The Devils Advocate: The Art of Coop is a limited edition hardback book featuring the provocative and erotic art of photographer Chris Cooper. This collector's edition includes photos, subjects, and themes that push the boundaries of art and style, making it a must-have for fans of erotic fantasy photography. The book comes in a unique felt case/cover, adding an extra touch of sophistication to the overall package.
RARE DEVILS ADVOCATE THE ART OF COOP BOOK- Limited Edition!!! Release October 2001
Perfect Condition~ Includes Felt Book Cover with engraving, Slipback book case covering, with red ribbon install for removal of book itself from book case.
Felt Cover Case Edition: This specific version is generally the first printing of the hardcover book and comes in a black felt-like material cover with silver lettering, often sealed in its original shrinkwrap when sold as new. This distinctive cover makes it a sought-after collector's item
WITH SLIPCASE MATCHING HARDCOVER BOOK
- Content: The book is a full-color pictorial that collects Coop's early work, featuring his iconic devil women, demons, hot rods, posters, record covers, original paintings, and merchandise. It is considered a must-have for collectors of his work.
Inside photos could not be listed on ebay, erotic woman, and fantasy photography, all pages in tact, no marks, scratches, or tears in book, no scuffs on book, Book cover/case are in perfect condition. Please see photos for your reference, Smoke free home.
This fancy hardcover book reproduces tons of Coop's posters and stickers and thangs, all in color. Step right up. "While illustrating record covers and ads for Long Gone John Mermis of Sympathy for the Record Industry, Coop made the acquaintance of the popular poster artist Frank Kozik. With Frank's influence, Coop set off in a career direction that eventually put him on the same level enjoyed by the psychedelic poster artists (Griffin, Moscoso, Kelley & Mouse, etc.) three decades earlier. Doing poster work with name bands, like Rocket From The Crypt, Soundgarden, Nirvana, and the Lords of Acid, elevated Coop's public visibility, and with it his recognition. . But the number one, singular form of expression that regurgitated his name from ear-to-ear was his aptitude for emblematic imagery which began showing up on stickers. Common is the sight of plump female figures, in coy positions (sometimes femme devils), as pressure sensitive stickers, glaring off the back window of some young gentleman's primer grey old car (and a lot of new cars too). It is with this kind of exposure that the name Coop has come to typify art for many people who simply like visual stimuli. And, of course, this visual voice speaks just as clearly (but more permanently) in the form of tattoo design. As I mentioned in the beginning, Coop doesn't exploit the occult metaphysics of satanic malarkey. Why should he? This gifted wonder-boy is the devil himself." - from the forward by Robert Williams