book of Why, in Judaism, Halloween is not permitted by Jewish Halakha because it violates Leviticus 18:3, which forbids Jews from partaking in gentile customs. Many Jews observe Yizkor communally four times a year, which is vaguely similar to the observance of Allhallowtide in Christianity, in the sense that prayers are said for both "martyrs and for one's own family".[269] Nevertheless, many American Jews celebrate Halloween, disconnected from its Christian origins.[270] Reform Rabbi Jeffrey Goldwasser has said that "There is no religious reason why contemporary Jews should not celebrate Halloween" while Orthodox Rabbi Michael Broyde has argued against Jews' observing the holiday.[271] Purim has sometimes been compared to Halloween, in part due to some observants wearing costumes, especially of Biblical figures described in the Purim narrative.[272]
Islam
Sheikh Idris Palmer, author of A Brief Illustrated Guide to Understanding Islam, has ruled that Muslims should not participate in Halloween, stating that "participation in Halloween is worse than participation in Christmas, Easter, ... it is more sinful than congratulating the Christians for their prostration to the crucifix".[273] It has also been ruled to be haram by the National Fatwa Council of Malaysia because of its alleged pagan roots stating "Halloween is celebrated using a humorous theme mixed with horror to entertain and resist the spirit of death that influence humans".[274][275] Dar Al-Ifta Al-Missriyyah disagrees provided the celebration is not referred to as an 'eid' and that behaviour remains in line with Islamic principles.[276]
Hinduism
Hindus remember the dead during the festival of Pitru Paksha, during which Hindus pay homage to and perform a ceremony "to keep the souls of their ancestors at rest". It is celebrated in the Hindu month of Bhadrapada, usually in mid-September.[277] The celebration of the Hindu festival Diwali sometimes conflicts with the date of Halloween; but some Hindus choose to participate in the popular customs of Halloween.[278] Other Hindus, such as Soumya Dasgupta, have opposed the celebration on the grounds that Western holidays like Halloween have "begun to adversely affect our indigenous festivals".[279]
Neopaganism
There is no consistent rule or view on Halloween amongst those who describe themselves as Neopagans or Wiccans. Some Neopagans do not observe Halloween, but instead observe Samhain on 1 November,[280] some neopagans do enjoy Halloween festivities, stating that one can observe both "the solemnity of Samhain in addition to the fun of Halloween". Some neopagans are opposed to the celebration of Hallowe'en, stating that it "trivializes Samhain",[281] and "avoid Halloween, because of the interruptions from trick or treaters".[282] The Manitoban writes that "Wiccans don't officially celebrate Halloween, despite the fact that 31 Oct. will still have a star beside it in any good Wiccan's day planner. Starting at sundown, Wiccans celebrate a holiday known as Samhain. Samhain actually comes from old Celtic traditions and is not exclusive to Neopagan religions like Wicca. While the traditions of this holiday originate in Celtic countries, modern day Wiccans don't try to historically replicate Samhain celebrations. Some traditional Samhain rituals are still practised, but at its core, the period is treated as a time to celebrate darkness and the dead – a possible reason why Samhain can be confused with Halloween celebrations."[280]
Geography
Main article: Geography of Halloween
Halloween display in Kobe, Japan
The traditions and importance of Halloween vary greatly among countries that observe it. In Scotland and Ireland, traditional Halloween customs include children dressing up in costume going "guising", holding parties, while other practices in Ireland include lighting bonfires, and having firework displays.[172][283][284] In Brittany children would play practical jokes by setting candles inside skulls in graveyards to frighten visitors.[285] Mass transatlantic immigration in the 19th century popularized Halloween in North America, and celebration in the United States and Canada has had a significant impact on how the event is observed in other nations.[172] This larger North American influence, particularly in iconic and commercial elements, has extended to places such as Brazil, Ecuador, Chile,[286] Australia,[287] New Zealand,[288] (most) continental Europe, Finland,[289] Japan, and other parts of East Asia." (wikipedia.)
“Trick-or-treating is a traditional Halloween custom for children and adults in some countries. During the evening of Halloween, on October 31, people in costumes travel from house to house, asking for treats with the phrase "trick or treat". The "treat" is some form of confectionery, usually candy/sweets, although in some cultures money is given instead. The "trick" refers to a threat, usually idle, to perform mischief on the resident(s) or their property if no treat is given. Some people signal that they are willing to hand out treats by putting up Halloween decorations outside their doors; houses may also leave their porch lights on as a universal indicator that they have candy; some simply leave treats available on their porches for the children to take freely, on the honor system.
The history of trick-or-treating traces back to Scotland and Ireland, where the tradition of guising, going house to house at Halloween and putting on a small performance to be rewarded with food or treats, goes back at least as far as the 16th century, as does the tradition of people wearing costumes at Halloween. There are many accounts from 19th-century Scotland and Ireland of people going house to house in costume at Halloween, reciting verses in exchange for food, and sometimes warning of misfortune if they were not welcomed.[1][2] In North America, the earliest known occurrence of guising – children going from house to house for food or money while disguised in costume[2] – is from 1911, when children were recorded as having done this in the province of Ontario, Canada.[3] The interjection "trick or treat!" was then first recorded in the same Canadian province of Ontario in 1917. While going house to house in costume has long been popular among the Scots and Irish, it is only in the 2000s that saying "trick or treat" has become common in Scotland and Ireland.[4] Prior to this, children in Ireland would commonly say "help the Halloween party" at the doors of homeowners.[4]
The activity is prevalent in the Anglospheric countries of the United Kingdom, Ireland, the United States, Canada, and Australia. It also has extended into Mexico. In northwestern and central Mexico, the practice is called calaverita (Spanish diminutive for calavera, "skull" in English), and instead of "trick or treat", the children ask, "¿Me da mi calaverita?" ("[Can you] give me my little skull?"), where a calaverita is a small skull made of sugar or chocolate.
History
Ancient precursors
Traditions similar to the modern custom of trick-or-treating extend all the way back to classical antiquity, although it is extremely unlikely that any of them are directly related to the modern custom. The ancient Greek writer Athenaeus of Naucratis records in his book The Deipnosophists that, in ancient times, the Greek island of Rhodes had a custom in which children would go from door-to-door dressed as swallows, singing a song, which demanded the owners of the house to give them food and threatened to cause mischief if the owners of the house refused.[5][6][7] This tradition was claimed to have been started by the Rhodian lawgiver Cleobulus.[8]
Souling
Since the Middle Ages, a tradition of mumming on a certain holiday has existed in parts of Britain and Ireland. It involved going door-to-door in costume, performing short scenes or parts of plays in exchange for food or drink. The custom of trick-or-treating on Halloween may come from the belief that supernatural beings, or the souls of the dead, roamed the earth at this time and needed to be appeased.
"A soul-cake, a soul-cake, have mercy on all Christian souls for a soul-cake." — a popular English souling rhyme[9]
It may otherwise have originated in a Celtic festival, Samhain, held on 31 October–1 November, to mark the beginning of winter, in Ireland, Scotland and the Isle of Man, and Calan Gaeaf in Wales, Cornwall, and Brittany. The festival is believed to have pre-Christian roots. In the 9th century, the Catholic Church made 1 November All Saints' Day. Among Celtic-speaking peoples, it was seen as a liminal time, when the spirits or fairies (the Aos Sí), and the souls of the dead, came into our world and were appeased with offerings of food and drink. Similar beliefs and customs were found in other parts of Europe. It is suggested that trick-or-treating evolved from a tradition whereby people impersonated the spirits, or the souls of the dead, and received offerings on their behalf. S. V. Peddle suggests they "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[10] Impersonating these spirits or souls was also believed to protect oneself from them.[11]
Starting as far back as the 15th century, among Christians, there had been a custom of sharing soul-cakes at Allhallowtide (October 31 through November 2).[12][13] People would visit houses and take soul-cakes, either as representatives of the dead, or in return for praying for their souls.[14] Later, people went "from parish to parish at Halloween, begging soul-cakes by singing under the windows some such verse as this: 'Soul, souls, for a soul-cake; Pray you good mistress, a soul-cake!'"[15] They typically asked for "mercy on all Christian souls for a soul-cake".[16] It was known as 'Souling' and was recorded in parts of Britain, Flanders, southern Germany, and Austria.[17] Shakespeare mentions the practice in his comedy The Two Gentlemen of Verona (1593), when Speed accuses his master of "puling [whimpering or whining] like a beggar at Hallowmas".[18] In western England, mostly in the counties bordering Wales, souling was common.[13] According to one 19th century English writer "parties of children, dressed up in fantastic costume […] went round to the farm houses and cottages, singing a song, and begging for cakes (spoken of as "soal-cakes"), apples, money, or anything that the goodwives would give them".[19]
Guising
"Guising" redirects here. For other uses, see Guising (disambiguation).
Halloween shop in Derry, Northern Ireland. Halloween masks are called ‘false faces’ in Ireland and Scotland.
In Scotland and Ireland, "guising" – children going from door to door in disguise – is traditional, and a gift in the form of food, coins or "apples or nuts for the Halloween party" (and in more recent times, chocolate) is given out to the children.[4][20][21] The tradition is called "guising" because of the disguises or costumes worn by the children.[2][22] In the West Mid Scots dialect, guising is known as "galoshans".[23] In Scotland, youths went house to house in white with masked, painted or blackened faces, reciting rhymes and often threatening to do mischief if they were not welcomed.[24][25]
Guising has been recorded in Scotland since the 16th century, often at New Year. The Kirk Session records of Elgin name men and women who danced at New Year 1623. Six men, described as guisers or "gwysseris" performed a sword dance wearing masks and visors covering their faces in the churchyard and in the courtyard of a house. They were each fined 40 shillings.[26]
A record of guising at Halloween in Scotland in 1895 describes masqueraders in disguise carrying lanterns made out of scooped out turnips, visit homes to be rewarded with cakes, fruit, and money.[27] In Ireland, children in costumes would commonly say "Help the Halloween Party" at the doors of homeowners.[4][28]
Halloween masks are referred to as "false faces" in Ireland and Scotland.[29][30] A writer using Scots language recorded guisers in Ayr, Scotland in 1890:
I had mind it was Halloween . . . the wee callans were at it already, rinning aboot wi’ their fause-faces (false faces) on and their bits o’ turnip lanthrons (lanterns) in their haun (hand).[30]
Guising also involved going to wealthy homes, and in the 1920s, boys went guising at Halloween up to the affluent Thorntonhall, South Lanarkshire.[31] An account of guising in the 1950s in Ardrossan, North Ayrshire, records a child receiving 12 shillings and sixpence, having knocked on doors throughout the neighbourhood and performed.[32] Growing up in Derry, Northern Ireland in the 1960s, The Guardian journalist Michael Bradley recalls children asking, “Any nuts or apples?”.[33] In Scotland and Ireland, the children are only supposed to receive treats if they perform a party trick for the households they go to. This normally takes the form of singing a song or reciting a joke or a funny poem which the child has memorised before setting out.[32][20] While going from door to door in disguise has remained popular among Scots and Irish at Halloween, the North American saying "trick-or-treat" has become common in the 2000s.[4][28]
Spread to North America
Girl in a Halloween costume in 1928 in Ontario, Canada, the same province where the Scottish Halloween custom of "guising" is first recorded in North America
The earliest known occurrence of the practice of guising at Halloween in North America is from 1911, when a newspaper in Kingston, Ontario, Canada reported on children going "guising" around the neighborhood.[3]
American historian and author Ruth Edna Kelley of Massachusetts wrote the first book length history of the holiday in the US; The Book of Hallowe'en (1919), and references souling in the chapter "Hallowe'en in America"; "The taste in Hallowe'en festivities now is to study old traditions, and hold a Scotch party, using Burn's poem Hallowe'en as a guide; or to go a-souling as the English used. In short, no custom that was once honored at Hallowe'en is out of fashion now."[34] Kelley lived in Lynn, Massachusetts, a town with 4,500 Irish immigrants, 1,900 English immigrants, and 700 Scottish immigrants in 1920.[35] In her book, Kelley touches on customs that arrived from across the Atlantic; "Americans have fostered them, and are making this an occasion something like what it must have been in its best days overseas. All Hallowe'en customs in the United States are borrowed directly or adapted from those of other countries".[36]
While the first reference to "guising" in North America occurs in 1911, another reference to ritual begging on Halloween appears, place unknown, in 1915, with a third reference in Chicago in 1920.[37]
The emergence of "Trick or treat!"
The interjection "Trick or treat!" — a request for sweets or candy, originally and sometimes still with the implication that anyone who is asked and who does not provide sweets or other treats will be subjected to a prank or practical joke — seems to have arisen in central Canada, before spreading into the northern and western United States in the 1930s and across the rest of the United States through the 1940s and early 1950s.[38] Initially it was often found in variant forms, such as "tricks or treats," which was used in the earliest known case, a 1917 report in The Sault Daily Star in Sault Ste. Marie, Ontario:[39]
Almost everywhere you went last night, particularly in the early part of the evening, you would meet gangs of youngsters out to celebrate. Some of them would have adopted various forms of "camouflage" such as masks, or would appear in long trousers and big hats or with long skirts. But others again didn't. . . . "Tricks or treats" you could hear the gangs call out, and if the householder passed out the "coin" for the "treats" his establishment would be immune from attack until another gang came along that knew not of or had no part in the agreement.[40]
As shown by word sleuth Barry Popik,[41] who also found the first use from 1917,[39] variant forms continued, with "trick or a treat" found in Chatsworth, Ontario in 1921,[42] "treat up or tricks" and "treat or tricks" found in Edmonton, Alberta in 1922,[43] and "treat or trick" in Penhold, Alberta in 1924.[44] The now canonical form of "trick or treat" was first seen in 1917 in Chatsworth, only one day after the Sault Ste. Marie use,[45] but "tricks or treats" was still in use in the 1966 television special, It's the Great Pumpkin, Charlie Brown.[41]
The thousands of Halloween postcards produced between the start of the 20th century and the 1920s commonly show children but do not depict trick-or-treating.[46] The editor of a collection of over 3,000 vintage Halloween postcards writes, "There are cards which mention the custom [of trick-or-treating] or show children in costumes at the doors, but as far as we can tell they were printed later than the 1920s and more than likely even the 1930s. Tricksters of various sorts are shown on the early postcards, but not the means of appeasing them".[47]
Trick-or-treating does not seem to have become a widespread practice until the 1930s, with the first U.S. appearance of the term in 1932,[48] and the first use in a national publication occurring in 1939.[49]
Behavior similar to trick-or-treating was more commonly associated with Thanksgiving from 1870 (shortly after that holiday's formalization) until the 1930s. In New York City, a Thanksgiving ritual known as Ragamuffin Day involved children dressing up as beggars and asking for treats, which later evolved into dressing up in more diverse costumes.[50][51] Increasing hostility toward the practice in the 1930s eventually led to the begging aspects being dropped, and by the 1950s, the tradition as a whole had ceased.
Increased popularity
Almost all pre-1940 uses of the term "trick-or-treat" are from the United States and Canada. Trick-or-treating spread throughout the United States, stalled only by World War II sugar rationing that began in April, 1942 and lasted until June, 1947.[52][53]
Magazine advertisement in 1962
Early national attention to trick-or-treating was given in October, 1947 issues of the children's magazines Jack and Jill and Children's Activities,[54] and by Halloween episodes of the network radio programs The Baby Snooks Show in 1946 and The Jack Benny Show and The Adventures of Ozzie and Harriet in 1948.[55] Trick-or-treating was depicted in the Peanuts comic strip in 1951.[56] The custom had become firmly established in popular culture by 1952, when Walt Disney portrayed it in the cartoon Trick or Treat, and Ozzie and Harriet were besieged by trick-or-treaters on an episode of their television show.[57] In 1953 UNICEF first conducted a national campaign for children to raise funds for the charity while trick-or-treating.[58]
Although some popular histories of Halloween have characterized trick-or-treating as an adult invention to re-channel Halloween activities away from Mischief Night vandalism, there are very few records supporting this. Des Moines, Iowa is the only area known to have a record of trick-or-treating being used to deter crime.[59] Elsewhere, adults, as reported in newspapers from the mid-1930s to the mid-1950s, typically saw it as a form of extortion, with reactions ranging from bemused indulgence to anger.[60] Likewise, as portrayed on radio shows, children would have to explain what trick-or-treating was to puzzled adults, and not the other way around. Sometimes even the children protested: for Halloween 1948, members of the Madison Square Boys Club in New York City carried a parade banner that read "American Boys Don't Beg."[61] The National Confectioners Association reported in 2005 that 80 percent of adults in the United States planned to give out confectionery to trick-or-treaters,[62] and that 93 percent of children, teenagers, and young adults planned to go trick-or-treating or participating in other Halloween activities.[63]
Phrase introduction to the UK and Ireland
Despite the concept of trick-or-treating originating in Britain and Ireland in the form of souling and guising, the use of the term "trick or treat" at the doors of homeowners was not common until the 1980s, with its popularisation in part through the release of the film E.T.[64] Guising requires those going door-to-door to perform a song or poem without any jocular threat,[32] and according to one BBC journalist, in the 1980s, "trick or treat" was still often viewed as an exotic and not particularly welcome import, with the BBC referring to it as "the Japanese knotweed of festivals" and "making demands with menaces".[65] In Ireland before the phrase "trick or treat" became common in the 2000s, children would say "Help the Halloween Party".[4] Very often, the phrase "trick or treat" is simply said and the revellers are given sweets, with the choice of a trick or a treat having been discarded.
Etiquette
Two children trick-or-treating on Halloween in Arkansas, United States
Trick-or-treating typically begins at dusk on October 31. Some municipalities choose other dates.[66][67][68][69][70][71] Homeowners wishing to participate sometimes decorate their homes with artificial spider webs, plastic skeletons and jack-o-lanterns. Conversely, those who do not wish to participate may turn off outside lights for the evening or lock relevant gates and fences to keep people from coming onto their property.
In most areas where trick-or-treating is practiced, it is considered an activity for children. Some jurisdictions in the United States forbid the activity for anyone over the age of 12.[72] Dressing up is common at all ages; adults will often dress up to accompany their children, and young adults may dress up to go out and ask for gifts for a charity.
Local variants
U.S. and Canada
Children of the St. Louis, Missouri, area are expected to perform a joke, usually a simple Halloween-themed pun or riddle, before receiving any candy; this "trick" earns the "treat".[73] Children in Des Moines, Iowa also tell jokes or otherwise perform before receiving their treat.
In some parts of Canada, children sometimes say "Halloween apples" instead of "trick or treat". This probably originated when the toffee apple was a popular type of candy. Apple-giving in much of Canada, however, has been taboo since the 1960s when stories (of almost certainly questionable authenticity) appeared of razors hidden inside Halloween apples; parents began to check over their children's fruit for safety before allowing them to eat it. In Quebec, children also go door to door on Halloween. However, in French-speaking neighbourhoods, instead of "Trick or treat", they will simply say "Halloween", though it traditionally used to be "La charité, s'il-vous-plaît" ("Charity, please").[74]
Trunk-or-treat
Trunk-or-treating event held at St. John Lutheran Church & Early Learning Center in Darien, Illinois
Some organizations around the United States and Canada sponsor a "trunk-or-treat" on Halloween night (or, on occasion, a day immediately preceding Halloween, or a few days from it, on a weekend, depending on what is convenient). Trunk-or-treating is done from parked car to parked car in a local parking lot, often at a school or church. The activity makes use of the open trunks of the cars, which display candy, and often games and decorations. Some parents regard trunk-or-treating as a safer alternative to trick-or-treating,[75] while other parents see it as an easier alternative to walking the neighborhood with their children.
This annual event began in the mid-1990s as a "fall festival" for an alternative to trick-or-treating, but became "trunk-or-treat" two decades later. Some have called for more city or community group-sponsored trunk-or-treats, so they can be more inclusive.[76] By 2006 these had become increasingly popular.[77]
Portugal
In Portugal, children go from house to house in All Saints Day and All Souls Day, carrying pumpkin carved lanterns called coca,[78] asking everyone they see for Pão-por-Deus singing rhymes where they remind people why they are begging, saying "...It is for me and for you, and to give to the deceased who are dead and buried"[79] or "It is to share with your deceased"[80] In the Azores the bread given to the children takes the shape of the top of a skull.[81] The tradition of pão-por-Deus was already recorded in the 15th century.[82]
Scandinavia
In Sweden, children dress up as witches and monsters when they go trick-or-treating on Maundy Thursday (the Thursday before Easter) while Danish children dress up in various attires and go trick-or-treating on Fastelavn (or the next day, Shrove Monday). In Norway, the practice is quite common among children, who come dressed up to people's doors asking for, mainly, candy. The Easter witch tradition is done on Palm Sunday in Finland (virvonta).
Europe
In parts of Flanders, some parts of the Netherlands, and most areas of Germany, Switzerland, and Austria, children go to houses with home-made beet lanterns or with paper lanterns (which can hold a candle or electronic light), singing songs about St. Martin on St. Martin's Day (the 11th of November), in return for treats.[83] The equivalent of "trick-or-treat" in German language is "Süßes oder Saures", asking for sweeties or threatening something less pleasant.
In Northern Germany and Southern Denmark, children dress up in costumes and go trick-or-treating on New Year's Eve in a tradition called "Rummelpott [de]".[84]
Trick-or-treat for charity
UNICEF started a program in 1950 called Trick-or-Treat for UNICEF in which trick-or-treaters ask people to give money for the organization, usually instead of collecting candy. Participating trick-or-treaters say when they knock at doors "Trick-or-treat for UNICEF!"[85] This program started as an alternative to candy. The organization has long produced disposable collection boxes that state on the back what the money can be used for in developing countries.
In Canada, students from the local high schools, colleges, and universities dress up to collect food donations for the local Food Banks as a form of trick-or-treating. This is sometimes called "Trick-or-Eat".” (wikipedia.)
"Four Star International Trading is located in Cleveland, OH, United States and is part of the Lending Industry. Four Star International Trading has 11 employees at this location and generates 0 million in sales (USD). There are 4 companies in the Four Star International Trading corporate family." (dnb.com)
"Vintage design refers to an item of another era that holds important and recognizable value.[1] This style can be applied to interior design, decor, clothing and other areas. Vintage design is popular[2] and vintage items have risen in price. Outlets of vintage design have shifted from thrift store to shabby chic stores.[3]
Terminology
There is debate over what determines if an item is vintage. Some rely on the definition of anything old and of value. The most widely accepted definition used by antique and vintage professionals is anything older than 40, (and less than 100,) years old. [4]
The terms vintage, retro, and antique are oftentimes used interchangeably and have some overlay, however the words possess different meanings. Retro refers to a style iconic of a previous era. Vintage generally refers to an item of high-quality materials and/or craftmanship, that is characteristic of a specific time period or artist, and is between 40 and 100 years old. Lastly, antique refers to an item of the previous era or at least 100 years old.[5][1][6] A related term is antiquity, which indicates something of past eras, or simply put, ancient.[7] The word vintage originated in Late Middle English from Old French and Latin origins.
Popularity
Vintage advertisement for beer on the side of a building in the Downtown Tuscaloosa Historic District, Alabama, United States
Vintage items spark interest in many. The United States Department of Labor tells us that, "Design and fashion trends play an important part in the production of furniture. The integrated design of the article for both esthetic and functional qualities is also a major part of the process of manufacturing furniture."[8]
The popularity of vintage design and vintage inspired items can be seen through media. In 2004 designer Nicolas Ghesquière created a line for Balenciaga which called back to older collections.[9] Tom Ford's collection for her also uses references to the past. Vintage design can also be seen in ads which promote vintage inspired clothing.[9]
There are several reasons for vintage design's popularity. Some claim the phenomenon is due to the rarity and classic value of the items.[9] Others state the reason to be a mixture of peoples' nostalgia creating a positive emotional appeal toward a past era or their childhood, consumers' environmental concerns, an appreciation of past styles and craftsmanship, and other experience.[10][11]
Subcategories
Vintage design contains various subcategories reflecting the vast diversity of aesthetics that make up traditional and 20th century design styles.[2][12]
Art Nouveau
Art Nouveau is a style containing curved lines, flowers and other plants, contrasting colors, ornate colors, young women, and intricate details. It was created at the end of the 1800s and gained popularity at the start of the 1910s.[2]
Art Deco
Art Deco was created to intentionally embrace a clean, modern, and man-made look, developed and popular from the 1920s and reaching its peak in the 1930s. This style features mostly geometric shapes, symmetrical patterns, and idealized human figures.[2]
Mid-century modern
Mid-century modern style makes use of straight, clear lines, curved objects, wood tones, thin supporting, and oversized objects. It is meant to call back to the mid-20th century.[2]
Atomic Age
Referring to the period roughly corresponding to 1940–1963, the Atomic Age includes elements of space exploration, scientific discovery, and futurism, creating an idea of an "optimistic, modern world".[2] Atomic Age design became popular and instantly recognizable, with a use of atomic motifs and space age symbols.
International Style
International Style design contains broad block letters in fonts such as Helvetica (see Swiss Style for further information on the typographic style) and sleek, modern lines invoking Mies-ian simplicity and a cosmopolitan aire.[2]
Seventies
The styles of the 1970s are incredibly popular in vintage design, recalling the aesthetics of hippies and other counterculture groups of the era. Use of natural color combinations such as the well-known 'harvest gold, avocado green, and burnt orange' was widespread, as were psychedelic colors and designs such as paisley.[2]
Punk
The punk counterculture style of the late 1970s and 1980s is reused today. It contains harsh lines, clashing colors, juxtaposition, and 'edgy' imagery to create an anti-authoritarian aesthetic.[2]
Postmodernism
Postmodernism as a style incorporates bold colors and abstract geometric motifs with intentionally humorous references to past architectural and design traditions, popular in the 1980s and 1990s. Whereas 'less is more' was a tenet of modernism, postmodern architect Robert Venturi quipped 'less is a bore'.[13] Postmodernism has heavily influenced the vaporwave aesthetic." (wikipedia.)
"Vintage clothing is a generic term for garments originating from a previous era, as recent as the 1990s. The term can also be applied in reference to second-hand retail outlets, e.g. in vintage clothing store. While the concept originated during World War I as a response to textile shortages[1], vintage dressing encompasses choosing accessories, mixing vintage garments with new, as well as creating an ensemble of various styles and periods. Vintage clothes typically sell at low prices for high-end name brands.[2]
Vintage clothing can be found in cities at local boutiques or local charities, or on the internet, e.g. eBay and Etsy, or through digital second-hand shopping websites. Vintage fashion has seen a reemergence in popularity within the 21st century due to increased prevalence of vintage pieces in the media and among celebrities, as well as consumer interests in sustainability and slow fashion.[3]
1950s bridal vintage slip.
Definitions
"Vintage" is a colloquialism commonly used to refer to all old styles of clothing. A generally accepted industry standard is that items made between 20 and 100 years ago are considered "vintage" if they clearly reflect the styles and trends of the era they represent.[4] These clothing items come with a sense of history attached to them, which is one of the reasons they are valued by vintage enthusiasts.[5] This sense of history allows consumers to express sentimental nostalgia for fashions of past eras and for aspects not common with modern items like craftsmanship.[6][7] Vintage items are considered different than antique, which is used to refer to items 100 years old or more. Retro, short for retrospective, or "vintage style," usually refers to clothing that imitates the style of a previous era. Reproduction, or repro, clothing is a newly made copy of an older garment.[4]
Clothing produced more recently is usually called modern or contemporary fashion.
Deadstock
Deadstock refers to merchandise that was withdrawn from sale and warehoused without having been sold to a customer. This is due to the item no longer being in fashion or otherwise outdated or superseded. Such merchandise might once again be in demand and at such point can be returned to sale. Return to sale of fashion merchandise would make it vintage clothing. However, repurposing of deadstock in new products is one way to improve sustainability in the fashion industry.
Sizing
In the United States, due to changes in clothing sizes, vintage sizes are often smaller than the corresponding contemporary size. For example, a garment from the 1970s labeled as Medium (M) might be similar in size to a 2010s Extra Small (XS). Vintage sewing patterns offer an option for those who want a historically accurate garment but cannot find one in their size.
Retail market
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Vintage Edwardian-inspired fashion
Popular places to buy vintage clothing include charity-run second-hand clothing shops, thrift stores, consignment shops, garage sales, car boot sales, flea markets, antique markets, estate sales, auctions, vintage clothing shops and vintage fashion, textile or collectables fairs.
With the rise of the digital world and social media, the consumption of Vintage clothing has rapidly expanded, with e-commerce websites leading to growth in consumer accessibility of vintage pieces.[8] The internet has drastically increased the availability of specific and hard-to-get items and opened up prospective markets for sellers around the world. In the last 20 years, social media in particular has become the most popular medium for consumers to obtain information about, and interact with vintage fashion.[8]
Popular places to acquire garments include online auctions (e.g. eBay), multi-vendor sites (e.g. Etsy), online vintage clothing shops, (eg. TheRealReal, ThredUp), specialist forums, and social media sites (eg. Facebook Marketplace, Depop), where consumers can like, share, and purchase vintage goods from their smartphones.[8] Many vintage clothing shops with physical locations also sell their goods online. In a world filled with fast fashion and "new" being the most popular choice, vintage style has found a way to stay popular. This has a lot to do with celebrities and influencers following this trend, making it a desirable choice for the general public as well. Famous brands, such as Gucci, have made choices like cutting down the number of yearly fashion shows, in order to move the fashion industry toward greater sustainability. The seasonal fashion cycle that the industry has followed for years is being broken down to favor a more environmentally conscious approach to fashion. [9]
Typically in the United States, vintage clothing shops can be found clustered in college towns and artsy neighborhoods of cities. In contrast to thrift stores that sell both vintage and contemporary used clothing, vintage clothing shops are usually for-profit enterprises, with the market mixed between small chains and independent stores. These stores typically range from 200 to 5,000 square feet in size, and will usually have a fitting room. Vintage clothing stores may obtain clothing from individuals in exchange for cash or store credit.
History
A girl wearing Victorian-inspired fashion.
Before the rise of industrial manufacture, construction of most articles of clothing required extensive hand labor. Clothing worn by farmers and laborers was more a matter of practicality than fashion. In order to maximize value, clothing was repaired when worn or damaged, sometimes with layers of patching. Used clothing, in reasonable condition, could be tailored for a new owner. When too tattered to repair, an article might have been taken down to scraps for use in a quilt or braided rag rug, or used as rags for cleaning or dusting.[10]
During World War I, the United States launched a conservation campaign, with slogans such as "Make economy fashionable lest it become obligatory". One result was an approximate 10% reduction in wartime trash production.[10]
Into the 20th and 21st centuries, vintage clothing has seen increased popularity throughout media and pop culture. The tides of popular fashion create demand for ongoing replacement of products with something that is new and fresh.[3] Once known as secondhand clothing, is now seen as vintage clothing. This is due in part to increased visibility through media, film and television, and celebrity influence. In the past 20 years, vintage fashion has been featured in leading fashion and lifestyle magazines, including a 2011 publication of Marie Claire.[3] The popularity of period pieces within film and television has also contributed to trends of vintage fashion. The authentic portrayal of 1960s fashions in the 2007 award winning series Mad Men sparked a resurgence of glamour in consumer interest. This was reflected in a prevalence of 1950 and 60s fashions in 2010 runways, and increased sales at vintage shops. In the early 2000s, celebrities like Reese Witherspoon and Renee Zellweger brought vintage clothing into the media by wearing vintage pieces to red carpets.[3]
In the past decade, vintage clothing has become part of the movement towards environmental sustainability and sustainable fashion, and is an aspect of slow fashion, a concept coined in 2007 by Kate Fletcher. Vintage fashion appeals to consumer interests of ethical clothing as it falls under categories of reusing, recycling and repairing items rather than throwing them away.[8]
Vintage shopping trends have also seen a transition to E-commerce, with the emergence of sites such as Depop, founded in 2011, ThredUp, founded in 2009, and TheRealReal, founded in 2011. When new retailers try to enter the market for vintage clothing, they face certain barriers unique to this segment of the fashion industry. For example, authenticity and exclusivity are two very important factors that vintage clothing consumers look for, so guaranteeing these qualities is of greatest importance for the retailers. Knowing and disclosing the origin of the clothing is a crucial component of succeeding in the vintage clothing retail industry. [11]
Those who purchase vintage clothes may wear them frequently or use them as showpieces of great value within their wardrobe. These tend to never be worn, rather appreciated from their new home in the owner's closet. While some people may keep these clothes in their possession for a long time, others may look to repurpose, mend, or pass these items to new owners.[12]
Historically based sub-cultural groups like rockabilly and swing dancing played a part in the increased interest in vintage clothes. In Finland the vintage scene resulted in a registered non-profit organization called Fintage, from common interest in the preservation of material culture and the environment.
"Vintage inspired" and "Vintage style"
Vintage clothing retains and increases in value due to the fact that it is genuinely from a past era. and allows the buyers to choose different styles from second-hand clothing. In addition, authentic garments are made one at a time, with enough attention to detail to create an item that has long lasting value. Vintage fashion can be understood as a response to fast fashion, in which garments are mass produced. Vintage shopping allow consumers to find unique pieces and create a sense of individuality.[13] Vintage clothing is also meant to evoke an emotional connection to clothing, especially connecting pieces with feelings such as nostalgia and memories. The individuality and sense of style that a person tries to convey by building a wardrobe around "vintage style" is something that drives the trend forward. [14]
However, vintage clothing is often inaccessible and hard to find. Garments closely resembling original vintage (retro or antique) clothing are mass-produced to meet the demand of consumers for vintage clothing. An example of this are slip dresses that emerged in the early 1990s, a style that resembles a 1930s design, but upon examination will show that it only superficially resembles the real thing.
These styles are generally referred to as "vintage style", "vintage inspired" or "modern vintage". They serve as a convenient alternative to those who admire an old style but prefer a modern interpretation or for those who cannot have access to vintage clothing. Sellers claim consumer advantage in that, unlike the original garments, they are usually available in a range of sizes and perhaps, colours and/or fabrics, and can be sold much cheaper.
Even luxury clothing consumers have made a shift toward a sustainable approach to luxury clothing, and vintage style has contributed greatly to this. Influencers and celebrities gravitating toward branded items that are second-hand or vintage, have pushed consumers to own unique pieces that are more environmentally friendly, rather than shopping for cheaper fast fashion. Giving vintage clothes a strong value in society and fashion has been crucial to making it a desirable choice for the greater public. This has helped create brand desirability in a market which may have not had this component earlier. Especially with the general public who have tighter budgets than celebrities, second-hand luxury items seem to be an appealing path into the world of luxury brands. [15]
Environmental sustainability
Main article: Environmental sustainability of vintage fashion
Vintage fashion is part of a larger movement of sustainable fashion, and falls under the category of slow fashion, which is direct response to increasing awareness of the environmental impacts of the fast fashion industry. Within the past 10 years, increased media coverage of environmental issues has led to increasing consumer interest in ethical clothing consumption, and vintage fashion specifically.[13]
The fashion industry ranks as the second most polluting industry in the world after the oil industry.[16] Consequently, a trend in becoming more conscious and sustainable shoppers has emerged through the years. The interest and demand in vintage shopping has grown significantly. In 2020, the term “vintage fashion” was researched 35,000 times on Lyst.[17] One way of reducing waste and limiting the negative impact of fashion on the environment is the reuse and recycling of clothes. Vintage stores make fashion more sustainable. One used item purchased as opposed to one new one reduces CO2 emissions by 25% on average per use.[18]
Sometimes vintage items are upcycled via changing the hemline or other features for a more contemporary look. Vintage items in poor condition are also salvaged for reuse as components in new garments. Throughout the world, used apparel is reclaimed and put to new uses.The textile recycling industry is able to process over ninety percent of the waste without the production of any new hazardous waste or harmful by product." (wikipedia.)
"A ghost is the soul or spirit of a dead person or animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely, from an invisible presence to translucent or barely visible wispy shapes to realistic, lifelike forms. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a séance. Other terms associated with it are apparition, haunt, phantom, poltergeist, shade, specter, spirit, spook, wraith, demon, and ghoul.
The belief in the existence of an afterlife, as well as manifestations of the spirits of the dead, is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary, human-like essences, though stories of ghostly armies and the ghosts of animals other than humans have also been recounted.[2][3] They are believed to haunt particular locations, objects, or people they were associated with in life. According to a 2009 study by the Pew Research Center, 18% of Americans say they have seen a ghost.[4]
The overwhelming consensus of science is that there is no proof that ghosts exist.[5] Their existence is impossible to falsify,[5] and ghost hunting has been classified as pseudoscience.[6][7][8] Despite centuries of investigation, there is no scientific evidence that any location is inhabited by the spirits of the dead. Recent research has indicated that ghost sightings may be related to degenerative brain diseases such as Alzheimer's disease.
In folklore studies, ghosts fall within the motif index designation E200–E599 ("Ghosts and other revenants").
Terminology
Further information: Soul, Genius (mythology), and Geist
The English word ghost continues Old English gāst. Stemming from Proto-Germanic *gaistaz, it is cognate with Old Frisian gāst, Old Saxon gēst, Old Dutch gēst, and Old High German geist. Although this form is not attested in North Germanic and East Germanic languages (the equivalent word in Gothic is ahma, Old Norse has andi m., önd f.), it appears to be a dental suffix derivative of pre-Germanic *ghois-d-oz ('fury, anger'), which is comparable to Sanskrit héḍas ('anger') and Avestan zōižda- ('terrible, ugly'). The prior Proto-Indo-European form is reconstructed as *ǵʰéys-d-os, from the root *ǵʰéys-, which is reflected in Old Norse geisa ('to rage') and *geiski ('fear'; cf. geiskafullr 'full of fear'), in Gothic usgaisjan ('to terrify') and usgaisnan ('to be terrified'), as well as in Avestan zōiš- (cf. zōišnu 'shivering, trembling').[15][16][17]
The Germanic word is recorded as masculine only, but likely continues a neuter s-stem. The original meaning of the Germanic word would thus have been an animating principle of the mind, in particular capable of excitation and fury (compare óðr). In Germanic paganism, "Germanic Mercury", and the later Odin, was at the same time the conductor of the dead and the "lord of fury" leading the Wild Hunt.
Besides denoting the human spirit or soul, both of the living and the deceased, the Old English word is used as a synonym of Latin spiritus also in the meaning of "breath" or "blast" from the earliest attestations (9th century). It could also denote any good or evil spirit, such as angels and demons; the Anglo-Saxon gospel refers to the demonic possession of Matthew 12:43 as se unclæna gast. Also from the Old English period, the word could denote the spirit of God, viz. the "Holy Ghost".
The now-prevailing sense of "the soul of a deceased person, spoken of as appearing in a visible form" only emerges in Middle English (14th century). The modern noun does, however, retain a wider field of application, extending on one hand to "soul", "spirit", "vital principle", "mind", or "psyche", the seat of feeling, thought, and moral judgement; on the other hand used figuratively of any shadowy outline, or fuzzy or unsubstantial image; in optics, photography, and cinematography especially, a flare, secondary image, or spurious signal.[18]
The synonym spook is a Dutch loanword, akin to Low German spôk (of uncertain etymology); it entered the English language via American English in the 19th century.[19][20][21][22] Alternative words in modern usage include spectre (altn. specter; from Latin spectrum), the Scottish wraith (of obscure origin), phantom (via French ultimately from Greek phantasma, compare fantasy) and apparition. The term shade in classical mythology translates Greek σκιά,[23] or Latin umbra,[24] in reference to the notion of spirits in the Greek underworld. The term poltergeist is a German word, literally a "noisy ghost", for a spirit said to manifest itself by invisibly moving and influencing objects.[25]
Wraith is a Scots word for ghost, spectre, or apparition. It appeared in Scottish Romanticist literature, and acquired the more general or figurative sense of portent or omen. In 18th- to 19th-century Scottish literature, it also applied to aquatic spirits. The word has no commonly accepted etymology; the OED notes "of obscure origin" only.[26] An association with the verb writhe was the etymology favored by J. R. R. Tolkien.[27] Tolkien's use of the word in the naming of the creatures known as the Ringwraiths has influenced later usage in fantasy literature. Bogey[28] or bogy/bogie is a term for a ghost, and appears in Scottish poet John Mayne's Hallowe'en in 1780.[29][30]
A revenant is a deceased person returning from the dead to haunt the living, either as a disembodied ghost or alternatively as an animated ("undead") corpse. Also related is the concept of a fetch, the visible ghost or spirit of a person yet alive.
Typology
Relief from a carved funerary lekythos at Athens showing Hermes as psychopomp conducting the soul of the deceased, Myrrhine into Hades (ca. 430-420 B.C.)
Anthropological context
Further information: Animism, Ancestor worship, Origin of religion, and Anthropology of religion
A notion of the transcendent, supernatural, or numinous, usually involving entities like ghosts, demons, or deities, is a cultural universal.[31] In pre-literate folk religions, these beliefs are often summarized under animism and ancestor worship. Some people believe the ghost or spirit never leaves Earth until there is no-one left to remember the one who died.[32]
In many cultures, malignant, restless ghosts are distinguished from the more benign spirits involved in ancestor worship.[33]
Ancestor worship typically involves rites intended to prevent revenants, vengeful spirits of the dead, imagined as starving and envious of the living. Strategies for preventing revenants may either include sacrifice, i.e., giving the dead food and drink to pacify them, or magical banishment of the deceased to force them not to return. Ritual feeding of the dead is performed in traditions like the Chinese Ghost Festival or the Western All Souls' Day. Magical banishment of the dead is present in many of the world's burial customs. The bodies found in many tumuli (kurgan) had been ritually bound before burial,[34] and the custom of binding the dead persists, for example, in rural Anatolia.[35]
Nineteenth-century anthropologist James Frazer stated in his classic work The Golden Bough that souls were seen as the creature within that animated the body.[36]
Ghosts and the afterlife
Further information: Soul, Psyche (psychology), Underworld, Hungry ghost, and Psychopomp
Further information: Ghost Festival, All Souls' Day, Day of the Dead, and Ghost Dance
Although the human soul was sometimes symbolically or literally depicted in ancient cultures as a bird or other animal, it appears to have been widely held that the soul was an exact reproduction of the body in every feature, even down to clothing the person wore. This is depicted in artwork from various ancient cultures, including such works as the Egyptian Book of the Dead, which shows deceased people in the afterlife appearing much as they did before death, including the style of dress.
Fear of ghosts
Main article: Fear of ghosts
Yūrei (Japanese ghost) from the Hyakkai Zukan, ca. 1737
While deceased ancestors are universally regarded as venerable, and often believed to have a continued presence in some form of afterlife, the spirit of a deceased person that persists in the material world (a ghost) is regarded as an unnatural or undesirable state of affairs and the idea of ghosts or revenants is associated with a reaction of fear. This is universally the case in pre-modern folk cultures, but fear of ghosts also remains an integral aspect of the modern ghost story, Gothic horror, and other horror fiction dealing with the supernatural.
Common attributes
Another widespread belief concerning ghosts is that they are composed of a misty, airy, or subtle material. Anthropologists link this idea to early beliefs that ghosts were the person within the person (the person's spirit), most noticeable in ancient cultures as a person's breath, which upon exhaling in colder climates appears visibly as a white mist.[32] This belief may have also fostered the metaphorical meaning of "breath" in certain languages, such as the Latin spiritus and the Greek pneuma, which by analogy became extended to mean the soul. In the Bible, God is depicted as synthesising Adam, as a living soul, from the dust of the Earth and the breath of God.
In many traditional accounts, ghosts were often thought to be deceased people looking for vengeance (vengeful ghosts), or imprisoned on earth for bad things they did during life. The appearance of a ghost has often been regarded as an omen or portent of death. Seeing one's own ghostly double or "fetch" is a related omen of death.[37]
Union Cemetery in Easton, Connecticut is home to the legend of the White Lady.
White ladies were reported to appear in many rural areas, and supposed to have died tragically or suffered trauma in life. White Lady legends are found around the world. Common to many of them is the theme of losing a child or husband and a sense of purity, as opposed to the Lady in Red ghost that is mostly attributed to a jilted lover or prostitute. The White Lady ghost is often associated with an individual family line or regarded as a harbinger of death similar to a banshee.[38][39][needs context]
Legends of ghost ships have existed since the 18th century; most notable of these is the Flying Dutchman. This theme has been used in literature in The Rime of the Ancient Mariner by Coleridge.
Ghosts are often depicted as being covered in a shroud and/or dragging chains.[40]
Locale
See also: Haunted house
A place where ghosts are reported is described as haunted, and often seen as being inhabited by spirits of deceased who may have been former residents or were familiar with the property. Supernatural activity inside homes is said to be mainly associated with violent or tragic events in the building's past such as murder, accidental death, or suicide—sometimes in the recent or ancient past. However, not all hauntings are at a place of a violent death, or even on violent grounds. Many cultures and religions believe the essence of a being, such as the 'soul', continues to exist. Some religious views argue that the 'spirits' of those who have died have not 'passed over' and are trapped inside the property where their memories and energy are strong.
History
Ancient Sumerian cylinder seal impression showing the god Dumuzid being tortured in the Underworld by galla demons
Ancient Near East and Egypt
Main article: Ghosts in Mesopotamian religions
Main article: Ghosts in ancient Egyptian culture
There are many references to ghosts in Mesopotamian religions – the religions of Sumer, Babylon, Assyria, and other early states in Mesopotamia. Traces of these beliefs survive in the later Abrahamic religions that came to dominate the region.[41] Ghosts were thought to be created at time of death, taking on the memory and personality of the dead person. They traveled to the netherworld, where they were assigned a position, and led an existence similar in some ways to that of the living. Relatives of the dead were expected to make offerings of food and drink to the dead to ease their conditions. If they did not, the ghosts could inflict misfortune and illness on the living. Traditional healing practices ascribed a variety of illnesses to the action of ghosts, while others were caused by gods or demons.[42]
Egyptian Akh glyph – The soul and spirit re-united after death
There was widespread belief in ghosts in ancient Egyptian culture The Hebrew Bible contains few references to ghosts, associating spiritism with forbidden occult activities cf. Deuteronomy 18:11. The most notable reference is in the First Book of Samuel (I Samuel 28:3–19 KJV), in which a disguised King Saul has the Witch of Endor summon the spirit or ghost of Samuel.
The soul and spirit were believed to exist after death, with the ability to assist or harm the living, and the possibility of a second death. Over a period of more than 2,500 years, Egyptian beliefs about the nature of the afterlife evolved constantly. Many of these beliefs were recorded in hieroglyph inscriptions, papyrus scrolls and tomb paintings. The Egyptian Book of the Dead compiles some of the beliefs from different periods of ancient Egyptian history.[43] In modern times, the fanciful concept of a mummy coming back to life and wreaking vengeance when disturbed has spawned a whole genre of horror stories and films.[44]
Classical Antiquity
Further information: Shade (mythology) and Magic in the Greco-Roman world
Archaic and Classical Greece
Apulian red-figure bell krater depicting the ghost of Clytemnestra waking the Erinyes, date unknown
Ghosts appeared in Homer's Odyssey and Iliad, in which they were described as vanishing "as a vapor, gibbering and whining into the earth". Homer's ghosts had little interaction with the world of the living. Periodically they were called upon to provide advice or prophecy, but they do not appear to be particularly feared. Ghosts in the classical world often appeared in the form of vapor or smoke, but at other times they were described as being substantial, appearing as they had been at the time of death, complete with the wounds that killed them.[45]
By the 5th century BC, classical Greek ghosts had become haunting, frightening creatures who could work to either good or evil purposes. The spirit of the dead was believed to hover near the resting place of the corpse, and cemeteries were places the living avoided. The dead were to be ritually mourned through public ceremony, sacrifice, and libations, or else they might return to haunt their families. The ancient Greeks held annual feasts to honor and placate the spirits of the dead, to which the family ghosts were invited, and after which they were "firmly invited to leave until the same time next year."[46]
The 5th-century BC play Oresteia includes an appearance of the ghost of Clytemnestra, one of the first ghosts to appear in a work of fiction.[47]
Roman Empire and Late Antiquity
Athenodorus and the Ghost, by Henry Justice Ford, c.1900
The ancient Romans believed a ghost could be used to exact revenge on an enemy by scratching a curse on a piece of lead or pottery and placing it into a grave.[48]
Plutarch, in the 1st century AD, described the haunting of the baths at Chaeronea by the ghost of a murdered man. The ghost's loud and frightful groans caused the people of the town to seal up the doors of the building.[49] Another celebrated account of a haunted house from the ancient classical world is given by Pliny the Younger (c. 50 AD).[50] Pliny describes the haunting of a house in Athens, which was bought by the Stoic philosopher Athenodorus, who lived about 100 years before Pliny. Knowing that the house was supposedly haunted, Athenodorus intentionally set up his writing desk in the room where the apparition was said to appear and sat there writing until late at night when he was disturbed by a ghost bound in chains. He followed the ghost outside where it indicated a spot on the ground. When Athenodorus later excavated the area, a shackled skeleton was unearthed. The haunting ceased when the skeleton was given a proper reburial.[51] The writers Plautus and Lucian also wrote stories about haunted houses.
In the New Testament, according to Luke 24:37–39,[52] following his resurrection, Jesus was forced to persuade the Disciples that he was not a ghost (some versions of the Bible, such as the KJV and NKJV, use the term "spirit"). Similarly, Jesus' followers at first believed he was a ghost (spirit) when they saw him walking on water.
One of the first persons to express disbelief in ghosts was Lucian of Samosata in the 2nd century AD. In his satirical novel The Lover of Lies (circa 150 AD), he relates how Democritus "the learned man from Abdera in Thrace" lived in a tomb outside the city gates to prove that cemeteries were not haunted by the spirits of the departed. Lucian relates how he persisted in his disbelief despite practical jokes perpetrated by "some young men of Abdera" who dressed up in black robes with skull masks to frighten him.[53] This account by Lucian notes something about the popular classical expectation of how a ghost should look.
In the 5th century AD, the Christian priest Constantius of Lyon recorded an instance of the recurring theme of the improperly buried dead who come back to haunt the living, and who can only cease their haunting when their bones have been discovered and properly reburied.[54]
Middle Ages
Ghosts reported in medieval Europe tended to fall into two categories: the souls of the dead, or demons. The souls of the dead returned for a specific purpose. Demonic ghosts existed only to torment or tempt the living. The living could tell them apart by demanding their purpose in the name of Jesus Christ. The soul of a dead person would divulge its mission, while a demonic ghost would be banished at the sound of the Holy Name.[55]
Most ghosts were souls assigned to Purgatory, condemned for a specific period to atone for their transgressions in life. Their penance was generally related to their sin. For example, the ghost of a man who had been abusive to his servants was condemned to tear off and swallow bits of his own tongue; the ghost of another man, who had neglected to leave his cloak to the poor, was condemned to wear the cloak, now "heavy as a church tower". These ghosts appeared to the living to ask for prayers to end their suffering. Other dead souls returned to urge the living to confess their sins before their own deaths.[56]
Medieval European ghosts were more substantial than ghosts described in the Victorian age, and there are accounts of ghosts being wrestled with and physically restrained until a priest could arrive to hear its confession. Some were less solid, and could move through walls. Often they were described as paler and sadder versions of the person they had been while alive, and dressed in tattered gray rags. The vast majority of reported sightings were male.[57]
There were some reported cases of ghostly armies, fighting battles at night in the forest, or in the remains of an Iron Age hillfort, as at Wandlebury, near Cambridge, England. Living knights were sometimes challenged to single combat by phantom knights, which vanished when defeated.[58]
From the medieval period an apparition of a ghost is recorded from 1211, at the time of the Albigensian Crusade.[59] Gervase of Tilbury, Marshal of Arles, wrote that the image of Guilhem, a boy recently murdered in the forest, appeared in his cousin's home in Beaucaire, near Avignon. This series of "visits" lasted all of the summer. Through his cousin, who spoke for him, the boy allegedly held conversations with anyone who wished, until the local priest requested to speak to the boy directly, leading to an extended disquisition on theology. The boy narrated the trauma of death and the unhappiness of his fellow souls in Purgatory, and reported that God was most pleased with the ongoing Crusade against the Cathar heretics, launched three years earlier. The time of the Albigensian Crusade in southern France was marked by intense and prolonged warfare, this constant bloodshed and dislocation of populations being the context for these reported visits by the murdered boy.
Haunted houses are featured in the 9th-century Arabian Nights (such as the tale of Ali the Cairene and the Haunted House in Baghdad).[60]
European Renaissance to Romanticism
"Hamlet and his father's ghost" by Henry Fuseli (1796 drawing). The ghost is wearing stylized plate armor in 17th-century style, including a morion type helmet and tassets. Depicting ghosts as wearing armor, to suggest a sense of antiquity, was common in Elizabethan theater.
Renaissance magic took a revived interest in the occult, including necromancy. In the era of the Reformation and Counter Reformation, there was frequently a backlash against unwholesome interest in the dark arts, typified by writers such as Thomas Erastus.[61] The Swiss Reformed pastor Ludwig Lavater supplied one of the most frequently reprinted books of the period with his Of Ghosts and Spirits Walking By Night.[62]
The Child Ballad "Sweet William's Ghost" (1868) recounts the story of a ghost returning to his fiancée begging her to free him from his promise to marry her. He cannot marry her because he is dead but her refusal would mean his damnation. This reflects a popular British belief that the dead haunted their lovers if they took up with a new love without some formal release.[63] "The Unquiet Grave" expresses a belief even more widespread, found in various locations over Europe: ghosts can stem from the excessive grief of the living, whose mourning interferes with the dead's peaceful rest.[64] In many folktales from around the world, the hero arranges for the burial of a dead man. Soon after, he gains a companion who aids him and, in the end, the hero's companion reveals that he is in fact the dead man.[65] Instances of this include the Italian fairy tale "Fair Brow" and the Swedish "The Bird 'Grip'".
Modern period of western culture
Spiritualist movement
By 1853, when the popular song Spirit Rappings was published, Spiritualism was an object of intense curiosity.
Main article: Spiritualism
Spiritualism is a monotheistic belief system or religion, postulating a belief in God, but with a distinguishing feature of belief that spirits of the dead residing in the spirit world can be contacted by "mediums", who can then provide information about the afterlife.[66]
Spiritualism developed in the United States and reached its peak growth in membership from the 1840s to the 1920s, especially in English-language countries.[67][68] By 1897, it was said to have more than eight million followers in the United States and Europe,[69] mostly drawn from the middle and upper classes, while the corresponding movement in continental Europe and Latin America is known as Spiritism.
The religion flourished for a half century without canonical texts or formal organization, attaining cohesion by periodicals, tours by trance lecturers, camp meetings, and the missionary activities of accomplished mediums.[70] Many prominent Spiritualists were women. Most followers supported causes such as the abolition of slavery and women's suffrage.[67] By the late 1880s, credibility of the informal movement weakened, due to accusations of fraud among mediums, and formal Spiritualist organizations began to appear.[67] Spiritualism is currently practiced primarily through various denominational Spiritualist churches in the United States and United Kingdom.
Spiritism
Main article: Spiritism
Spiritism, or French spiritualism, is based on the five books of the Spiritist Codification written by French educator Hypolite Léon Denizard Rivail under the pseudonym Allan Kardec reporting séances in which he observed a series of phenomena that he attributed to incorporeal intelligence (spirits). His assumption of spirit communication was validated by many contemporaries, among them many scientists and philosophers who attended séances and studied the phenomena. His work was later extended by writers like Leon Denis, Arthur Conan Doyle, Camille Flammarion, Ernesto Bozzano, Chico Xavier, Divaldo Pereira Franco, Waldo Vieira, Johannes Greber,[71] and others.
Spiritism has adherents in many countries throughout the world, including Spain, United States, Canada,[72] Japan, Germany, France, England, Argentina, Portugal, and especially Brazil, which has the largest proportion and greatest number of followers.[73]
Scientific view
See also: Paranormal
The physician John Ferriar wrote "An Essay Towards a Theory of Apparitions" in 1813 in which he argued that sightings of ghosts were the result of optical illusions. Later the French physician Alexandre Jacques François Brière de Boismont published On Hallucinations: Or, the Rational History of Apparitions, Dreams, Ecstasy, Magnetism, and Somnambulism in 1845 in which he claimed sightings of ghosts were the result of hallucinations.[74][75]
A 1901 depiction of ball lightning
David Turner, a retired physical chemist, suggested that ball lightning could cause inanimate objects to move erratically.[76]
Joe Nickell of the Committee for Skeptical Inquiry wrote that there was no credible scientific evidence that any location was inhabited by spirits of the dead.[77] Limitations of human perception and ordinary physical explanations can account for ghost sightings; for example, air pressure changes in a home causing doors to slam, humidity changes causing boards to creak, condensation in electrical connections causing intermittent behavior, or lights from a passing car reflected through a window at night. Pareidolia, an innate tendency to recognize patterns in random perceptions, is what some skeptics believe causes people to believe that they have 'seen ghosts'.[78] Reports of ghosts "seen out of the corner of the eye" may be accounted for by the sensitivity of human peripheral vision. According to Nickell, peripheral vision can easily mislead, especially late at night when the brain is tired and more likely to misinterpret sights and sounds.[79] Nickell further states, "science cannot substantiate the existence of a 'life energy' that could survive death without dissipating or function at all without a brain... why would... clothes survive?'" He asks, if ghosts glide, then why do people claim to hear them with "heavy footfalls"? Nickell says that ghosts act the same way as "dreams, memories, and imaginings, because they too are mental creations. They are evidence - not of another world, but of this real and natural one."[80]
Benjamin Radford from the Committee for Skeptical Inquiry and author of the 2017 book Investigating Ghosts: The Scientific Search for Spirits writes that "ghost hunting is the world's most popular paranormal pursuit" yet, to date, ghost hunters cannot agree on what a ghost is, or offer proof that they exist; "it's all speculation and guesswork". He writes that it would be "useful and important to distinguish between types of spirits and apparitions. Until then it's merely a parlor game distracting amateur ghost hunters from the task at hand."[81]
According to research in anomalistic psychology visions of ghosts may arise from hypnagogic hallucinations ("waking dreams" experienced in the transitional states to and from sleep).[82] In a study of two experiments into alleged hauntings (Wiseman et al.. 2003) came to the conclusion "that people consistently report unusual experiences in 'haunted' areas because of environmental factors, which may differ across locations." Some of these factors included "the variance of local magnetic fields, size of location and lighting level stimuli of which witnesses may not be consciously aware".[83]
Some researchers, such as Michael Persinger of Laurentian University, Canada, have speculated that changes in geomagnetic fields (created, e.g., by tectonic stresses in the Earth's crust or solar activity) could stimulate the brain's temporal lobes and produce many of the experiences associated with hauntings.[84] Sound is thought to be another cause of supposed sightings. Richard Lord and Richard Wiseman have concluded that infrasound can cause humans to experience bizarre feelings in a room, such as anxiety, extreme sorrow, a feeling of being watched, or even the chills.[85] which can cause changes in perception of the visual and auditory systems,[86] was speculated upon as a possible explanation for haunted houses as early as 1921.
People who experience sleep paralysis often report seeing ghosts during their experiences. Neuroscientists Baland Jalal and V.S. Ramachandran have recently proposed neurological theories for why people hallucinate ghosts during sleep paralysis. Their theories emphasize the role of the parietal lobe and mirror neurons in triggering such ghostly hallucinations.[87]
By religion
Judaism
See also: Dybbuk
Witch of Endor by Nikolai Ge, depicting King Saul encountering the ghost of Samuel (1857)
The Hebrew Bible contains several references to owb (Hebrew: אוֹב), which are in a few places akin to shades of classical mythology but mostly describing mediums in connection with necromancy and spirit-consulting, which are grouped with witchcraft and other forms of divination under the category of forbidden occult activities.[88] The most notable reference to a shade is in the First Book of Samuel,[89] in which a disguised King Saul has the Witch of Endor conduct a seance to summon the dead prophet Samuel. A similar term appearing throughout the scriptures is repha'(im) (Hebrew: רְפָאִים), which while describing the race of "giants" formerly inhabiting Canaan in many verses, also refer to (the spirits of) dead ancestors of Sheol (like shades) in many others such as in the Book of Isaiah.[90]
Jewish mythology and folkloric traditions describe dybbuks, malicious possessing spirits believed to be the dislocated soul of a dead person. However, the term does not appear in the Kabbalah or Talmudic literature, where it is rather called an "evil spirit" or ru'aḥ tezazit (Hebrew: רוּחַ טוּמְאָה). It supposedly leaves the host body once it has accomplished its goal, sometimes after being helped.[91][92][93]
Christianity
See also: Allhallowtide
In the New Testament, Jesus has to persuade the Disciples that he is not a ghost following the resurrection, Luke 24:37–39 (some versions of the Bible, such as the KJV and NKJV, use the term "spirit"). Similarly, Jesus' followers at first believe he is a ghost (spirit) when they see him walking on water.[94]
Some Christian denominations[which?] consider ghosts as beings who while tied to earth, no longer live on the material plane and linger in an intermediate state before continuing their journey to heaven.[95][96][97][98] On occasion, God would allow the souls in this state to return to earth to warn the living of the need for repentance.[99] Christians are taught that it is sinful to attempt to conjure or control spirits in accordance with Deuteronomy XVIII: 9–12.[100][101]
Some ghosts are actually said to be demons in disguise, who the Church teaches, in accordance with I Timothy 4:1, that they "come to deceive people and draw them away from God and into bondage."[102] As a result, attempts to contact the dead may lead to unwanted contact with a demon or an unclean spirit, as was said to occur in the case of Robbie Mannheim, a fourteen-year-old Maryland youth.[103] The Seventh-Day Adventist view is that a "soul" is not equivalent to "spirit" or "ghost" (depending on the Bible version), and that save for the Holy Spirit, all spirits or ghosts are demons in disguise. Furthermore, they teach that in accordance with (Genesis 2:7, Ecclesiastes 12:7), there are only two components to a "soul", neither of which survives death, with each returning to its respective source.
Christadelphians and Jehovah's Witnesses reject the view of a living, conscious soul after death.[104]
Islam
Muhammad ibn Muhammad Shakir Ruzmah-'i Nathani - A Soul Symbolized as an Angel
Rūḥ (Arabic: روح; plural arwah) is a person's immortal, essential self — pneuma, i.e. the "spirit" or "soul".[105] The term is also used for ghosts.[106] The souls of the deceased dwell in barzakh. Only a barrier in Quran, in Islamic tradition this refers to an entire intermediary world between the living and the afterlife. The world, especially cemeteries, are perforated with several gateways to the otherworld or barzakh.[107] In rare occasions, the dead can appear to the living.[108] Pure souls, such as the souls of saints, are commonly addressed as rūḥ, while impure souls seeking for revenge, are often addressed as afarit.[109] An inappropriate burial can also cause a soul to stay in this world, whereupon roaming the earth as a ghost. Since the just souls remain close to their tomb, some people try to communicate with them in order to gain hidden knowledge. Contact with the dead is not the same as contact with jinn, who alike could provide knowledge concealed from living humans.[110] Many encounters with ghosts are related to dreams supposed to occur in the realm of symbols.
Belief in spirits have not ceased to exist in Muslim belief. Smile of new-born babies is sometimes used as a proof for sighting spirits, like ghosts. However, the connection to the other world fades during life on earth but is resumed after death. Once again, smiling of dying people is considered as evidence for recognizing the spirit of their beloved ones. Yet, Muslims who affirm the existence of ghosts, are carefully when interacting with spirits, as the ghosts of humans can be as bad as the jinn. Worst of all, however, are the devils.
Muslim authors, like Ghazali, Ibn Qayyim and Suyuti wrote in more details about the life of ghosts. Ibn Qayyim and Suyuti assert, when a soul desires to turn back to earth long enough, it is gradually released from restrictions of Barzakh and able to move freely. Each spirit experiences afterlife in accordance with their deeds and condictions in the earthly life. Evil souls will find the afterlife as painful and punishment, imprisoned until God allows them to interact with other others. Good souls are not restricted. They are free to come visit other souls and even come down to lower regions. The higher planes (ʿilliyyīn) are considered to be broader than the lower ones, the lowest being the most narrow (sijjīn). The spiritual space is not thought as spatial, but reflects the capacity of the spirit. The more pure the spirit gets, the more it is able to interact with other souls and thus reaches a broader degree of freedom.[111]
The Ismailite Philosopher Nasir Khusraw conjectured that evil human souls turn into demons, when their bodies die, because of their intense attachment to the bodily world. They were worse than the jinn and fairies, who in turn could become devils, if they pursue evil.[112] A similar thought is recorded by Muhammad ibn Zakariya al-Razi.[113]
The ghosts of saints are thought to transmit blessings from God through the heavenly realm to whose who visit their graves. Therefore, visiting the graves of saints and prophets became a major ritual in Muslim spirituality.[114]
Buddhism
In Buddhism, there are a number of planes of existence into which a person can be reborn, one of which is the realm of hungry ghosts.[115] Buddhist celebrate the Ghost Festival[116] as an expression of compassion, one of Buddhist virtues. If the hungry ghosts are fed by non-relatives, they would not bother the community.
By culture
African folklore
For the Igbo people, a man is simultaneously a physical and spiritual entity. However, it is his spirited dimension that is eternal.[117] In the Akan conception, we witness five parts of the human personality. We have the Nipadua (body), the Okra (soul), Sunsum (spirit), Ntoro (character from father), Mogya (character from mother).[117] The Humr people of southwestern Kordofan, Sudan consume the drink Umm Nyolokh, which is prepared from the liver and bone marrow of giraffes. Richard Rudgley[118] hypothesises that Umm Nyolokh may contain DMT and certain online websites further theorise that giraffe liver might owe its putative psychoactivity to substances derived from psychoactive plants, such as Acacia spp. consumed by the animal. The drink is said to cause hallucinations of giraffes, believed by the Humr to be the ghosts of giraffes.[119][120]
European folklore
Further information: Revenant, Necromancy, and Samhain
Macbeth Seeing the Ghost of Banquo by Théodore Chassériau
Belief in ghosts in European folklore is characterized by the recurring fear of "returning" or revenant deceased who may harm the living. This includes the Scandinavian gjenganger, the Romanian strigoi, the Serbian vampir, the Greek vrykolakas, etc. In Scandinavian and Finnish tradition, ghosts appear in corporeal form, and their supernatural nature is given away by behavior rather than appearance. In fact, in many stories they are first mistaken for the living. They may be mute, appear and disappear suddenly, or leave no footprints or other traces.
English folklore is particularly notable for its numerous haunted locations.
Belief in the soul and an afterlife remained near universal until the emergence of atheism in the 18th century.[citation needed] In the 19th century, spiritism resurrected "belief in ghosts" as the object of systematic inquiry, and popular opinion in Western culture remains divided.[121]
South and Southeast Asia
Indian subcontinent
Main articles: Bhoot (ghost) and Ghosts in Bengali culture
A bhoot or bhut (Hindi: भूत, Gujarati: ભૂત, Urdu: بهوت, Bengali: ভূত, Odia: ଭୂତ) is a supernatural creature, usually the ghost of a deceased person, in the popular culture, literature and some ancient texts of the Indian subcontinent.
North India
Interpretations of how bhoots come into existence vary by region and community, but they are usually considered to be perturbed and restless due to some factor that prevents them from moving on (to transmigration, non-being, nirvana, or heaven or hell, depending on tradition). This could be a violent death, unsettled matters in their lives, or simply the failure of their survivors to perform proper funerals.[122]
In Central and Northern India, ojha or spirit guides play a central role.[citation needed] It duly happens when in the night someone sleeps and decorates something on the wall, and they say that if one sees the spirit the next thing in the morning he will become a spirit too, and that to a headless spirit and the soul of the body will remain the dark with the dark lord from the spirits who reside in the body of every human in Central and Northern India. It is also believed that if someone calls one from behind, never turn back and see because the spirit may catch the human to make it a spirit. Other types of spirits in Hindu mythology include Baital, an evil spirit who haunts cemeteries and takes demonic possession of corpses, and Pishacha, a type of flesh-eating demon.
Bengal and East India
There are many kinds of ghosts and similar supernatural entities that frequently come up in Bengali culture, its folklores and form an important part in Bengali peoples' socio-cultural beliefs and superstitions. It is believed that the spirits of those who cannot find peace in the afterlife or die unnatural deaths remain on Earth. The word Pret (from Sanskrit) is also used in Bengali to mean ghost. In Bengal, ghosts are believed to be the spirit after death of an unsatisfied human being or a soul of a person who dies in unnatural or abnormal circumstances (like murder, suicide or accident). Even it is believed that other animals and creatures can also be turned into ghost after their death.
Thailand
Main article: Ghosts in Thai culture
Krasue, a Thai female ghost known as Ap in Khmer
Ghosts in Thailand are part of local folklore and have now become part of the popular culture of the country. Phraya Anuman Rajadhon was the first Thai scholar who seriously studied Thai folk beliefs and took notes on the nocturnal village spirits of Thailand. He established that, since such spirits were not represented in paintings or drawings, they were purely based on descriptions of popular orally transmitted traditional stories. Therefore, most of the contemporary iconography of ghosts such as Nang Tani, Nang Takian,[123] Krasue, Krahang,[124] Phi Hua Kat, Phi Pop, Phi Phong, Phi Phraya, and Mae Nak has its origins in Thai films that have now become classics.[125][126] The most feared spirit in Thailand is Phi Tai Hong, the ghost of a person who has died suddenly of a violent death.[127] The folklore of Thailand also includes the belief that sleep paralysis is caused by a ghost, Phi Am.
Tibet
Main article: Ghosts in Tibetan culture
There is widespread belief in ghosts in Tibetan culture. Ghosts are explicitly recognized in the Tibetan Buddhist religion as they were in Indian Buddhism,[128] occupying a distinct but overlapping world to the human one, and feature in many traditional legends. When a human dies, after a period of uncertainty they may enter the ghost world. A hungry ghost (Tibetan: yidag, yi-dvags; Sanskrit: प्रेत) has a tiny throat and huge stomach, and so can never be satisfied. Ghosts may be killed with a ritual dagger or caught in a spirit trap and burnt, thus releasing them to be reborn. Ghosts may also be exorcised, and an annual festival is held throughout Tibet for this purpose. Some say that Dorje Shugden, the ghost of a powerful 17th-century monk, is a deity, but the Dalai Lama asserts that he is an evil spirit, which has caused a split in the Tibetan exile community.
Austronesia
Main articles: Malay ghost myths, Ghosts in Filipino culture, and Ghosts in Polynesian culture
Spirit of the Dead Watching by Paul Gauguin (1892)
There are many Malay ghost myths, remnants of old animist beliefs that have been shaped by later Hindu, Buddhist, and Muslim influences in the modern states of Indonesia, Malaysia, and Brunei. Some ghost concepts such as the female vampires Pontianak and Penanggalan are shared throughout the region. Ghosts are a popular theme in modern Malaysian and Indonesian films. There are also many references to ghosts in Filipino culture, ranging from ancient legendary creatures such as the Manananggal and Tiyanak to more modern urban legends and horror films. The beliefs, legends and stories are as diverse as the people of the Philippines.
There was widespread belief in ghosts in Polynesian culture, some of which persists today. After death, a person's ghost normally traveled to the sky world or the underworld, but some could stay on earth. In many Polynesian legends, ghosts were often actively involved in the affairs of the living. Ghosts might also cause sickness or even invade the body of ordinary people, to be driven out through strong medicines.[129]
East and Central Asia
Further information: Preta
China
Main article: Ghosts in Chinese culture
An image of Zhong Kui, the vanquisher of ghosts and evil beings, painted sometime before 1304 A.D. by Gong Kai
There are many references to ghosts in Chinese culture. Even Confucius said, "Respect ghosts and gods, but keep away from them."[130]
The ghosts take many forms, depending on how the person died, and are often harmful. Many Chinese ghost beliefs have been accepted by neighboring cultures, notably Japan and southeast Asia. Ghost beliefs are closely associated with traditional Chinese religion based on ancestor worship, many of which were incorporated in Taoism. Later beliefs were influenced by Buddhism, and in turn influenced and created uniquely Chinese Buddhist beliefs.
Many Chinese today believe it possible to contact the spirits of their ancestors through a medium, and that ancestors can help descendants if properly respected and rewarded. The annual ghost festival is celebrated by Chinese around the world. On this day, ghosts and spirits, including those of the deceased ancestors, come out from the lower realm. Ghosts are described in classical Chinese texts as well as modern literature and films.
An article in the China Post stated that nearly eighty-seven percent of Chinese office workers believe in ghosts, and some fifty-two percent of workers will wear hand art, necklaces, crosses, or even place a crystal ball on their desks to keep ghosts at bay, according to the poll.[citation needed]
Japan
Utagawa Kuniyoshi, The Ghosts, c. 1850
Main articles: Yūrei, Onryō, and Japanese ghost story
Yūrei (幽霊) are figures in Japanese folklore, analogous to Western legends of ghosts. The name consists of two kanji, 幽 (yū), meaning "faint" or "dim", and 霊 (rei), meaning "soul" or "spirit". Alternative names include 亡霊 (Bōrei) meaning ruined or departed spirit, 死霊 (Shiryō) meaning dead spirit, or the more encompassing 妖怪 (Yōkai) or お化け (Obake).
Like their Chinese and Western counterparts, they are thought to be spirits kept from a peaceful afterlife.
Americas
Mexico
Catrinas, one of the most popular figures of the Day of the Dead celebrations in Mexico
Main article: Ghosts in Mexican culture
There is extensive and varied belief in ghosts in Mexican culture. The modern state of Mexico before the Spanish conquest was inhabited by diverse peoples such as the Maya and Aztec, and their beliefs have survived and evolved, combined with the beliefs of the Spanish colonists. The Day of the Dead incorporates pre-Columbian beliefs with Christian elements. Mexican literature and films include many stories of ghosts interacting with the living.
United States
Further information: Ghosts of the American Civil War, Shadow people, and Ghost hunting
According to the Gallup Poll News Service, belief in haunted houses, ghosts, communication with the dead, and witches had an especially steep increase over the 1990s.[131] A 2005 Gallup poll found that about 32 percent of Americans believe in ghosts.[132]
Depiction in the arts
Main articles: Ghost story and List of ghost films
The Phantom on the Terrace from Shakespeare's Hamlet (engraving by Eugène Delacroix, 1843)
John Dee and Edward Kelley invoking the spirit of a deceased person (engraving from the Astrology by Ebenezer Sibly, 1806)
Ghosts are prominent in story-telling of various nations. The ghost story is ubiquitous across all cultures from oral folktales to works of literature. While ghost stories are often explicitly meant to be scary, they have been written to serve all sorts of purposes, from comedy to morality tales. Ghosts often appear in the narrative as sentinels or prophets of things to come. Belief in ghosts is found in all cultures around the world, and thus ghost stories may be passed down orally or in written form.[133]
Spirits of the dead appear in literature as early as Homer's Odyssey, which features a journey to the underworld and the hero encountering the ghosts of the dead,[134] and the Old Testament, in which the Witch of Endor summons the spirit of the prophet Samuel.[134]
Renaissance to Romanticism (1500 to 1840)
One of the more recognizable ghosts in English literature is the shade of Hamlet's murdered father in Shakespeare's The Tragical History of Hamlet, Prince of Denmark. In Hamlet, it is the ghost who demands that Prince Hamlet investigate his "murder most foul" and seek revenge upon his usurping uncle, King Claudius.
In English Renaissance theater, ghosts were often depicted in the garb of the living and even in armor, as with the ghost of Hamlet's father. Armor, being out-of-date by the time of the Renaissance, gave the stage ghost a sense of antiquity.[135] But the sheeted ghost began to gain ground on stage in the 19th century because an armored ghost could not satisfactorily convey the requisite spookiness: it clanked and creaked, and had to be moved about by complicated pulley systems or elevators. These clanking ghosts being hoisted about the stage became objects of ridicule as they became clichéd stage elements. Ann Jones and Peter Stallybrass, in Renaissance Clothing and the Materials of Memory, point out, "In fact, it is as laughter increasingly threatens the Ghost that he starts to be staged not in armor but in some form of 'spirit drapery'."[136]
Victorian/Edwardian (1840 to 1920)
Ghost of Christmas Present from Charles Dickens' novella A Christmas Carol (1843)
The ghost of a pirate, from Howard Pyle's Book of Pirates (1903)
The "classic" ghost story arose during the Victorian period, and included authors such as M. R. James, Sheridan Le Fanu, Violet Hunt, and Henry James. Classic ghost stories were influenced by the gothic fiction tradition, and contain elements of folklore and psychology. M. R. James summed up the essential elements of a ghost story as, "Malevolence and terror, the glare of evil faces, ‘the stony grin of unearthly malice', pursuing forms in darkness, and 'long-drawn, distant screams', are all in place, and so is a modicum of blood, shed with deliberation and carefully husbanded...".[137] One of the key early appearances by ghosts was The Castle of Otranto by Horace Walpole in 1764, considered to be the first gothic novel.[134][138][139]
Famous literary apparitions from this period are the ghosts of A Christmas Carol, in which Ebenezer Scrooge is helped to see the error of his ways by the ghost of his former colleague Jacob Marley, and the ghosts of Christmas Past, Christmas Present, and Christmas Yet to Come.
Modern era (1920 to 1970)
Brown Lady of Raynham Hall, a claimed ghost photograph by Captain Hubert C. Provand. First published in Country Life magazine, 1936
Professional parapsychologists and "ghosts hunters", such as Harry Price, active in the 1920s and 1930s, and Peter Underwood, active in the 1940s and 1950s, published accounts of their experiences with ostensibly true ghost stories such as Price's The Most Haunted House in England, and Underwood's Ghosts of Borley (both recounting experiences at Borley Rectory). The writer Frank Edwards delved into ghost stories in his books of his, like Stranger than Science.
Children's benevolent ghost stories became popular, such as Casper the Friendly Ghost, created in the 1930s and appearing in comics, animated cartoons, and eventually a 1995 feature film.
With the advent of motion pictures and television, screen depictions of ghosts became common, and spanned a variety of genres; the works of Shakespeare, Dickens and Wilde have all been made into cinematic versions. Novel-length tales have been difficult to adapt to cinema, although that of The Haunting of Hill House to The Haunting in 1963 is an exception.[139]
Sentimental depictions during this period were more popular in cinema than horror, and include the 1947 film The Ghost and Mrs. Muir, which was later adapted to television with a successful 1968–70 TV series.[139] Genuine psychological horror films from this period include 1944's The Uninvited, and 1945's Dead of Night.
Post-modern (1970–present)
See also: List of ghost films
Further information: List of ghosts § Popular culture, and Category:Fictional ghosts
The 1970s saw screen depictions of ghosts diverge into distinct genres of the romantic and horror. A common theme in the romantic genre from this period is the ghost as a benign guide or messenger, often with unfinished business, such as 1989's Field of Dreams, the 1990 film Ghost, and the 1993 comedy Heart and Souls.[140] In the horror genre, 1980's The Fog, and the A Nightmare on Elm Street series of films from the 1980s and 1990s are notable examples of the trend for the merging of ghost stories with scenes of physical violence.[139]
Popularised in such films as the 1984 comedy Ghostbusters, ghost hunting became a hobby for many who formed ghost hunting societies to explore reportedly haunted places. The ghost hunting theme has been featured in reality television series, such as Ghost Adventures, Ghost Hunters, Ghost Hunters International, Ghost Lab, Most Haunted, and A Haunting. It is also represented in children's television by such programs as The Ghost Hunter and Ghost Trackers. Ghost hunting also gave rise to multiple guidebooks to haunted locations, and ghost hunting "how-to" manuals.
The 1990s saw a return to classic "gothic" ghosts, whose dangers were more psychological than physical. Examples of films from this period include 1999's The Sixth Sense and The Others.
Asian cinema has also produced horror films about ghosts, such as the 1998 Japanese film Ringu (remade in the US as The Ring in 2002), and the Pang brothers' 2002 film The Eye.[141] Indian ghost movies are popular not just in India, but in the Middle East, Africa, South East Asia, and other parts of the world. Some Indian ghost movies such as the comedy / horror film Chandramukhi have been commercial successes, dubbed into several languages.[142]
In fictional television programming, ghosts have been explored in series such as Supernatural, Ghost Whisperer, and Medium.
In animated fictional television programming, ghosts have served as the central element in series such as Casper the Friendly Ghost, Danny Phantom, and Scooby-Doo. Various other television shows have depicted ghosts as well.
Metaphorical usages
Nietzsche argued that people generally wear prudent masks in company, but that an alternative strategy for social interaction is to present oneself as an absence, as a social ghost – "One reaches out for us but gets no hold of us"[143] – a sentiment later echoed (if in a less positive way) by Carl Jung.[144]
Nick Harkaway has considered that all people carry a host of ghosts in their heads in the form of impressions of past acquaintances – ghosts who represent mental maps of other people in the world and serve as philosophical reference points.[145]
Object relations theory sees human personalities as formed by splitting off aspects of the person that he or she deems incompatible, whereupon the person may be haunted in later life by such ghosts of his or her alternate selves.[146]
The sense of ghosts as invisible, mysterious entities is invoked in several terms that use the word metaphorically, such as ghostwriter (a writer who pens texts credited to another person without revealing the ghostwriter's role as an author); ghost singer (a vocalist who records songs whose vocals are credited to another person); and "ghosting" a date (when a person breaks off contact with a former romantic partner and disappears)." (wikipedia.)
"In parapsychology, an apparitional experience is an anomalous experience characterized by the apparent perception of either a living being or an inanimate object without there being any material stimulus for such a perception.
In academic discussion, the term "apparitional experience" is preferred to the term "ghost" because:
The term ghost implies that some element of the human being survives death and, at least under certain circumstances, can make itself perceptible to living human beings. There are other competing explanations of apparitional experiences.
Firsthand accounts of apparitional experiences differ in many respects from their fictional counterparts in literary or traditional ghost stories and films (see below).
The content of apparitional experiences includes living beings, both human and animal, and even inanimate objects.[1]
History
Attempts to apply modern scientific or investigative standards to the study of apparitional experiences began with the work of Edmund Gurney, Frederic W. H. Myers and Frank Podmore,[2] who were leading figures in the early years of the Society for Psychical Research (founded in 1882). Their motive, as with most of the early work of the Society,[3] was to provide evidence for human survival after death. For this reason they had a particular interest in what are known as "crisis cases". These are cases in which a person reports having a hallucinatory experience, visual or otherwise, which apparently represents someone at a distance, this experience subsequently being considered to have coincided with that person's death, or a significant life event of some kind. If the temporal coincidence of the crisis and the distant apparitional experience cannot be explained by any conventional means, then in parapsychology the presumption is made that some as yet unknown form of communication, such as telepathy (a term coined by Myers[4]) has taken place.
While it may be said that the work of Gurney and his colleagues failed to provide convincing evidence for either telepathy or survival of death, the large collection of firsthand written accounts which resulted from their methods may nevertheless be regarded as providing a valuable body of data concerning the phenomenology of hallucinations in the sane.
A later discussion of apparitional experiences was that of G. N. M. Tyrrell,[5] also a leading member of the Society for Psychical Research of his day. He accepted the hallucinatory character of the experience, pointing out that it is virtually unknown for firsthand accounts to claim that apparitional figures leave any of the normal physical effects, such as footprints in snow, that one would expect of a real person.[6] He develops the idea that the apparition may be a way for the unconscious part of the mind to bring to consciousness information that has been paranormally acquired – in crisis cases, for example. He introduces an evocative metaphor of a mental "stage-carpenter",[7] behind the scenes in the unconscious part of the mind, and constructing the quasi-perceptual experience that eventually appears on the stage of consciousness, so that it embodies paranormal information in a symbolic way, a person drowning at a distance appearing soaked in water, for example.
The study and discussion of apparitions developed in a different direction in the 1970s, with the work of Celia Green and Charles McCreery.[8] They were not primarily interested in the question of whether apparitions could shed any light on the existence or otherwise of telepathy, or in the survival question; instead they were concerned to analyse a large number of cases with a view to providing a taxonomy of the different types of experience, viewed simply as a type of anomalous perceptual experience or hallucination.
One of the points that was highlighted by their work was point (2) listed above, namely that "real-life" accounts of apparitional experiences differ markedly from the traditional or literary ghost story. These are some of the more notable differences, at least as indicated by their own collection of 1800 firsthand accounts:
Subjects of apparitional experiences are by no means always frightened by the experience; indeed they may find them soothing or reassuring at times of crisis or ongoing stress in their lives.[9]
Spontaneous apparitional experiences tend to happen in humdrum or everyday surroundings, and under conditions of low central nervous system arousal, most often in the subject's own home – while doing housework, for example. By contrast, subjects who visit reputedly haunted locations in hopes of "seeing a ghost" are more often than not disappointed.[10]
Apparitions tend to be reported as appearing solid and not transparent; indeed they may be so realistic in a variety of ways as to deceive the percipient as to their hallucinatory nature; in some cases the subject only achieves insight after the experience has ended.[11]
It is unusual for an apparitional figure to engage in any verbal interaction with the percipient; this is consistent with the finding that the majority of such experiences only involve one sense (most commonly the visual).[12]
Psychological implications
Psychological theories of perception
Apparitional experiences have relevance to psychological theories of perception, and in particular to the distinction between top-down and bottom-up approaches (cf. article on Top-down and bottom-up design). Top-down theories, such as that of Richard Langton Gregory, who conceives of perception as a process whereby the brain makes a series of hypotheses about the external world,[13] stress the importance of central factors such as memory and expectation in determining the phenomenological content of perception; while the bottom-up approach, exemplified by the work of James J. Gibson, emphasises the role of the external sensory stimulus.[14]
Apparitional experiences would seem to lend support to the importance of central factors, since they represent a form of quasi-perceptual experience in which the role of external stimuli is minimal or possibly non-existent, while the experience nevertheless continues to be phenomenologically indistinguishable from normal perception, at least in some cases.[15]
Schizotypy
The interest of apparitional experiences to psychology has acquired an added dimension in recent years with the development of the concept of schizotypy or psychosis-proneness.[16] This is conceived of as a dimension of personality,[17] continuously distributed throughout the normal population, and analogous to the dimensions of extraversion or neuroticism. As long as mental illness is regarded under the disease model, according to which a person either does or does not 'have' schizophrenia or manic depression, just as a person either does or does not have syphilis or tuberculosis, then to talk of the occurrence of an apparitional or hallucinatory experience in a normal person is either an oxymoron, or to be taken as an indication of latent or incipient psychosis. If, on the contrary, a dimensional view of the matter is taken, it becomes easier to conceive of how normal people, more or less high on the putative schizotypy dimension, might be more or less prone to anomalous perceptual experiences, without their ever tipping over into psychosis.[18]
Green and McCreery's identification of a class of what they called 'reassuring apparitions'[9] is of particular interest in this regard, as it suggests that the experiencing of hallucinations may even have an adaptive effect in certain subjects, making them better able to cope with adverse life events. This would fit with the model of schizotypy as essentially a normal dimension of personality, and might help to explain why the proneness to anomalous perceptual experiences has apparently not been 'weeded out' by the process of natural selection.
Philosophical implications
Direct realism
Apparitional experiences also have implications for the philosophy of perception. The occurrence of hallucinations, that is, perceptual experiences 'having the character of sense perception, but without relevant or adequate sensory stimulation [...]',[19] have long been one of the standard objections to the philosophical theory of direct realism. According to this theory we are in some sense in direct contact with the external world when we seem to be perceiving it, and not merely in direct contact with some mediating representation in our mind, such as a sense-datum or an image, which may or may not correspond to external reality. The psychologist J.J. Gibson, referred to above, became an advocate of the philosophical theory of direct realism.[20]
Hallucinatory experiences reported by sane people do not pose any new problem in principle for the theory of direct realism, other than that posed already by the more widely discussed hallucinations reported by people in a state of psychosis or under other abnormal conditions such as sensory deprivation. They pose the problem in a particularly stark way, for the following reasons:
Scepticism about the status of verbal reports
In the case of hallucinations reported to have occurred in pathological or abnormal states there is some scope for uncertainty about the accuracy, or even the meaning, of the percipient's verbal report. Horowitz,[21] for example, summarising his experience of questioning patients with chronic schizophrenia about their visual experiences during painting sessions, wrote:
'It was necessary to persist beyond initial verbal descriptions of their hallucinations, and insist that the patient describe and draw what he had seen. Initial descriptions of "vicious snakes" might then be drawn and redescribed as wavy lines. "Two armies struggling over my soul" arose from the subjective experience of seeing moving sets of dots. "Spiders" might be reduced, when the patient stated and drew what he actually saw, to a few radiating lines. In drawings of their hallucinations patients could often distinguish between those forms which duplicated what they saw with their eyes from those forms which were what they "made out of it".'[22]
Such difficulties of interpretation are much less obvious in the case of written reports by ostensibly normal subjects, in good health and not medicated at the time of the experience.
Extreme realism of the experience
At least some of the apparitional experiences reported by normal subjects appear to mimic normal perception to such a degree that the subject is deceived into thinking that what they are experiencing actually is normal perception. Similar close mimicking of normal perception is reported by some of the subjects of a lucid dream[23] and out-of-body experiences,[24] which therefore pose similar problems for the theory of direct realism.
Representationalism
Apparitional experiences appear prima facie more compatible with the philosophical theory of representationalism. According to this theory, the immediate objects of experience when we are perceiving the world normally are representations of the world, rather than the world itself. These representations have been variously called sense-data or images. In the case of an apparitional experience one might say that the subject is aware of sense-data or images which happen not to correspond to, or represent, the external world in the normal way.
The philosophical implications of hallucinatory experiences in the sane are discussed by McCreery.[25] He argues that they provide empirical support for the theory of representationalism rather than direct realism. " (wikipedia.)
"n folk belief, spirit is the vital principle or animating essence within all living things. As recently as 1628 and 1633 respectively, both William Harvey and René Descartes still speculated that somewhere within the body, in a special locality, there was a "vital spirit" or "vital force", which animated the whole bodily frame, just as the engine in a factory moves the machinery in it.[1]
Overview
People have frequently conceived of spirit as a supernatural being, or non-physical entity; for example, a demon, ghost, fairy, or angel.[2] In ancient Islamic terminology however, the term spirit (rūḥ), applies only to "pure" spirits, but not to other invisible creatures, such as jinn, demons and angels.[3][need quotation to verify]
Historically, spirit has been used to refer to a "subtle" as opposed to "gross" material substance, as put forth in the notable last paragraph of Sir Isaac Newton's Principia Mathematica.[4] In English Bibles, "the Spirit" (with a capital "S"), specifically denotes the Holy Spirit.
The concepts of spirit and soul often overlap,[5] and some systems propose that both survive bodily death.[6] "Spirit" can have the sense of "ghost", i.e. a manifestation of the spirit of a deceased person. "Spirit" is also often used to refer to the consciousness or personality.
Etymology
The word spirit came into Middle English via Old French esperit. Its source is Latin spīritus, whose original meaning was "breath, breathing" and hence "spirit, soul, courage, vigor";[2] its ultimate origin is a Proto-Indo-European root *(s)peis.
In Latin, spīritus was distinct from Latin anima, whose etymological meaning was also "breathing" (PIE root *h₂enh₁-),[7] yet which had taken a slightly different meaning, namely "soul".
Classical Greek also had a similar distinction between "soul" and "spirit", in each case involving again an etymological sense "breathing":[2]
psykhē (ψυχή), originally "cold air", hence "breath of life" and "soul"[2] (PIE root *bhes- "to breathe").[8]
pneuma (πνεῦμα) "breath, motile air, spirit", from verb pnéō (πνέω) "to breathe".
A distinction between soul and spirit also developed in the Abrahamic religions: Arabic nafs (نفس) opposite rūḥ (روح); Hebrew neshama (נְשָׁמָה nəšâmâh) or nephesh (נֶ֫פֶשׁ nép̄eš) (in Hebrew neshama comes from the root NŠM or "breath") opposite ruach (רוּחַ rúaħ). (Note, however, that in Semitic just as in Indo-European, this dichotomy has not always been as neat historically as it has come to be taken over a long period of development: Both נֶ֫פֶשׁ (root נפשׁ) and רוּחַ (root רוח), as well as cognate words in various Semitic languages, including Arabic, also preserve meanings involving miscellaneous air phenomena: "breath", "wind", and even "odour".[9][10][11])
Usage
"Spirit" has acquired a number of meanings:
Christian theology can use the term "Spirit" to refer to the Holy Spirit.
Christian Science uses "Spirit" as one of seven synonyms for God, as in: "Principle; Mind; Soul; Spirit; Life; Truth; Love"[12]
Latter Day Saint prophet Joseph Smith Jr. (1805-1844) rejected the concept of spirit as incorporeal or without substance: "There is no such thing as immaterial matter. All spirit is matter, but it is more fine or pure, and can only be discerned by purer eyes."[13] Regarding the soul, Joseph Smith wrote "And the Gods formed man from the dust of the ground, and took his spirit (that is, the man’s spirit), and put it into him; and breathed into his nostrils the breath of life, and man became a living soul."[14] Thus, the soul is the combination of a spirit with a body (although most members of the Church use "soul" and "spirit" interchangeably). In Latter-Day Saint scripture, spirits are sometimes referred to as "intelligences".[15] However, other LDS scriptures teach that God organized the spirits out of a pre-existing substance called "intelligence" or "the light of truth".[16] While this may seem confusing, compare how a programmer writes an algorithm by organizing lines of logical code. The logic always existed, independent of the programmer, but it is the creator who organizes it into a living spirit / intelligence / soul.
Various forms of animism, such as Japan's Shinto and African traditional religion, focus on invisible beings that represent or connect with plants, animals, or landforms (in Japanese: kami): translators usually employ the English word "spirit" when trying to express the idea of such entities.[17] Compare the concepts of ancestral spirits and of spirit animals.
According to C. G. Jung (in a lecture delivered to the literary Society of Augsburg, 20 October 1926, on the theme of “Nature and Spirit”):
The connection between spirit and life is one of those problems involving factors of such complexity that we have to be on our guard lest we ourselves get caught in the net of words in which we seek to ensnare these great enigmas. For how can we bring into the orbit of our thought those limitless complexities of life which we call "Spirit" or "Life" unless we clothe them in verbal concepts, themselves mere counters of the intellect? The mistrust of verbal concepts, inconvenient as it is, nevertheless seems to me to be very much in place in speaking of fundamentals. "Spirit" and "Life" are familiar enough words to us, very old acquaintances in fact, pawns that for thousands of years have been pushed back and forth on the thinker's chessboard. The problem must have begun in the grey dawn of time, when someone made the bewildering discovery that the living breath which left the body of the dying man in the last death-rattle meant more than just air in motion. It can scarcely be an accident onomatopoeic words like ruach (Hebrew), ruch (Arabic), roho (Swahili) mean 'spirit' no less clearly than πνεύμα (pneuma, Greek) and spiritus (Latin).[18]
Psychical research, "In all the publications of the Society for Psychical Research the term 'spirit' stands for the personal stream of consciousness whatever else it may ultimately be proved to imply or require" (James H. Hyslop, 1919).[19]
Paranormal spirits: usually a nickname for a ghost or other undead spirit.
Related concepts
See also: Ruach HaKodesh
Similar concepts in other languages include Greek pneuma, Chinese Ling and hun (靈魂) and Sanskrit akasha / atman[2] (see also prana). Some languages use a word for spirit often closely related (if not synonymous) to mind. Examples include the German Geist (related to the English word ghost) or the French l'esprit.[20] English versions of the Bible most commonly translate the Hebrew word ruach (רוח; wind) as "the spirit."[21]
Alternatively, Hebrew texts commonly use the word nephesh. Kabbalists regard nephesh as one of the five parts of the Jewish soul, where nephesh (animal) refers to the physical being and its animal instincts. Similarly, Scandinavian, Baltic, and Slavic languages, as well as Chinese (气 qi), use the words for breath to express concepts similar to "the spirit"." (wikipedia.)
"
"A flag is a piece of fabric (most often rectangular or quadrilateral) with a distinctive design and colours. It is used as a symbol, a signalling device, or for decoration. The term flag is also used to refer to the graphic design employed, and flags have evolved into a general tool for rudimentary signalling and identification, especially in environments where communication is challenging (such as the maritime environment, where semaphore is used). The study of flags is known as "vexillology" from the Latin vexillum, meaning "flag" or "banner".
National flags are patriotic symbols with widely varied interpretations that often include strong military associations because of their original and ongoing use for that purpose. Flags are also used in messaging, advertising, or for decorative purposes.
Some military units are called "flags" after their use of flags. A flag (Arabic: لواء) is equivalent to a brigade in Arab countries. In Spain, a flag (Spanish: bandera) is a battalion-equivalent in the Spanish Legion." (wikipedia.)
"A banner can be a flag or other piece of cloth bearing a symbol, logo, slogan or other message. A flag whose design is the same as the shield in a coat of arms (but usually in a square or rectangular shape) is called a banner of arms. Also, a bar-shaped piece of non-cloth advertising material sporting a name, slogan, or other marketing message.
Banner-making is an ancient craft. Church banners commonly portray the saint to whom the church is dedicated.
The word derives from Old French baniere (modern French: bannière), from Late Latin bandum, which was borrowed from a Germanic source (compare Gothic: 𐌱𐌰𐌽𐌳𐍅𐌰, romanized: bandwa). Cognates include Italian bandiera, Portuguese bandeira, and Spanish bandera." (wikipedia.)
"A top hat, high hat, cylinder hat or topper[1] is a tall, flat-crowned hat for men traditionally associated with formal wear in Western dress codes, meaning white tie, morning dress or frock coat. Traditionally made of black silk or sometimes grey, the top hat emerged in Western fashion by the end of 18th century. Although it declined by the counterculture of the 1960s, it remains a formal fashion accessory. A collapsible variant of a top hat, developed in the 19th century, is known as an opera hat.
Perhaps inspired by the Early Modern era capotain, higher crowned dark felt hats with wide brims emerged as a country leisurewear fashion along with the Age of Revolution around the 1770s. Around the 1780s, the justaucorps was replaced by the previously casual frocks and dress coats. At the same time, the tricorne and bicorne hats were replaced by what became known as the top hat. By the 1790s, the directoire style dress coat with top hat was widely introduced as citywear for the upper and middle classes in all urban areas of the Western world. The justaucorps was replaced in all but the most formal court affairs. Around the turn of the 19th century, although for a few decades beaver hats were popular, black silk became the standard, sometimes varied by grey ones. While the dress coats were replaced by the frock coat from the 1840s as conventional formal daywear, top hats continued to be worn with frock coats as well as with what became known as formal evening wear white tie. Towards the end of the 19th century, whereas the white tie with black dress coat remained fixed, frock coats were gradually replaced by morning dress, along with top hats.
After World War I, the 1920s saw widespread introduction of semi-formal black tie and informal wear suits that were worn with less formal hats such as bowler hats, homburg hats, boater hats, and fedoras respectively, in established society. After World War II, white tie, morning dress and frock coats along with their counterpart, the top hat, started to become confined to high society, politics and international diplomacy. The last United States presidential inaugurations with top hat was the inauguration of John F. Kennedy in 1961. Following the counterculture of the 1960s, its use declined further along with the disuse also of daily informal hats by men.
Yet, along with traditional formal wear, the top hat continues to be applicable for the most formal occasions, including weddings, funerals, in addition to certain audiences, balls, and horse racing events, such as the Royal Enclosure of Royal Ascot the Queen's Stand of Epsom Derby. It also remains part of the formal dress by those occupying prominent positions of certain traditional British institutions, such as the Bank of England, certain City stock exchange officials, occasionally at the Law Courts and Lincoln's Inn, by judges of the Chancery Division and Queen's Counsel, by boy-choristers of King's College Choir, as well as dressage horseback riders, in addition to servants' or doormen's livery.
As part of traditional formal wear, in popular culture the top hat has sometimes been associated with the upper class, and used by satirists and social critics as a symbol of capitalism or the world of business, such as the Monopoly Man or Scrooge McDuck. The top hat also forms part of the traditional dress of Uncle Sam, a symbol of the United States, generally striped in red, white and blue. Furthermore, ever since the famous "Pulling a Rabbit out of a Hat" of Louis Comte in 1814, the top hat remains associated with hat tricks and stage magic costumes....
21st century[edit]
The modern standard top hat is a hard, black silk hat, with fur now often used. The acceptable colors of hats are much as they have traditionally been, with "white" hats (which are actually grey), a daytime racing color, worn at the less formal occasions demanding a top hat, such as Royal Ascot, or with a morning suit. In the U.S. top hats are worn widely in coaching, a driven horse discipline, as well as for formal riding to hounds.
The collapsible silk opera hat, or crush hat, is still worn on occasions, and black in color if worn with evening wear as part of white tie,[20] and is still made by a few companies, since the materials, satin or grosgrain silk, are still available. The other alternative hat for eveningwear is the normal hard shell.[21]
In formal academic dress, the Finnish and Swedish doctoral hat is a variant of the top hat, and remains in use today.
The British-American musician Slash has sported a top hat since he was in Guns N' Roses, a look that has become iconic for him.[22] Panic! at the Disco's Brendon Urie is also a frequent wearer of top hats. He has been known to wear them in previous live performances on their Nothing Rhymes with Circus tour and in the music videos, "The Ballad of Mona Lisa" and "I Write Sins Not Tragedies".
The members of the "Inner Circle" of the Punxsutawney, Pennsylvania Groundhog Club wear top hats on February 2 of every year when they perform the Groundhog Day ceremonies with Punxsutawney Phil.
Steampunk culture also incorporates the top hat into accepted headgear choices, though top hats worn in such a context are sometimes made of leather or similar materials and, now and then, even have simulated gears or other adornments secured to them.
A top hat, frequently colored red, white and blue, or with stars and stripes similar to those on the American flag, is part of the regular costume of Uncle Sam, a symbol of the United States.[citation needed]
For satirists and political cartoonists, the top hat was a convenient symbol of the upper class, business and capitalism. A character wearing a top hat would be instantly recognized by the viewer as a member of the oligarchy.[citation needed] The character Rich Uncle Pennybags in the board game Monopoly, wears a top hat. In addition, a top hat is one of the game's tokens, used by players to mark their position as they progress around the board....
Opera hat[edit]
Main article: Opera hat
The collapsible Gibus
On May 5, 1812, a London hatter called Thomas Francis Dollman patented a design for "an elastic round hat" supported by ribs and springs. His patent was described as:
An elastic round hat, which "may be made of beaver, silk, or other materials." "The top of the crown and about half an inch from the top" as well as "the brim and about an inch, the crown from the bottom" are stiffened in the ordinary manner. The rest of the hat "is left entirely without stiffening," and is kept in shape by ribs of any suitable material "fastened horizontally to the inside of the crown," and by an elastic steel spring from three to four inches long and nearly half an inch wide "sewed on each side of the crown in the inside in an upright position." Then packed up for travelling, "the double ribbon fastened under the band is to be pulled over the top of the crown to keep it in a small compass."[29]
Some sources have taken this to describe an early folding top hat,[30][31] although it is not explicitly stated whether Dollman's design was specifically for male or female headgear. Dollman's patent expired in 1825.[32] In France, around 1840, Antoine Gibus's design for a spring-loaded collapsible top-hat proved so popular that hats made to it became known as gibus.[10][33] They were also often called opera hats due to the common practice of storing them in their flattened state under one's seat at the opera. The characteristic snapping sound heard upon opening a gibus suggested a third name, the chapeau claque, "claque" being the French word for "slap"." (wikipedia.)
"The bow tie /boʊ/ is a type of necktie. A modern bow tie is tied using a common shoelace knot, which is also called the bow knot for that reason. It consists of a ribbon of fabric tied around the collar of a shirt in a symmetrical manner so that the two opposite ends form loops.