Brought to you by ebay seller:  vinylcounterattackrecords

Vinyl Counterattack Records / West Virginia, United States of America

Format & Label:  Compact Disc ABC Radio Show #51 12/18/99

Title & SKU #:  Various Artists – American Country Countdown Compact Disc ABC Radio Show #51 12/18/99

Various Artists – American Country Countdown

Label:  ABC Radio Networks Show #51 12/18/99

Format:  4 x Compact Disc, Compilation, Transcription
Country:  US
Released:  12/18/1999
Genre:  Non-Music, Folk, World, & Country
Style:  Country

Key Details for this Set

• Host:  At this time in 1999, the show was hosted by Bob Kingsley (who succeeded the original host, Don Bowman, full-time in 1978).
• The Format:  Typically a 4-CD set.  These Compact Discs were typically played once by a radio station DJ and then either filed away or thrown out, which makes surviving copies valuable.
• The "Show #51 12/18/89" Number:  This is the Program Number or Catalog Number assigned by the production company, ABC Radio Networks / KCCS Productions.  This was likely the 51^st ACC broadcast during the year 1999.
• The "12/18/99" in the code usually refers to the scheduled broadcast date.
• The "51" refers to the 51st week of the year (which aligns with the December 18, 1999, air date).

The Music on this Specific Date (December 18, 1999)

If you are researching this item, the #1 song in the country on this exact broadcast was:

• #1 Song:  "When I Said I Do" by Clint Black.
• Other Top Hits in this Broadcast:  You would also find hits like “He Didn’t Have To Be” by Brad Paisley, “Breathe” by Faith Hill, “Home To You” by John Michael Montgomery, and “What Do You Say” by Reba McEntire.  See below or refer to Programming Log Cue Sheet

Tracklist (See official Radio Station Programming Log Cue Sheet for broadcast sequence; songs are listed below)

NOTE:  Program includes Radio Station Cue Tones; this is an authentic, original radio station copy

Top 40 Tracklist:  December 18, 1999

Companies, etc.
Manufactured By – ABC Radio Networks / KCCS Productions
Distributed By – ABC Radio Networks / KCCS Productions
Phonographic Copyright ℗ – ABC Radio Networks / KCCS Productions
Copyright © – ABC Radio Networks / KCCS Productions

Pressed By – KCCS Productions (?)

Notes
As a special bonus, this December 18th broadcast captures the festive spirit of the 1999 holiday season, featuring ACC Calendar Christmas classics such as Vince Gill's 'O Holy Night,' Mark Chesnutt’s 'What Child Is This,' and Elvis Presley’s 'Blue Christmas'. The set also includes unique Topical Promos specifically produced for the 'Christmas in America' special, featuring seasonal 'drops' from George Strait, Faith Hill, and Tim McGraw.

Beyond the Top 40, this set includes several ACC Extras and Actualities that were exclusive to the radio broadcast, providing rare commentary from Clint Black and Tracy Byrd. Listeners will also find high-fidelity versions of hits like Shania Twain's 'That Don't Impress Me Much' and Joe Diffie's 'Pickup Man' integrated into the program flow.

The included ABC Radio Networks Programming Log serves as a fascinating map of 1990s radio production, detailing the exact Local Insert windows and 25 Hz tones used for automated station breaks. These sheets provide the precise 'out cues' for national commercials from the era, including 1999 spots for Chevrolet Trucks, Radio Shack, and the then-emerging Priceline.com.

Barcode and Other Identifiers
Matrix / Runout (Side A Label, printed):  Show #51 Hour 1
Matrix / Runout (Side B Label, printed):  Show #51 Hour 2

Matrix / Runout (Side C Label, printed):  Show #51 Hour 3

Matrix / Runout (Side D Label, printed):  Show #51 Hour 4

Matrix / Runout (Side A, printed):  METATEC C1FYH01XC

Matrix / Runout (Side B, printed):  METATEC C1FYK02XD

Matrix / Runout (Side C, printed):  METATEC C1FYL01XF

Matrix / Runout (Side D, printed):  METATEC C1FYM01XB

Record Highlights

Broadcast on December 18, 1999, this RARE 4-LP transcription set captures another pristine moment in country music history.  Hosted by the legendary Bob Kingsley, this set was produced strictly for radio station use and was never available for retail sale.

The program features the full Billboard Top 40 countdown for that week, headlined by the iconic "When I Said I Do" by Clint Black, as well as widely popular Country hits such as “He Didn’t Have To Be” by Brad Paisley, “Breathe” by Faith Hill, “Home To You” by John Michael Montgomery, and “What Do You Say” by Reba McEntire.

This "everything included" set features the original ABC Radio Network CDs and the complete typewritten cue sheets--essential for synchronizing the broadcast with local radio advertisements. These sets provide a unique high-fidelity listening experience, complete with original 1999 radio commentary and national commercials.

Repeat:  This "everything included" set is a collector's dream, featuring the original 4-CD set and the complete typewritten cue sheets--essential for synchronizing the broadcast with local radio advertisements.  These sets provide a unique high-fidelity listening experience, complete with original 1999 radio commentary and national commercials.

This broadcast occurred during the peak of the "Pop Country" era. This specific 4-CD set is especially valuable because it includes all 40 songs plus the original banter and "ABC Radio Network" produced ads from late 1999.

Because this was a radio show intended for broadcast use only, it was never sold to the public in stores. These sets are highly collectible today because they capture a "time capsule" of country music history, including the original commercials and commentary by the host.  " American Country Countdown Compact Disc ABC Radio Show #51 12/18/99” is a fascinating piece of radio history.

This exclusive CD set is RARE to find in this wonderful condition likely with future potential collectable value.

Vinyl Counterattack Records – Find your next treasure

MEDIA CONDITION:  Excellent (EX) = A-

COVER CONDITION (See Photos):  Excellent (EX) = A-

ULTRASONIC CLEANING CARE

*  CD media (compact discs) in beautiful; clean, glossy shine & looks like they have hardly ever been played (play well, too)  *  Includes official ABC Radio Networks Programming Log Cue Sheets for the entire broadcast  *  This iconic CD set highlights some of the finest Pop Country & Traditional Country of the late 1990s  *  A great addition to the CD collection of any vintage Country music fan  *  Compact Discs make great gifts, too

CD media:  Clean, glossy, and professionally handled by original radio station staff.

Plastic Sleeves:  Original ABC Radio Networks / KCCS translucent sleeves in excellent condition.

Cue Sheets:  Complete set of paper cue sheets included.

Note:  Transcription discs often provide superior sound quality as they were pressed on high-quality material for broadcast fidelity.  American Country Countdown used Hit Discs Provided by TM century.

A unique gift:  For any fan of 1999s Pop Country, Traditional Country or radio history.

ebay Seller: vinylcounterattackrecords

Vinyl Counterattack Records / West Virginia, United States of America

-----------------------------------------------------------------------

Vinyl Counterattack Records Grading Scale

Based, in part, on the Goldmine® Grading Guide…and equated to a traditional USA public school grading scale for more clarity (A, B, C, D, F)

MINT (M) = A+

These are perfect in every way.  Often rumored but rarely seen, Mint is never used as a grade unless the record or sleeve truly is in this condition.  We generally never use this grade unless the record is still sealed and unopened, unless the record set is Mint and recently unsealed.

NEAR MINT (NM OR M-) = A

A good description of a NM record is “it looks almost like it just came from a retail store and it was only recently opened.”  In other words, it is nearly perfect.  Many dealers will not use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever perfect.

NM records are shiny and clean, with no visible defects.  Writing, stickers or other markings do not appear on the label, nor do significant “spindle marks” from someone trying to blindly put the record on the turntable.  Major factory defects are absent; a record and label obviously pressed off center is not Near Mint.  If played, it will do so with little to no surface noise.  NM records do not have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.  NM covers are free of creases, ring wear and seam splits of any kind.

NOTE:  These are high standards, and they are not on a sliding scale.  A record or sleeve from the 1950s must meet the same standards as one from the 1990s or 2000s to be Near Mint!  It has been estimated that no more than 2 to 4 percent of all records remaining from the 1950s and 1960s are truly Near Mint.

EXCELLENT (EX) = A-

EX records are also generally shiny and clean, with almost no visible defects.  Writing, stickers or other markings do not appear on the label, nor do significant “spindle marks” (only minor marks might be noticeable) from someone trying to blindly put the record on the turntable.  Major factory defects also must be absent.  If played, it will do so with only minor surface noise…perhaps not Near Mint, but still providing for an excellent listening experience.  EX records have likely been rarely played and have obviously been properly cared for.  EX covers may only have generally insignificant creases, minimum ring wear, and no seam splits of any kind.  Many casual record collectors consider an EX record to be highly satisfactory, even though the record set is no longer brand new.

VERY GOOD PLUS (VG+) = B+ or B or B-

A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade.  Some VG+ records are almost as good as EX.

VG+ records may show some slight signs of wear, including light scuffs or noticeably light scratches that do not affect the listening experience very much. Slight warps that do not affect the sound are OK, and many of these go unnoticed by casual collectors.  Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole.  There may be some noticeably light ring wear or discoloration, but it should be barely noticeable or (at least) not detracting from the general appearance.

VG+ covers should have only minor wear.  A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location.  Also, a VG+ cover may have some defacing, such as a cut-out marking.  Covers with cut-out markings can never be considered Near Mint, even if the record is a sealed, unopened discounted “cut-out.”

VERY GOOD (VG) = C+ or C or C-

Many of the imperfections found on a VG+ record are much more obvious on a VG record.  That said, VG records, which usually sell at a significantly reduced price as compared to NM or EX or VG+ value, are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies.  For many listeners, a VG record or sleeve will be worth the money, especially if they are purchasing the record because they simply enjoy the music.

VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records.  Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail.  When played, a VG record has noticeable surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the louder music otherwise.

Minor writing, tape or a sticker can detract from the label.  Many collectors who have jukeboxes will use VG records in them and not think twice.  They remain a fine listening experience, just not the same as if it were in better shape.

VG covers will have many signs of human handling.  Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming.  Some more creases might be visible.  Seam splitting will be more obvious; it may appear on all three sides, though it will not be obvious upon looking.  Someone might have written or it or stamped a price tag on it, too.

GOOD (G) = D

Good does not necessarily mean bad, but at Vinyl Counterattack Records we also consider the Good title somewhat misleading; it should be more like a public school grade of D.  The record still plays through with little to no skipping, so it can serve as filler until something better comes along.  But it has significant surface noise and groove wear, and the label may be worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers and failing.  A Good cover has ring wear to the point of distraction, has seam splits obvious on sight, and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.  If you have been seeking the title it for a long time, it is an opportunity to get it cheap and look to upgrade.

FAIR (F) and POOR (P) = F

Fair (F) and Poor (P) records have minimal value.  These records are cracked, impossibly warped, or skip and/or repeat often when an attempt is made to play them.  Covers may also be so heavily damaged that you consider replacing or discarding them.  Only the most outrageously rare items would be attractive to anyone in this condition.  At Vinyl Counterattack Records we refrain from selling any record sets of this grade unless they are extremely factory defective, but look otherwise almost new, and possibly a rare/fluke collector’s item.  The rest of the F or P rated records go in the trash and we will not attempt to sell them.