This listing is for the Original 1965 John Harrison Levee (American, 1924-2017) Abstract Expressionist Oil Painting pictured above.
About the work:
This wonderful example of Levee’s abstract expressionist work from the 1960s in Paris exhibits the artist’s lyrical brushwork in black, red, and white. The work is an oil on paper, mounted on board and framed behind glass.
Levee appears to have included handwritten instructions for creating this work on the back of the board. The work also retains its original label from Andre Emmerich Gallery in New York City, which includes the title of the work, “Poster #I”. The work does not appear to be signed.
About the artist:
John Harrison Levée was one of the leading American artists in Paris during the post-war period along with Sam Francis. A prominent exponent of Abstract Expressionism or Abstraction Lyrique, as it was known in France, Levée established an international reputation with numerous museum exhibitions. These works are outstanding examples of the artist’s powerful style which uniquely combines both the American and European inspirations for this epoch-defining Modernist movement.
Having been born in California, Levée attended the Institute of Art there with fellow students Mark Rothko, Clifford Still and Richard Diebenkorn, before finding himself in the Second World War fighting to liberate France in 1944. Following which he went to New York to continue at art school with Stuart Davis and Abbe Rattner, and then obtained a grant to study in Paris on the G.I. Bill. He arrived back in Paris in 1949 and enrolled at the avant-garde Academie Julian in 1950 where he met fellow American artist Sam Francis. In 1951 he held his first solo exhibition at Galerie 8, and also began exhibiting at the Salon d’Automne, the Salon de Mai and the Salon des Réalités Nouvelles. Numerous exhibitions ensued including “Peintres les Americains en France” Galerie Craven in 1953, “Dix Jeunes Peintres de l’Ecole de Paris” Galerie de France in 1956, “Antagonismes” Musée des Arts Décoratifs in 1960, and the famous annual “L’Ecole de Paris” exhibitions at Galerie Charpentier from 1958-1961.
Levée also quickly established an international reputation, exhibiting at the Museum of Modern Art in New York in 1957 and 1958, the Whitney Museum NY in 1957, 1959 and 1965, Carnegie Institue 1958, Museum of Modern Art Jerusalem 1963, Phoenix Museum of Art Arizona 1964, Museum of Tel Aviv 1969, Palm Springs Museum 1977. Throughout this period he also held regular exhibitions at the New York art dealer Andre Emmerich and in London at Gimpel Fils. A major retrospective of the artist’s work was held at the Musée d’Art Moderne in Toulouse in 1983.
The artist is represented in numerous major museums including: Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Corcoran Gallery, Washington, D.C.; Santa Barbara Museum of Art, California; Yale University Art Gallery, Connecticut; Museum of Fine Arts, Ohio; Cincinnati Museum, Ohio; Museum of Contemporary Art, Texas; Carnegie Institute, Pennsylvania; Baltimore Museum of Art, Maryland; Washington Gallery of Modern Art; Walker Arts Center, Minnesota; Whitney Museum of American Art; Basel; Haifa; Tel Aviv; Musée National d’Art Moderne, Paris; Stedelijk Museum, Amsterdam.
Size: This exceptional example of Levee’s work measures 16.75 inches tall by 15 inches wide. Its frame measures 23 inches tall by 20.75 inches wide.
Condition: The work is in very good vintage condition. There are some white spotted areas near the top of the work that are likely from production. Additionally, the artist appears to have accidentally (or purposefully) left his fingerprint along the top edge. It is ready to be displayed and enjoyed!
The work will be well packed and shipped with insurance and signature confirmation.
Feel free to ask any questions!