Vinyl:  SEALED!   This is the Original 1969 Pressing.  This is a Wild Ride!  Truly Original Band with a way-out Sound!  This record is prior to their meet & greet with John & Yoko, when they became the backup band on "Sometime In New York City".   This was Carly Simon's First Band!!!  Really!!!  Nice Psychedelic ride with this no-hit wonder Lost Classic!!!

See Review Below!

Cover: SEALED! (see photos; has three tiny BB holes; top right and left corner, there's some shrink missing).  Also has a price sticker.  Nice high gloss on cover. Front and back of cover artwork and text are rich, clear and bright. Seams and spine are solid and clean, essentially flawless.  No writing.  No creases, no bumps.  Spine print is crystal clear.  Also, the record appears straight; when I look, with one eye, down all 4 edges there's no big, ominous bow that would suggest that it's warped.

I will gladly accept the return of Sealed records as long as they have not been opened (i.e. as long as they are still in the condition I sent them in).  Every record has a "fingerprint" of imperfections in the seal and/or the cover and I separately photograph and keep these details to prevent fraudulently returned items...yep, there are a few rotten apples out there!)  I will not accept a previously sealed record that has been opened, even if the complaint is that the record is warped.  This is why I look down the edge of all 4 sides of the record, to assess for potential bowing.  Look for that in the description of the covers of all my Sealed items. Thanks!  By the way, I've never (knock on wood!) had a buyer complain that they received a warped Sealed record.  :)

Goldmine Standards.  


U.S. Shipping:  $5.99 Media Mail.  Tracking included.   50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  

All records are packaged securely with the vinyl sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 

INTERNATIONAL BUYERS!  EBAY'S PLATFORM DOESN'T ACCOMMODATE FOR COMBINED SHIPPING FOR INTERNATIONAL BUYERS---BUT DON'T LET THAT STOP YOU!!!---I CAN COMBINE SHIP FOR YOU AND MINIMIZE SHIPPING COSTS!!!  TELL ME WHICH ITEMS YOU WANT TO BUY, AND I WILL WEIGH THEM AND THE SHIPPING BOX TOGETHER AND THEN I WILL CREATE A "LOT OF 2..." OR "LOT OF 3...", OR "LOT OF 4...", ETC WITH THE ITEMS YOU WANT, AND CREATE A LISTING WITH THE EXACT WEIGHT OF YOUR LOT.   THIS WILL SAVE YOU A LOT OF MONEY!!!  IF YOU'RE INTERESTED IN THIS, SEND ME A MESSAGE TELLING ME WHICH ITEMS YOU WOULD LIKE TO PURCHASE AND WE'LL GO FROM THERE.  OR, FEEL FREE TO ASK QUESTIONS.

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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music. 


Review by  [-]

After original vocalist Carly Simon (Yes!  That Carly Simon!) left Elephant's Memory for her own fame and fortune, the band recorded their self-titled Buddah debut, Elephant's Memory, with Michal Shapiro handling the female lead. 

That disc is not their John Lennon/Yoko Ono/David Peel Apple Records debut from 1972, which was also named after this ensemble. When two Elephant's Memory songs from the 1969 Buddah Records album appeared in the Capitol Records soundtrack to the film Midnight Cowboy, Buddah vice president Neil Bogart revamped and re-released the original LP, most likely and understandably, to cash in on the attention the band was getting from the hit film. "Old Man Willow" and "Jungle Gym at the Zoo" from the first LP appeared in Midnight Cowboy, and they show up again on side one of this disc along with a different spin on the Nilsson hit "Everybody's Talkin'." Here Michal Shapiro gives a woman's take on the classic Fred Neil composition over a poppy/folksy Wes Farrell production. There's a strange instrumental version of John Barry's theme to "Midnight Cowboy," jazzy rock with a female vocal, most likely Michal, adding a nice eerie resonance to the spirited and jumpy rendition, a far cry from the version that contained Vinny Bell's elegant guitar, the Top Ten hit for Ferrante & Teicher in 1969. The two new titles as well as the Elephant's Memory material from the movie make up side one. 

Side two contains seven more titles from the first LP, including the singles that were released from that disc, "Crossroads of the Stepping Stones" and "Don't Put Me on Trial," two excellent slices of '60s pop. Over 40 minutes of music graces Songs From Midnight Cowboy Plus Their Hit Singles, the two new titles plus everything from the Buddah debut minus the songs "Band of Love" and "Hot Dog Man" (which was the flip of the 45 rpm "Jungle Gym at the Zoo"). The album could have been even more interesting had their 45 rpm "Keep Free, Pts. 1 & 2" from November 1968 found its way onboard rather than the reissue of "Yogurt Song," a composition from keyboardist Richard Sussman and drummer Rick Frank which sounds like a Frank Zappa nightmare. Other than that, the album actually is quite consistent and is lots of fun. Later releases Take It to the Streets and Angels Forever don't have the pop meets psychedelia underground feel of this neo-bubblegum period piece.