Memorial volume: Charles Scribner's Sons, 1899. Limited Edition.
Edition limited to 1000 copies of which this is Number 301.
Hardcover. Original white cloth with gilt lettering on front board and spine, gilt top edges, Deckled fore and bottom edges. Quarto, 259 pages plus full page portraits and facsimile plates with tissue guards.

Memorial Program: Carl Loewnestein (Astoria Subscription Concerts), 1898.
Ribbon bound booklet. Black-bordered printed wrappers, octavo, 12 pages including covers, musical program, photographs, facsimile letter.

The memorial volume has dated signature of the original owner, John Wyckoff Durham, on the front endpaper.
[John Wyckoff Durham, born May 11, 1873, was involved with music throughout his life. After studying music abroad, he returned to New Brunswick (N.J.) where he served as an organist for various local and neighboring churches and gave piano lessons. He died on October 11, 1913 at the age of forty-one after a long illness.]

The facsimiles include three double leaves of music scores: The Song of Walter von der Vogelweide in Tannhäuser (a facsimile of Wagner's original manuscript) and "Erl König", Ballade von Carl Loewe (a facsimile of Anton Seidl's original manuscript).

Anton Seidl (7 May 1850 – 28 March 1898) was a famous Hungarian Wagner conductor, best known for his association with the Metropolitan Opera in New York City and the New York Philharmonic.

Biography
He was born in Pest, Austria-Hungary, where he began the study of music at a very early age. When only seven years old, he could pick out at the piano melodies which he had heard in the theatre. At 15, he became a student of harmony and counterpoint under Nicolitsch. He attended the normal school at Pest for three years, the gymnasium for eight years. At age 16 he had been thinking of becoming a priest. Seidl entered the Royal University of Pest, but his love for music prevailed and he left the university two years later to go to Leipzig, where he studied at the Leipzig Conservatory from October 1870, remaining there until 1872, when he was summoned to Bayreuth as one of Richard Wagner's copyists.

At Bayreuth, he assisted in making the first fair copy of Der Ring des Nibelungen. Wagner treated him as one of the "chosen few", and it was natural that he should take a part in the first Bayreuth Festival in 1876. Wagner then sent him to Vienna to stage Siegfried and Götterdämmerung there, the last two of his operatic tetralogy, Der Ring des Nibelungen.

His chance as a conductor came in 1879 when, on Wagner's recommendation, he was appointed to the Leipzig State Opera. In May 1881, he introduced in the Victoria Theatre, Berlin, the complete Ring tetralogy for the first time. In 1882, he went on tour with Angelo Neumann's Nibelungen Ring company. The critics attributed much of the artistic success that attended the production of the Ring at Her Majesty's Theatre in London in June of that year to his conducting. In 1883 Seidl went with Neumann to Bremen, and in 1884 he married Auguste Kraus in Frankfurt, a distinguished singer of the German Opera Company.

In 1885, after Leopold Damrosch's death Anton Seidl accepted the first conductor’s position of the German opera in New York, then domiciled at the Metropolitan Opera House, where Seidl made his debut with Wagner’s Lohengrin on 23 November in 1885.

Seidl, as celebrated conductor of the musical life in New York, became the music director of the New York Philharmonic in 1891, where he remained until his death in 1898. During his tenure, the Philharmonic enjoyed a period of unprecedented success and prosperity. Under his baton the orchestra played for the first time in Carnegie Hall on 18 November in 1892. While in New York, he conducted the world premiere of Antonín Dvořák's Symphony No. 9, "From the New World", which greatly influenced the direction of American classical music. Dvořák had added that subtitle to the title page of his autograph score in Carnegie Hall just before turning it over to Seidl.

He also had a significant role in the genesis of Edvard Grieg's Lyric Suite. It started as Seidl's orchestrations of four pieces from Book V of Grieg's Lyric Pieces, which he put together as Norwegian Suite. While Grieg acknowledged the merit of the arrangements, he nevertheless chose to revise them in 1905, and published three of them, along with an arrangement of a fourth piece he made himself directly from the original piano score, into his own Lyric Suite.

On March 28, 1898, Seidl died from food poisoning (then erroneously called "ptomaine poisoning") reportedly caused from eating a serving of tainted fish. He was only 47 years old. Several thousand people attended the memorial, held at the Metropolitan Opera House, with the incineration of his mortal remains following in Fresh Pond, Queens. He was an atheist. Urn of Life
Seidl's friends and colleagues commissioned sculptor George Grey Barnard to create a marble burial urn to hold the conductor's ashes. After Seidl's widow declined the large ornate urn, Barnard carved a smaller, simplified version, which now holds both their ashes. The unused Urn of Life was sold by Barnard in 1919 to the Carnegie Museum of Art in Pittsburgh, Pennsylvania.

Henry Theophilus Finck (22 September 1854 – 1 October 1926) was an American music critic and author. Among "the most prolific and influential critics of his day", he was chief classical music critic of both the New York Evening Post and The Nation from 1881 to 1924. He championed Romantic music, promoting composers such as Liszt, Wagner, Grieg and MacDowell. Along with his contemporaries Richard Aldrich, W.J. Henderson, James Huneker and Henry Edward Krehbiel, Finck is considered part of the 'Old Guard', a group of leading New York-based music critics who first established a uniquely American school of criticism.

CONDITION: Book: Very Good++. (Front board has faint stain at lower margin; otherwise, light soil on front and rear boards. 1899 signature on front endpaper. Pastedowns and endpaper have faint spotting and some offestting. The Contents are complete, clean and intact. The Binding is tight.
Program booklet: Very Good. (Wrappers have some darkening at margins, tiny chip, light crease and short closed tear at top edge of front wrapper. The Contents are pristine.)