Signature Description:
Hand-signed lower right, Numbered "49/60" lower left, Titled "Central Park New York" lower middle
Technique: Etching
Image Size: 10 x 20 cm / 3.94" x 7.87" inch
Frame: Unframed, the etching is mounted on a passe-partout
Condition: The etching (image) is in good condition, foxing on the passe-partout
Additional Information:
The actor, artist, and
writer Fred Halbers was born as Fritz Josef Halberstaedter in Berlin, Germany,
on July 6th, 1894, the son of Ernst Wolfgang and Gertrude (née Wienskowitz)
Halberstaedter. He had an older sister, Hertha Johanna, as well as a younger
brother, Werner. Beginning in 1912 Halbers studied for two years at the Max
Reinhardt drama school in Berlin. In 1914 he volunteered as a soldier for Germany
but was not accepted in the military until 1915.
Due to an injury in Russia, Halbers spent several months in a military hospital
in Belgium and worked afterwards as an interpreter in Belgium until he was
dismissed from the German army in 1918. His brother Werner was killed in Russia
in 1916.
After World War I Halbers was active as an actor, director,
and a stage designer in several theaters in various German cities, including
Munich, Coblenz, Duesseldorf, Bremerhaven, and Berlin.
When his
artistic career came to an end with the Nazi takeover in 1933, he became a
house painter and learned the craft of producing imitation marble, both skills
that secured him a visa to Bolivia in 1939.
In 1933, when Jewish actors were subjected to a stage ban, Halbers was forced
to find a new profession and established a house painting business. In 1935 he
married Johanna Archenhold.
The couple emigrated in 1939 via London to La Paz, Bolivia, where Fred Halbers
worked first as a house painter and restorer, and later as an artist. Moreover,
he had his own radio broadcast once a week called La voz alemana, managed an amateur theater, and helped at the
University San Andres de La Paz to translate the works of the German
philosophers Martin Heidegger and Nicolai Hartmann into Spanish. In addition,
Halbers traveled widely in Bolivia, giving lectures and producing films and
slide shows about his travel experiences. In 1948 he was divorced from his
wife. He did not remarry.
In 1954 Halbers left Bolivia and moved to New York, where his
sister Herta had been living since her marriage to Walter Gimple, an American,
in 1922. Living in Astoria, Queens, Halbers worked again as a painter and
restorer and became
a specialist in restoring pre-Columbian art.
He became a U.S. citizen in 1960.
For his retirement he moved to
Argentina in 1969.
After having spent
about 16 years in the U.S. he moved to Cordoba, Argentina, where Elsbeth
Ahlfeld, the widow of his cousin Ernst, was living. After the death of Ernst in
1969 Fred Halbers and Elsbeth Ahlfeld developed a close relationship.
Halbers discovered his talent for painting and drawing already
as an adolescent, when he tried to create his first drawings and watercolors.
In Bolivia Halbers began to focus on etchings, oil paintings, and drawings,
finding his inspiration on various trips around the country. As an artist
Halbers achieved considerable success. He was not only able to sell many
paintings and etchings to private collectors in Europe, South America, and the
U.S., but also participated on various exhibitions in La Paz (1948-1954), New
York (1958-1960), and Berlin (1968), and received the Gold Medal for Etchings
of the American Artists Professional League in 1958 as well as other awards. He
sold several etchings for a permanent display to the New York Public Library,
the Museo de Arte in Madrid, the Museum of Modern Art in Tokyo, and the
Bezirksamt Neukoelln von Berlin.
Another passion, which Halbers had cultivated since his youth,
was writing. Throughout his life he worked on various manuscripts for novels,
poems, and plays. Apart from a few exceptions the main topic of his literary
work was the New Testament character of Judas, who was the subject of his
novel, Der geheiligte Judas, as well as the subject of many of his Judas poems. While some of
his poems were published in newspapers, Halbers was never able to find a
publisher for his main work.
The last documents of
Halbers' originated from 1987, when Halbers lived in the Adolf Hirsch Heim, a
home for the elderly, in Buenos Aires. Fred Halbers passed away in 1989.
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