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Mahler: Complete Symphonies (Limited Edition)
Item Description
- Content introduction [Limited production edition] 12 CDs, Japanese version only hybrid disc, cardboard three-way back box, separate commentary booklet and translated lyrics *The product will end when stocks run out. 《Contents》 *Song order undecided Mahler (1860-1911) Symphony No. 1 in D major “Giant” [Recording] October 3 & 4, 1985, Vienna, Musikvereinsal Symphony No. 2 in C minor “Resurrection” Eva Marton (Soprano) Jessie Norman (Soprano) Vienna State Opera Chorus [Recording] January 5-10, 1983, Musikvereinsal, Vienna Symphony No. 3 in D minor Agnes Balza (Mezzo-Soprano) Vienna Boys' Choir (Choral conductor: Uwe Christian Haller) Vienna State Opera Women's Choir (Choral conductor: Walter Hagen-Groll) [Recording] April 24, 26, 29 & 30, 1985, Vienna , Musikvereinsal Symphony No. 4 in G major Kathleen Battle (soprano) [Recording] November 3-6, 1983, Vienna, Musikvereinsal Symphony No. 5 in C minor Wolfgang Tombeck Jr. (horn-Solo/3rd movement) [Recording] September 30th - October 4th, 1982, Musikvereinsal, Vienna Symphony No. 6 in A minor "Tragic" [Recording] September 30th - October 1982 4th, Vienna, Musikvereinsal Symphony No. 7 in E minor "Night Song" [Recording] October 1-4, 1984, Vienna, Musikvereinsal Symphony No. 8 in E flat major "A Thousand Symphony” Sharon Sweet (Soprano I/Virgin of Glory/The Most Sinful Woman) Pamela Coburn (Soprano II/One of the Redeemers) Florence Quiver (Alto I/The Samaritan Woman) Brigitte Fassbender (Alto II/Egypt) Richard Leach (Tenor/Doctor of Marian Worship) Sigmund Nimsgern (Baritone/Father of Ecstasy) Simon Estes (Bass/Father of Meditation) Wolfram Colossois (Organ/Aeolian-Skinner & Co. of Boston Symphony Hall) Organ) Vienna State Opera Choir Vienna Boys' Choir Austrian Radio Choir Arnold Schoenberg Choir [Recording] June 19-24, 1989, Musikvereinsal, Vienna Symphony No. 9 in D major [Recording] 1984 April 13, 14, 16, Vienna, Musikvereinsal Symphony No. 10 - 1st Movement Adagio [Recording] October 3, 1984, Vienna, Musikvereinsal Song in Memory of a Dead Child Agnes Balza (MS) [Recording] April 25, 1985, Vienna, Musikvereinsal Vienna Philharmonic Conductor: Lorin Maazel [Producer] David Mottley, Stephen Epstein [Engineers] Michael Gray, Bud Graham [ DSD Remaster] Martin Kistner (b-sharp Music & Media Solutions) The only complete collection of Mahler by the Vienna Philharmonic, remastered for the first time since its release -The Vienna Philharmonic collaborated with master Lorin Maazel (1930-2014) from 1982 to 1989 ``Mahler: Complete Symphonies'' recorded in 2009. Since its release as the Philharmonic's only complete collection of Mahler, and as a standard for Mahler performances in the latter half of the 20th century, it has been praised and loved around the world. -A total of 11 songs, including No. 10 Adagio and ``Ode to the Lost Child,'' were composed by Maazel, who conducted the New Year's Concert every year and was music director of the Vienna State Opera when he had strong ties with Vienna. A session was held in Vereinsal and it was carefully recorded. As a result, the reverberation and beauty of each instrument, as well as the beauty of the whole tone, are fully captured, and under Maazel's precise stick handling that does not neglect the details, the charm of the orchestration of Mahler's works is captured in the richness and richness of the Vienna Philharmonic. This complete collection is perfect for enjoying the unique sound. -Only the Japanese version will be released on hybrid disc. B-sharp studio in Berlin is responsible for DSD remastering from the original master. Media reviews and more ``Mahler: Complete Symphonies'' recorded by the Vienna Philharmonic with maestro Lorin Maazel (1930-2014) from 1982 to 1989. Since its release as the Philharmonic's only complete collection of Mahler, and as a standard for Mahler performances in the latter half of the 20th century, it has been praised and loved around the world. A total of 11 songs, including No. 10 Adagio and ``Ode to the Lost Child,'' were created during the period when Maazel conducted the New Year's Concert every year and had strong ties with Vienna as music director of the Vienna State Opera. A session was held at Inzaar and it was carefully recorded. As a result, the reverberation and beauty of each instrument, as well as the beauty of the whole tone, are fully captured, and under Maazel's precise stick handling that does not neglect the details, the charm of the orchestration of Mahler's works is captured in the richness and richness of the Vienna Philharmonic. This complete collection is perfect for enjoying the unique sound. (C)RS
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