Vinyl:  VG+ Play Graded. Sounds Great!  Reprise Labels are Clean and Bright.  This is the audiophile acclaimed 1973 Reprise MS 2158 1ST PRESSING, Mastered by Kent Duncan at Kendun Recorders, Burbank, CA and pressed at Columbia's famed Santa Maria, CA Pressing Plant!!  

Kendun was the go-to Mastering house for many top artists in the 1970s, including Fleetwood Mac.  At Kendun, they used a room they called the Master-Room, which provided what they called Master-Room Reverberation.  Kent Duncan once said:  “What I like about Master-Room sound primarily is the relatively clean first order echo.  It’s a real smooth system.  We like it especially on electronic instruments, and the Master-Room can even take drums and sound good.  It’s much better than any other comparable type reverb.  Master-Room reverberation chambers provide the finest in Natural Sound Ambiance.

The Mac's first cohesive step toward the brilliance of their Pop Masterpieces to come.  A beautiful if sublime album.  This is the often overlooked era that included masterful songwriter Bob Welch. 

See Review Below!

In the Dead Wax:  Matrices, etched.  Also, S1 and KENDUN ((Mastered by Kent Duncan at Kendun Sound Recorders and Pressed at Columbia's Santa Maria, CA Pressing Plant)).  Dead wax details cheerfully given upon request.

Cover:  VG+  (see photos)   Front and back of cover artwork and text are rich, clear and bright, with some wear.  Seams and spine are solid and clean, with some wear.   No splits.  No writing.  No stickers.  Spine print is crystal clear.  

Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).

U.S. Shipping:  $5.99 Media Mail.  Tracking included.   50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  

All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 

INTERNATIONAL BUYERS!  EBAY'S PLATFORM DOESN'T ACCOMMODATE FOR COMBINED SHIPPING FOR INTERNATIONAL BUYERS---BUT DON'T LET THAT STOP YOU!!!---I CAN COMBINE SHIP FOR YOU AND MINIMIZE SHIPPING COSTS!!!  TELL ME WHICH ITEMS YOU WANT TO BUY, AND I WILL WEIGH THEM AND THE SHIPPING BOX TOGETHER AND THEN I WILL CREATE A "LOT OF 2..." OR "LOT OF 3...", OR "LOT OF 4...", ETC WITH THE ITEMS YOU WANT, AND CREATE A LISTING WITH THE EXACT WEIGHT OF YOUR LOT.   THIS WILL SAVE YOU A LOT OF MONEY!!!  IF YOU'RE INTERESTED IN THIS, SEND ME A MESSAGE TELLING ME WHICH ITEMS YOU WOULD LIKE TO PURCHASE AND WE'LL GO FROM THERE.  OR, FEEL FREE TO ASK QUESTIONS.

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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  
On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

Mystery to Me Review by Jason Elias

At this point, the band was best-known as a British blues unit. Slowly but surely the band was becoming more acclimated with a production style that was reminiscent of the California pop sound. With the majority of the blues and psychedelic behind them, Mystery to Me finds Fleetwood Mac in a more ruminative vein. American guitarist Bob Welch established that path. Despite the all-encompassing ethos, Welch's songwriting skills made him walk a fine line between the mystical and the silly. But luckily most everything works here. The leadoff song, the laid-back "Emerald Eyes" matches Welch's spacey lyrics and vocals as Christine McVie provides great backing help. The album's best track, the gorgeous and lyrically strong "Hypnotized" has Welch matching an effortless, soothing croon with jazzy guitar riffs. Throughout Mystery to Me the amazing and almost telepathic drums and bass of Mick Fleetwood and John McVie give this effort more panache and muscle than was represented on this effort's predecessor, Bare Trees. The best Bob Welch offering, "Keep on Going," has a strong, soulful string arrangement and Christine McVie's customary sensual and poised vocals.  "For Your Love" is done in a post-psychedelic style. Mystery to Me's interesting sound is directly attributed to the fact that it was recorded on the Rolling Stones Mobile Unit. This effort is custom-made for those who like thoughtful offerings and is a valuable set in the scheme of the band.