Efraim Modzelevich

1931, Buenos Aires, Argentina - 1995, Tel Aviv, Israel

Landscape

Original Hand-Signed Gouache circa the 1970s


Artist Name: Efraim Modzelevich


Title: Landscape

Signature Description: Hand-signed in English lower left

Technique: Gouache on paper


* Due to the medium of the piece (gouache on paper) and in order to protect the art, it's not possible to roll the painting inside a tube but instead it will be placed between rigid cardboards - strengthened with Kapa foam boards - and sent as a flat package.

Image Size: 50 x 70 cm / 19.69" x 27.56" inch


Frame: The painting is unframed

Condition: Very good condition.

Artist's Biography:

Efraim Modzelevich, painter, born 1931, Buenos Aires, Argentina.

Born in 1931, Buenos Aires, Argentina, to Polish parents, and immigrated to Israel in 1939, at the age of 8.
Died in 1995.
Modzelevich began painting in childhood.

Studies

1950-51 with Avraham Yaskil and
Zvi Mairovich, Haifa;
1959-60 advanced studies, Paris.

He achieved at an early age a distinguished style and reputation which brought him a solo exhibition in Tel Aviv at the age of 25, and many exhibitions thereafter in Israel, New York, and Paris.
He also participated in group exhibitions in Israel and aboard and in 1958 won the Milo Artists' Club prize in Tel Aviv.
From 1964 had independent studio, ''Kedem'', in Old Jaffa.

Many of his paintings have been acquired by museums in Israel and abroad as well as by art collectors in the U.S.A, England, France and Israel.

Efraim Modzelevich was a highly gifted colorist with well-developed sense of composition. He used abstract means of expression, but he did not cut himself off from the appearance of things as they are in nature. He has found the golden mean between reality and abstraction.


Selected Exhibitions:
10th Anniversary Exhibitions in Jerusalem and Tel Aviv;
1962 Helena Rubinstein Pavilion, Tel Aviv Museum.


Solo Exhibitions

2006 The Arts Center, Kibbutz Glil Yam, Herzliya
1996 Efraim Modzelevich - 1931-1995, Hamishkan Le'omanut, Beth Meirov, Holon
1992 Efraim Modzelevich: Paintings - 1950-1992, Hamishkan Le'omanut, Beth Meirov, Holon
1990 New Works, Kedem Gallery, Jaffa
1974 Nora Art Gallery, Jerusalem
1963 Rina Gallery, Jerusalem

1960 Nora Art Gallery, Jerusalem
1956 / 57 / 58 / 59 / 60 / 1965 Katz Art Gallery, Tel Aviv


Group Exhibitions (Selection)

1977 One Hundred Years - One Hundred Plus Artists, Yad Labanim Museum, Petach Tikva
1975 Summer Exhibition, Yad Labanim Museum, Petach Tikva
1967 Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion
1962 / 1965 Central Exhibition, Art in Israel, Tel Aviv Museum of Art
1959 General Exhibition, On the Occasion of the 50th Anniversary of the City of Tel-Aviv, Tel Aviv
Museum of Art
1958 Ten Years of Israeli Painting, Tel Aviv Museum of Art
1957 Ofakim Hadashim (New Horizons), Haifa Museum of Modern Art
1970s Israeli - American Artists, The Queen's University of Belfast.


Additional Information:

An interview with the wife of the artist Ephraim Modzelevich (2017)

Twenty-two years have passed since the death of the important artist Ephraim Modzelevich, who was a gifted colourist and a well-developed composer. 
His paintings attest to a refined taste and musical sensitivity in the orchestration of the colors. Although he used abstract means of expression, he avoided completely disengaging from the manifestations of nature. Modzelevitch did not have transitions from one style to another. He created in a way close to himself, knowing very well what he had before him. It is felt that it expresses our climate in its way and succeeds in reaching a poetic and profoundly deep approach to the urban landscape. 
We met his wife Anna Modzelevich, who has lived with him for over 30 years for an interview about him.
 
Anna, when Ephraim first began painting:
 
Ephraim was born in Argentina and immigrated to Israel with his family in 1939. He began painting since the school days.
 

Anna, wrote about some of the most important exhibitions that Ephraim presented:
 
In the mid-1950s Ephraim presented a solo exhibition at the Katz Gallery, which was perhaps the well-known gallery in Tel Aviv. 
In 1962 he exhibited a solo exhibition at the Helena Rubinstein Museum in Tel Aviv. 
In the years 1959 to 1961, Modzelevitch traveled to Paris, where he exhibited in solo exhibitions that were very successful. 

What artists were close to him? 
In 1962 he was invited as a young artist by the group "New Horizons." The artist Joseph Zaritsky, who was close to him, advised him to travel to Paris, which was considered by many artists to be the center of abstract and modern painting. 

Was Ephraim influenced by any artists throughout the years of his work? 
At the beginning of his career, in his 20s, he was a student of the famous artist Zvi Meirovich who had a great influence on his works. In "Ofakim Hadashim" Efraim became friendly with the artist Yosef Zaritsky. He is also very much influenced by Viera De Silva, an international Brazilian artist whose foundations are: the space, the elements and the small shapes that spread through space as seen in many works by Ephraim. 

Tell me about his latest work hanging in your house? 
The last piece he worked on is a painting with a red background and touches of colorful flowers in space. This work is completely different from his familiar line, as if he thought of a new breakthrough, but unfortunately this was his last work because he died the next day. 

Tell me about life beside him and about the person behind the artist 'Ephraim Modzelevich' 

Ephraim was a man with a unique and rich personality, he was a man and a friend of a different kind. A person with a conversational culture with a very broad understanding of various subjects and who would magnetize people around him. He was a witty man with wide horizons, optimistic about life and a developed sense of humor. 
I have been with him for over thirty years and it was a great privilege for me. As an artist, he was an autodidact, but his sensitivity and inner intelligence, which characterizes his character, pushed him to shape his world by unconventional means that sometimes deviated from the usual trends in the artistic movement of the time. 

Anna relates that when Efraim was asked what the art of painting was for him, he wrote: 

"As a painter, the manuscript is the writing of the brain and emotion that carries with it a load of energies that we absorb and transmit on the canvas and create a new life and a different framework." 
"It is important to note," adds Anna, "that Modzelevich took part in a unique project with visionary aspects: After the work on the opening of Old Jaffa was completed, my husband was the first artist and gallerist to renovate his home facing the sea. The western house in Jaffa in the "Kedem Gallery" was known at the time in the Israeli art world, and the house in Jaffa and the surrounding area combined with the urban landscape with the stone houses and boats at sea influenced it and constituted its subjects.

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