ESTATE SALE
The item listed here comes from the estate of my mother-in-law after she passed away. We're going through the items that she collected while she worked in the entertainment industry.
She started her career as a Page on the Paramount Pictures studio lot in Hollywood, California in the mid-1990s. From there she worked in various departments such as the mail room, Special Events and Product Development (Licensing) where she had access to numerous one of a kind items like prototype collectables, scripts and behind the scenes images and details. She then moved on to other companies in the entertainment industry in positions both on and off production.
Over the years, she obtained an extensive collection of rare Hollywood items, especially from her favorite franchise "Star Trek". Scripts, crew gifts, screen used props, prototypes for collectables, rare discoveries at the Archive Building and much, much more.
This item up for bids would make a great addition to any Star Trek fan’s collection. It is a script from the show:
“Star Trek: The Next Generation”
“Bloodlines”
SEASON #7
SEASONAL EPISODE #22
SERIES EPISODE #174
From the writer's offices of "Star Trek - The Next Generation" in the Hart building on the Paramount Pictures studio lot in Hollywood.
The script contains pages that are printed on white paper only as this was kept in the writer’s office for continuity references. It was not meant to be distributed to the cast and crew.
For more detail about this, please refer to the web site for
Set Hero as they have a detailed description of script handling on productions, or do a google search for the many articles that talk about script revisions. (Screen shot also attached in auction details for clarity.)
It is in near pristine condition with some slight discoloration due to age as well as some MINOR creases from use and age. It has been stored in a plastic storage bag with a cardboard backing ever since the season was completed.
This item is the real deal, not a copy of a copy of a copy like a lot of other auctions that you'll run into.
Always kept in a non-smokers house!
NO torn pages!
NO missing pages!
NO stains or other damage!
The script is 54 pages in length.
(70 physical pages including title, Cast List, Sets and Pronunciation Guide.)
Written on February 9, 1994
First aired on May 2, 1994
Background information quoted from the Memory Alpha web site:
Production history
Story and production
- The idea for this episode resulted from a conversation Jeri Taylor had with Brent Spiner and Patrick Stewart on set during the filming of "Masks". Taylor asked Stewart if there were any aspects of his character that he felt were unexplored. Stewart noted the unsatisfied vengeance of DaiMon Bok from the first season episode "The Battle". He commented, "It's always fascinated me that there is this creature running around the universe even now who despises me." Taylor gave the idea to Nick Sagan to flesh out. (Captains' Logs: The Unauthorized Complete Trek Voyages)
- Sagan recalled, "I remembered [Bok] and I liked the kind of twisted, nasty villain he was and remembered thinking it was one of the few cool episodes first season...I figured Bok would try to get revenge against Picard's son and who would that be? Is Picard's son the ship? No, Kirk's son is the Enterprise. I decided to make it a genetically engineered pseudo son." (Captains' Logs: The Unauthorized Complete Trek Voyages)
- Sagan noted that the original premise ("Fugue") was a lot darker than the aired episode. "The idea was that Bok had genetically engineered this kid from birth and advanced his growth and had been giving him memories of Picard abandoning him on the Stargazer. Then Bok was using one of the mind balls to give Picard these vague flashes of false memories, making him think that it was possible he had this sort of fugue-like experience where he basically abandoned his son on the Stargazer and blocked it out of his mind. I don't know if it would have ever worked or not, but it was kind of a really interesting, dark aspect and it gave you a sense of abandonment and trying to recapture this sense of a son he never had. Then it turns out that it's not that at all." (Captains' Logs: The Unauthorized Complete Trek Voyages)
- The episode received an uncredited polish by René Echevarria. (Star Trek: The Next Generation Companion, ? ed., p. ?)
- Sagan had originally named the boy "Cristof", which was changed to "Daniel" by Echevarria. However, Stewart requested the name be changed to avoid using the name of his own son, who had previously appeared in "The Inner Light". (Star Trek: The Next Generation Companion, ? ed., p. ?)
- The Next Generation Companion notes that before Bok's plot is revealed, Picard and Jason's relationship is similar to that of Kirk and David Marcus in Star Trek II: The Wrath of Khan and Star Trek III: The Search for Spock. Nick Sagan recalled drawing on his own once estranged relationship with his father as inspiration.
- "Bloodlines" was filmed between Thursday 10 February 1994 and Thursday 17 February 1994 on Paramount Stage 8 and 9.
- According to the Companion, many of the names in this episode are in-jokes:
Sets and props
Continuity
Reception
- Not all of the writers were enthused at Bok's return. Ronald D. Moore commented, "I wondered if the world knew or cared if DaiMon Bok came back again. I wasn't a big fan of that or 'The Battle' and I didn't see the point of repeating "Suddenly Human" where we really nailed an interesting arc with Picard having a sort of father/son relationship." (Captains' Logs: The Unauthorized Complete Trek Voyages)
- Sagan felt that while "Bloodlines" was an interesting episode, it wasn't as good as his previous effort, "Attached". He agreed that this one did not provide as much closure, which was important to do in a show's final season. Sagan added, "I think that "Bloodlines" is also hurt by the fact that it seemed like in the seventh season there were a lot of relatives of characters trotted out...it's like 'Oh no, who's next? Is it Guinan's third cousin?'"
- However, Taylor argued that, "Patrick gives probably the most vulnerable performance of his career. He opened himself to this young man in a way that I have not seen him do. He was absolutely raw and open and hurting. I think by the power of his performance he brings this to another level of emotional intensity that takes it away from any of those other episodes." (Captains' Logs: The Unauthorized Complete Trek Voyages).
For a limited time only!
***FREE SHIPPING***
offered worldwide!
HAPPY BIDDING!!!!