The artwork reinterprets the classical mythological theme of the Three Graces—traditionally representing charm, beauty, and creativity—through the stylized lens of the 1920s. The Artist replaces ancient Greek drapery with opulent, theatrical evening gowns that feature high waists, flowing pleated skirts, and elaborate patterns.

The piece utilizes the pochoir technique, a labor-intensive French method of hand-coloring prints using intricate stencils. This technique gave the artwork its signature vivid, flat fields of color and sharp crisp lines, heavily influenced by Japanese woodblock prints and Persian miniatures.

While Barbier originally published variations of this imagery within deluxe fashion portfolios like Falbalas et Fanfreluches (1924), this specific version served as a high-end advertisement menu or promotional folder for the Anchor Line Steamship Company.