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Vinyl Counterattack Records / West Virginia, United States of America
Format & Label: Vinyl LP Columbia QC 39157 Stereo
Title & SKU #: Julio Iglesias – 1100 Bel Air Place Vinyl LP Columbia QC 39157 Stereo
Julio Iglesias – 1100 Bel Air Place
Featuring the hit singles “All of Me” (with Diana Ross) & To All The Girls I’ve Loved Before (with Willie Nelson)
ADDITIONAL NOTES:
🎤 Exclusive Collector's Find: Julio Iglesias – 1100 Bel Air Place Vinyl LP (Sealed, Mint or Near Mint Condition) 🌟
Step into the enchanting world of Julio Iglesias with the pristine, still-sealed 1984 vinyl LP "1100 Bel Air Place" (Columbia QC 39157, Stereo). A treasure for collectors and music enthusiasts, the vinyl in this album jacket remains untouched and in Mint condition, preserving the magic of its original release.
Highlights:
Why This Album?
Available exclusively at Vinyl Counterattack Records. Read on for details and to secure this immaculate Julio Iglesias vinyl LP for your collection from our eBay Store!
Label: | Columbia – QC 39157 |
Format: | Vinyl, LP, Album |
Country: | US |
Released: | 1984 |
Genre: | Pop |
Style: | Ballad, Vocal |
Tracklist
A1 | Julio Iglesias & Diana Ross– | All Of You Arranged By – John Barnes, Tony Renis Lyrics By – Cynthia Weil Music By – Julio Iglesias, Tony Renis Producer – Ramon Arcusa*, Richard Perry Strings – Jeremy Lubbock Arranged By – John Barnes, Tony Renis Lyrics By – Cynthia Weil Music By – Julio Iglesias, Tony Renis Producer – Ramon Arcusa*, Richard Perry Strings – Jeremy Lubbock | 3:57 |
A2 | Julio Iglesias– | Two Lovers Arranged By – Michel Colombier Producer – Ramon Arcusa* Strings – Jeremy Lubbock Written-By – Jay Asher, Paul Jabara Arranged By – Michel Colombier Producer – Ramon Arcusa* Strings – Jeremy Lubbock Written-By – Jay Asher, Paul Jabara | 4:23 |
Bambou Medley | (3:48) | ||
A3a | Julio Iglesias– | Il Tape Sur Des Bambous Lyrics By – Didier Barbelivien, Philippe Lavil Music By – Michel Heron* Lyrics By – Didier Barbelivien, Philippe Lavil Music By – Michel Heron* | |
A3b | Julio Iglesias– | Jamaica Written-By – Albert Hammond, Julio Iglesias, Michel Colombier Written-By – Albert Hammond, Julio Iglesias, Michel Colombier | |
A4 | Julio Iglesias– | The Air That I Breathe Arranged By – Ramon Arcusa*, Robbie Buchanan Arranged By [Beach Boys' Vocals] – Brian Wilson Producer – Ramon Arcusa*, Richard Perry Vocals – The Beach Boys Written-By – Albert Hammond, Michael Hazlewood Arranged By – Ramon Arcusa*, Robbie Buchanan Arranged By [Beach Boys' Vocals] – Brian Wilson Producer – Ramon Arcusa*, Richard Perry Vocals – The Beach Boys Written-By – Albert Hammond, Michael Hazlewood | 3:52 |
A5 | Julio Iglesias– | The Last Time Arranged By – Michel Colombier Lyrics By – Marty Panzer Music By – Julio Iglesias, Manuel De La Calva, Ramon Arcusa* Producer – Ramon Arcusa* Arranged By – Michel Colombier Lyrics By – Marty Panzer Music By – Julio Iglesias, Manuel De La Calva, Ramon Arcusa* Producer – Ramon Arcusa* | 3:36 |
B1 | Julio Iglesias– | Moonlight Lady Arranged By – Michel Colombier Producer – Ramon Arcusa* Written-By – Albert Hammond, Carole Bayer Sager Arranged By – Michel Colombier Producer – Ramon Arcusa* Written-By – Albert Hammond, Carole Bayer Sager | 4:10 |
B2 | Julio Iglesias– | When I Fall In Love Arranged By – Michel Colombier Lyrics By – Edward Heyman Music By – Victor Young Producer – Ramon Arcusa* Saxophone [Tenor Solo] – Stan Getz Arranged By – Michel Colombier Lyrics By – Edward Heyman Music By – Victor Young Producer – Ramon Arcusa* Saxophone [Tenor Solo] – Stan Getz | 3:27 |
B3 | Julio Iglesias– | Me Va, Me Va Arranged By – Randy Kerber Arranged By [Percussion] – Paulinho Da Costa Brass – Erich Bulling Lyrics By [English] – Albert Hammond Producer – Ramon Arcusa* Strings – Jeremy Lubbock Written-By – Ricardo Ceratto Arranged By – Randy Kerber Arranged By [Percussion] – Paulinho Da Costa Brass – Erich Bulling Lyrics By [English] – Albert Hammond Producer – Ramon Arcusa* Strings – Jeremy Lubbock Written-By – Ricardo Ceratto | 6:03 |
B4 | Julio Iglesias– | If (E Poi) Arranged By – Randy Kerber Lyrics By [Italian Translation] – Testa* Producer – Ramon Arcusa* Written-By – David Gates Arranged By – Randy Kerber Lyrics By [Italian Translation] – Testa* Producer – Ramon Arcusa* Written-By – David Gates | 3:09 |
B5 | Julio Iglesias & Willie Nelson– | To All The Girls I've Loved Before Arranged By – Nicky Hopkins Lyrics By – Hal David Music By – Albert Hammond Producer – Ramon Arcusa*, Richard Perry Strings – Jeremy Lubbock Arranged By – Nicky Hopkins Lyrics By – Hal David Music By – Albert Hammond Producer – Ramon Arcusa*, Richard Perry Strings – Jeremy Lubbock | 3:30 |
Companies, etc.
Credits
Notes
No time duration printed for Track A3a or A3b, (3:48) is the total time of the medley (track A3).
Folded lyrics sheet included
A1, Published By – Elettra Music, Inc., Dyad Music Ltd. & Braintree Music
A2, Published By – The Artists Company Ltd. & Big Duck Music
A4, Published By – April Music Inc.
A5, Published By – B.V. Pop Songs Rotterdam, CBS Songs Holland B.V., & SwaneeBravo! Music
B1, Published By – April Music, Inc., Albert Hammond Music, Unichappell Music, Inc. & Begonia Melodies
B2, Published By – Chappell & Co., Inc. & Intersong-U.S.A., Inc.
B3, Published By – Canciones Del Mundo
B4, Published By – Colgems-EMI Music Inc.
B5, Published By – April Music, Inc. & Casa David
This first U.S. pressing contains alternate versions of "The Air That I Breathe" (A4) and "Moonlight Lady" (B1). Edited in subsequent pressings.
Barcode and Other Identifiers
MEDIA CONDITION: Excellent (EX) = A-
COVER CONDITION (See Photos): Very Good Plus (VG+) = B
ULTRASONIC CLEANING CARE
* Vinyl media (record album) in incredible condition; clean, shines & has never been played (sealed since 1984, vinyl in Mint condition) * Cover/jacket likewise in beautiful condition for a vintage LP (sealed since 1984, in Near Mint condition); tremendous opportunity to acquire a near perfect copy of this landmark album * Includes all originally sealed materials, such as original inner sleeve (and, perhaps, 4 page glossy lyric insert ?) * Iconic album contains USA breakthrough work of Iglesias, a Spanish superstar * Julio Iglesias is the bestselling international artist in Brazil (over 12.4 million records sold), also one of the best-selling artists worldwide, with 100 million records sold in 14 languages * Great addition to the record collection of vintage Latin Pop fans * Vinyl records make great gifts, too
ebay Seller: vinylcounterattackrecords
Vinyl Counterattack Records / West Virginia, United States of America
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Vinyl Counterattack Records Grading Scale
Based, in part, on the Goldmine® Grading Guide…and equated to a traditional USA public school grading scale for more clarity (A, B, C, D, F)
MINT (M) = A+
These are perfect in every way. Often rumored but rarely seen, Mint is never used as a grade unless the record or sleeve truly is in this condition. We generally never use this grade unless the record is still sealed and unopened, unless the record set is Mint and recently unsealed.
NEAR MINT (NM OR M-) = A
A good description of a NM record is “it looks almost like it just came from a retail store and it was only recently opened.” In other words, it is nearly perfect. Many dealers will not use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever perfect.
NM records are shiny and clean, with no visible defects. Writing, stickers or other markings do not appear on the label, nor do significant “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects are absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with little to no surface noise. NM records do not have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for. NM covers are free of creases, ring wear and seam splits of any kind.
NOTE: These are high standards, and they are not on a sliding scale. A record or sleeve from the 1950s must meet the same standards as one from the 1990s or 2000s to be Near Mint! It has been estimated that no more than 2 to 4 percent of all records remaining from the 1950s and 1960s are truly Near Mint.
EXCELLENT (EX) = A-
EX records are also generally shiny and clean, with almost no visible defects. Writing, stickers or other markings do not appear on the label, nor do significant “spindle marks” (only minor marks might be noticeable) from someone trying to blindly put the record on the turntable. Major factory defects also must be absent. If played, it will do so with only minor surface noise…perhaps not Near Mint, but still providing for an excellent listening experience. EX records have likely been rarely played and have obviously been properly cared for. EX covers may only have generally insignificant creases, minimum ring wear, and no seam splits of any kind. Many casual record collectors consider an EX record to be highly satisfactory, even though the record set is no longer brand new.
VERY GOOD PLUS (VG+) = B+ or B or B-
A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade. Some VG+ records are almost as good as EX.
VG+ records may show some slight signs of wear, including light scuffs or noticeably light scratches that do not affect the listening experience very much. Slight warps that do not affect the sound are OK, and many of these go unnoticed by casual collectors. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some noticeably light ring wear or discoloration, but it should be barely noticeable or (at least) not detracting from the general appearance.
VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint, even if the record is a sealed, unopened discounted “cut-out.”
VERY GOOD (VG) = C+ or C or C-
Many of the imperfections found on a VG+ record are much more obvious on a VG record. That said, VG records, which usually sell at a significantly reduced price as compared to NM or EX or VG+ value, are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money, especially if they are purchasing the record because they simply enjoy the music.
VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has noticeable surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the louder music otherwise.
Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.
VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it will not be obvious upon looking. Someone might have written or it or stamped a price tag on it, too.
GOOD (G) = D
Good does not necessarily mean bad, but at Vinyl Counterattack Records we also consider the Good title somewhat misleading; it should be more like a public school grade of D. The record still plays through with little to no skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label may be worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers and failing. A Good cover has ring wear to the point of distraction, has seam splits obvious on sight, and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft. If you have been seeking the title it for a long time, it is an opportunity to get it cheap and look to upgrade.
FAIR (F) and POOR (P) = F
Fair (F) and Poor (P) records have minimal value. These records are cracked, impossibly warped, or skip and/or repeat often when an attempt is made to play them. Covers may also be so heavily damaged that you consider replacing or discarding them. Only the most outrageously rare items would be attractive to anyone in this condition. At Vinyl Counterattack Records we refrain from selling any record sets of this grade unless they are extremely factory defective, but look otherwise almost new, and possibly a rare/fluke collector’s item. The rest of the F or P rated records go in the trash and we will not attempt to sell them.