
| Side 1 - Track 1. Even God Gets Stuck In Devotion (feat Austyn Wohlers) |
| Side 1 - Track 2. Plenty For All The Masses |
| Side 1 - Track 3. Plenty (For All Of Life's Messes) |
| Side 1 - Track 4. Even God Gets Stuck In Devotion (feat Zach Phillips) |
| Side 1 - Track 5. Garden (with Hayes Hoey) |
| Side 1 - Track 6. Photography The Hard Way (feat Hayes Hoey) |
| Side 1 - Track 7. Why I Remember (Each Day Of Summer) |
| Side 2 - Track 1. LN60: Jupiter Opposite Jupiter |
| Side 2 - Track 2. Rose Of Mysterious Union |
| Side 2 - Track 3. A Car With No Lights On |
| Side 2 - Track 4. Her Master's Voice |
| Side 2 - Track 5. Memory Always Sees The Loved One Smaller |
| Side 2 - Track 6. In Filth Your Mystery Is Kingdom |
| Side 2 - Track 7. To Live Happily |
New York-based Dagmar Zuniga is a songwriter and tape diarist whose early recordings circulated online like secret transmissions. Written and recorded between New York, Norway and Athens, Georgia on a Tascam 424, this debut gathers five years of lo-fi sketches into a strange devotional song cycle. Zuniga sings in a hushed murmur while fragile harmonies drift through tape hiss and soft acoustic textures. 'Even God Gets Stuck In Devotion (feat Austyn Wohlers)' opens with fluttering flute and a melody that feels half-remembered. The brief 'Plenty For All The Masses' and 'Plenty (For All of Life's Messes)' pass like fragments of a thought. 'Garden (feat Hayes Hoey)' and 'Photography the Hard Way' glow with gentle guitar and voice, then 'In Filth Your Mystery Is Kingdom' deepens the mood with a darker hymn-like pull.