Shane Berg: The opera "Moses and Alon" the survivors of the Wonlisaw Berg: Fro
Description
*** Product Information ***
FORMAT: SACD HYBRID
Number of Disks: 2
Package:
Release Date: July 28 2022
Record Label: Berlin Classics x Tower Records
Product Number: 0302846BC
*** Product description ***
[Mastering details]
Mastering Engineer (including DSD): Christoph Stickel
~ Vienna. He is also in charge of mastering the Munich Philharmonic's Independent Division and ECM SACD project (2017-) of the Tower Planning Division JAZZ. One of the most reliable engineers in Europe now
"Pure analog remastering from Eterna Original Analog Tape"
SACD layer: From the new analog master tape in the home country after mastering in the analog area directly converts DSD
CD layer: Similarly after mastering in the analog area 44.1kHz/16bit after high -quality digitization with 96kHz/24bit.
Each digital data is not a transmission but an optical disk.
* Limited to Tower Records. Imported board specification. Stereo recording. No lyrics translation
* The world's first SACD. SACD hybrid board
* Use the latest mastering sound source in 2022 (Mastering Engineer: Christoph Stickel)
* DSD is directly converted to use the original analog master tape of the home country. The CD layer is also a different system with a different product and PCM
* SACD layer: From the new analog master tape in the home country after mastering in the analog area directly converts DSD
* CD layer: Similarly after mastering in the analog area 44.1kHz/16bit after high -quality digitization with 96kHz/24bit.
* Use original jacket design at the time of stereo LP (partially used in other jacket designs in the commentary)
* Jewel case specification
* Plan printing surface: green specifications
* There are some noise drop -out etc. caused by the original master but please note (because the recording is old there are also dropouts such as deterioration due to aging and editing points due to aging).
* With Japanese belt (with commentary by Daisuke Hirose on the back of the obi). Explanation Book specification the outer box of the original analog master tape is posted in color in the explanation book
*** Work Information ***
Main
Conductor: Helbert Kegel
Orchestra: Leipzig Removal Symphony Orchestra
Narrater: Verner Heseroy
Tenor: Liner Goldberg
Soprano: Lenate Clammer
others
Alto: Gizera Paul
Tenor: Armin Ude
Composer: Alnolt Schoenberg
Alban Berg
*** Recorded content ***
Number of configurations | 2 sheets
Edition | Remaster
[Song]
[Disc1]
Arnolt Shane Berg: Opera "Moses and Alon" (Unfinished)
1. Act 1 and Act 2 (up to the middle)
[Disc2]
1. Act 2 (from the middle)
2. Alnoltol Shane Berg: "Warsaw's Survival" Op.46
3. Alban Berg: Three cuts from the opera "Votkk"
4. Alban Berg: Adagio from the opera "Lulu".
【Performer】
Moses: Verner Hazeroy (narrator)
Aaron: Liner Goldberg (Tenor)
Young daughter: Lenate Clammer (Soprano)
Sick woman: Gizera Paul (Alto)
Young man: Armin Ude (tenor)
Another man: Helman Christian Polster (Bass Baritone)
Ephrime: Carl -Heinz Strezk (Bariton)
Priest: Leonardo Angn Murotsu (Bus)
Leipzig Broadcasting Chorus
Dresden Boys Chorus
Above (1)
Liner Ryu Deck (narrator)
Leipzig Broadcasting Chorus
Above (2)
Hanne -Lole Cue (Soprano) (34)
Leipzig Release Symphony Orchestra
Herbert Kegel (conductor)
【recording】
March 1-12 1976 Studio Paul-Gerhardt-Kirche Leipzig (1)
July 1960 (2) July 1-5 1965 Leipzig Bethanienkirche (34)
[Original Recordings]
MUSIKREGIE: Eberhard Geiger (1) DIETRICH KNOTHE (34)
Tonregie: Claus struben (134)
[Mastering engineer]
Christoph Sticskel
[Raw board]
Berlin Classics
*** Product Introduction ***
Introduction of product
A rare performance that is overwhelmed by the chilly and spiritual depth is the first SACD! The singers and chorus are also excellent. Includes three songs in the margin. The world's first SACD! Mastering only in the analog area directly converting DSD! C. Streuben's excellent recording! The 22nd SACD Hybridization Kegel was the latest SACD one of the typical recording of this song recorded with the Leipzig Release Symphony Orchestra and others in 1976. In the margin a total of three songs were recorded a vocal music and opera -related work of Kegel conducted by Kegel. "Moses and Alon" were initially conceived as Cantata which was later composed as Oratorio but eventually the second act was completed in 1932. However since the script of the third act was created only some sketches were left for composition and it was an unfinished work (on the actual stage after playing the second act there is no music in the third act. Sometimes performed in). There seems to be various theories why the composition was interrupted but it seems that Shanberg himself had the will to complete until the end. The songs are written by the twelve sound techniques and this work is also known as one of the difficult works. Since the premiere of all songs was performed in 1957 there was no sound source for a while but in 1974 the booles recorded and in the same year a girlene was recorded to the Philips label and two years later in 1976. The sound source of Kegel was recorded and the recognition as a work has expanded since the release. Although it was a work that was quite a maniac at that time the old booled edition that led to re -evaluation was the standard the Girulen edition as the representative edition of the former west side of the time and the best Kegel in the former East Germany. The two boards still have a historical value as the masterpiece of this song. In addition this track split follows the conventional one (except for the last part of Disc1 and Disc2 where Disc is divided). (1/2)
Tower record
(2022/07/08)
"Moses and Alon" are extremely complicated including composition techniques and the skills of choruses and orchestras including singers are also important. Of course there is a great burden on the command and it is unavoidable that the performance and the low sound source are unavoidable considering the penetration of the song including recording. This recording seems to have been carefully recorded after a considerable preparation and the level of the chorus is particularly noteworthy. The orchestra is not only technical (compared to the premiere Rosbout board the difference is obvious) but the performance is different from other sound sources. I am just overwhelmed by the merciless sound. I am also surprised at the recording of Streuben which captures a large formation with a real sound image. This time the status of Ojilinal's master tape is also good so I think you can enjoy this recording more than before. In particular the famous 2nd act "Golden Cream Dance" (from the middle 8 truck of Disc1) is fascinated by the bizarre sound than any other performance (the end of the track 6 is also the back. Freezes). Kegel knew what was the performance and what should be there. You can feel the full stance of music that is also a bloody meat. This recording is a performance that makes you feel terrible among the many Kegel sound sources. The three songs of the coupling have a different recording age so the sound quality is not constant ("Warsaw's survival" is a narrower left and right separation compared to others because of the early stereo recording in 1960) It is an excellent performance left. The new Vienna Raku group which is good has a reputation and please enjoy it as a sound source that complements the simultaneously released "Votech" (0302845BC). In this reprint the master tape was airloaded from the label to the studio of Christophe Stickel a mastering engineer living in Vienna and performed the mastering in the analog area and then digitized it. PCM for CD layers is made separately and commercialized. In this project we have achieved mastering in an ideal way as possible. The effect is remarkable and the quality left in the master tape can be extremely faithful and the mastering and direct DSD in the analog area only have a more sound quality effect. With a clearer and higher resolution compared to the past it is possible to expect further evaluations for performance. The commentary also includes photos of the outer box of the original analog master tape used this time. (2/2)
Tower record
(2022/07/08)
FORMAT: SACD HYBRID
Number of Disks: 2
Package:
Release Date: July 28 2022
Record Label: Berlin Classics x Tower Records
Product Number: 0302846BC
*** Product description ***
[Mastering details]
Mastering Engineer (including DSD): Christoph Stickel
~ Vienna. He is also in charge of mastering the Munich Philharmonic's Independent Division and ECM SACD project (2017-) of the Tower Planning Division JAZZ. One of the most reliable engineers in Europe now
"Pure analog remastering from Eterna Original Analog Tape"
SACD layer: From the new analog master tape in the home country after mastering in the analog area directly converts DSD
CD layer: Similarly after mastering in the analog area 44.1kHz/16bit after high -quality digitization with 96kHz/24bit.
Each digital data is not a transmission but an optical disk.
* Limited to Tower Records. Imported board specification. Stereo recording. No lyrics translation
* The world's first SACD. SACD hybrid board
* Use the latest mastering sound source in 2022 (Mastering Engineer: Christoph Stickel)
* DSD is directly converted to use the original analog master tape of the home country. The CD layer is also a different system with a different product and PCM
* SACD layer: From the new analog master tape in the home country after mastering in the analog area directly converts DSD
* CD layer: Similarly after mastering in the analog area 44.1kHz/16bit after high -quality digitization with 96kHz/24bit.
* Use original jacket design at the time of stereo LP (partially used in other jacket designs in the commentary)
* Jewel case specification
* Plan printing surface: green specifications
* There are some noise drop -out etc. caused by the original master but please note (because the recording is old there are also dropouts such as deterioration due to aging and editing points due to aging).
* With Japanese belt (with commentary by Daisuke Hirose on the back of the obi). Explanation Book specification the outer box of the original analog master tape is posted in color in the explanation book
*** Work Information ***
Main
Conductor: Helbert Kegel
Orchestra: Leipzig Removal Symphony Orchestra
Narrater: Verner Heseroy
Tenor: Liner Goldberg
Soprano: Lenate Clammer
others
Alto: Gizera Paul
Tenor: Armin Ude
Composer: Alnolt Schoenberg
Alban Berg
*** Recorded content ***
Number of configurations | 2 sheets
Edition | Remaster
[Song]
[Disc1]
Arnolt Shane Berg: Opera "Moses and Alon" (Unfinished)
1. Act 1 and Act 2 (up to the middle)
[Disc2]
1. Act 2 (from the middle)
2. Alnoltol Shane Berg: "Warsaw's Survival" Op.46
3. Alban Berg: Three cuts from the opera "Votkk"
4. Alban Berg: Adagio from the opera "Lulu".
【Performer】
Moses: Verner Hazeroy (narrator)
Aaron: Liner Goldberg (Tenor)
Young daughter: Lenate Clammer (Soprano)
Sick woman: Gizera Paul (Alto)
Young man: Armin Ude (tenor)
Another man: Helman Christian Polster (Bass Baritone)
Ephrime: Carl -Heinz Strezk (Bariton)
Priest: Leonardo Angn Murotsu (Bus)
Leipzig Broadcasting Chorus
Dresden Boys Chorus
Above (1)
Liner Ryu Deck (narrator)
Leipzig Broadcasting Chorus
Above (2)
Hanne -Lole Cue (Soprano) (34)
Leipzig Release Symphony Orchestra
Herbert Kegel (conductor)
【recording】
March 1-12 1976 Studio Paul-Gerhardt-Kirche Leipzig (1)
July 1960 (2) July 1-5 1965 Leipzig Bethanienkirche (34)
[Original Recordings]
MUSIKREGIE: Eberhard Geiger (1) DIETRICH KNOTHE (34)
Tonregie: Claus struben (134)
[Mastering engineer]
Christoph Sticskel
[Raw board]
Berlin Classics
*** Product Introduction ***
Introduction of product
A rare performance that is overwhelmed by the chilly and spiritual depth is the first SACD! The singers and chorus are also excellent. Includes three songs in the margin. The world's first SACD! Mastering only in the analog area directly converting DSD! C. Streuben's excellent recording! The 22nd SACD Hybridization Kegel was the latest SACD one of the typical recording of this song recorded with the Leipzig Release Symphony Orchestra and others in 1976. In the margin a total of three songs were recorded a vocal music and opera -related work of Kegel conducted by Kegel. "Moses and Alon" were initially conceived as Cantata which was later composed as Oratorio but eventually the second act was completed in 1932. However since the script of the third act was created only some sketches were left for composition and it was an unfinished work (on the actual stage after playing the second act there is no music in the third act. Sometimes performed in). There seems to be various theories why the composition was interrupted but it seems that Shanberg himself had the will to complete until the end. The songs are written by the twelve sound techniques and this work is also known as one of the difficult works. Since the premiere of all songs was performed in 1957 there was no sound source for a while but in 1974 the booles recorded and in the same year a girlene was recorded to the Philips label and two years later in 1976. The sound source of Kegel was recorded and the recognition as a work has expanded since the release. Although it was a work that was quite a maniac at that time the old booled edition that led to re -evaluation was the standard the Girulen edition as the representative edition of the former west side of the time and the best Kegel in the former East Germany. The two boards still have a historical value as the masterpiece of this song. In addition this track split follows the conventional one (except for the last part of Disc1 and Disc2 where Disc is divided). (1/2)
Tower record
(2022/07/08)
"Moses and Alon" are extremely complicated including composition techniques and the skills of choruses and orchestras including singers are also important. Of course there is a great burden on the command and it is unavoidable that the performance and the low sound source are unavoidable considering the penetration of the song including recording. This recording seems to have been carefully recorded after a considerable preparation and the level of the chorus is particularly noteworthy. The orchestra is not only technical (compared to the premiere Rosbout board the difference is obvious) but the performance is different from other sound sources. I am just overwhelmed by the merciless sound. I am also surprised at the recording of Streuben which captures a large formation with a real sound image. This time the status of Ojilinal's master tape is also good so I think you can enjoy this recording more than before. In particular the famous 2nd act "Golden Cream Dance" (from the middle 8 truck of Disc1) is fascinated by the bizarre sound than any other performance (the end of the track 6 is also the back. Freezes). Kegel knew what was the performance and what should be there. You can feel the full stance of music that is also a bloody meat. This recording is a performance that makes you feel terrible among the many Kegel sound sources. The three songs of the coupling have a different recording age so the sound quality is not constant ("Warsaw's survival" is a narrower left and right separation compared to others because of the early stereo recording in 1960) It is an excellent performance left. The new Vienna Raku group which is good has a reputation and please enjoy it as a sound source that complements the simultaneously released "Votech" (0302845BC). In this reprint the master tape was airloaded from the label to the studio of Christophe Stickel a mastering engineer living in Vienna and performed the mastering in the analog area and then digitized it. PCM for CD layers is made separately and commercialized. In this project we have achieved mastering in an ideal way as possible. The effect is remarkable and the quality left in the master tape can be extremely faithful and the mastering and direct DSD in the analog area only have a more sound quality effect. With a clearer and higher resolution compared to the past it is possible to expect further evaluations for performance. The commentary also includes photos of the outer box of the original analog master tape used this time. (2/2)
Tower record
(2022/07/08)