Original Charcoal on paper in the style of & signed Lucian Freud
We can't say that this is a genuine Freud as we have no proof, but believe that it is and certainly his style, the signature looks like his and looks like it was drawn in the 40's or 50's. Freud produced a large number of works and many were discarded as not being good enough or forgotten. There have been a few occasions where some of these pieces surfaced in his lifetime and he strenuously denied they were his - only to be proved wrong later, as with the following:
An early Lucian Freud painting worth at least £300,000 has been identified by the BBC, despite the artist's own denials that it was his work. The painting, by the acclaimed portrait artist who died in 2011, was identified by BBC One show Fake Or Fortune.
Could our print be a genuine "lost" Freud?, well it could be.
Charcoal on Paper, Nude. signed, Lucian Freud lower right. Creased paper, toning and paper losses - due to age. This an old piece, c1940's, and still looks great.
Measures 16-3/8" H (sight), 21-3/4" W; frame measures 24" H, 30".
Disclaimer - Our prints/original art are purchased from various dealers, auctions and sales as "genuine" some with Certificates of Authentication", and are sold by us as such. However, in the unlikely event that the article is not genuine, we will make an immediate and full refund, without hesitation, if the item is returned to us in exactly the same condition it was received, with no damage, marks or folds, within 14 days of receipt.
Lucian Freud, in full
Lucian Michael Freud (born December 8, 1922,
Berlin, Germany—died July
20, 2011, London, England)
British artist known for
his work in portraiture and the nude. Sometimes called a realist, he painted in
a highly individual style, which in his later years was characterized by
impasto.
The son of the architect
Ernst Freud and a grandson of Sigmund Freud, he immigrated with his family to
England in 1933, becoming a naturalized citizen in 1939. He was trained at the
Central School of Art in London, where he was as much known for his
unconventional behaviour as for his drawing talent, and at the East Anglian
School of Painting and Drawing in Dedham. Freud turned to painting full-time
after WWII. His Interior at Paddington (1951) exhibits many of his lifelong
concerns—the human figure rendered in a realist manner and imbued with a stark
and evocative psychological intensity. Freud’s many portraits of his friends
and associates and of members of the British gentry extended a grand English
tradition. His series of paintings and drawings of his mother, begun in 1970
and continuing until the day after her death in 1989, are particularly frank
and dramatic studies of intimate life passages.
Freud’s many studies of
the nude make up a major part of his work. For 50 years he posed friends,
neighbours, models, and family members in his studio, often as if strewn casually
across dilapidated furniture, and confronted their nude flesh with both keen
interest and a kind of clinical impassiveness. In this work he typically used a
limited tonal range of creamy tans and browns. In studies such as Night
Portrait (1985–86), Freud both highlighted and undercut the erotics of the
female nude, opting out of the idealizing tendencies of much of the history of
Western art. Beginning in the 1980s, Freud was increasingly drawn toward what
could be called extreme body types. His work maintained the place of
traditional subject matter in art while introducing personal and psychological
attitudes that are fully modern.
J. Rothenstein: Modern
English Painters (London, 1974), iii, pp. 192–200
Lucian Freud (exh. cat.,
intro. J. Russell; London, Hayward Gal., 1974)
L. Gowing: Lucian Freud
(London, 1982)
Lucian Freud: Paintings
(exh. cat., intro. R. Hughes; Washington, DC, Smithsonian Inst.; Paris,
Pompidou; London, Hayward Gal.; W. Berlin, N.G.; 1987)
Lucian Freud: Works on
Paper (exh. cat., intro. N. Penny; Oxford, Ashmolean; Edinburgh, Fruitmarket
Gal.; Hull, Ferens A.G.; and elsewhere; 1988)
Lucian Freud: Paintings
and Works on Paper, 1990–91 (exh. cat., texts B. Mantura and A. Cook; Milan,
Castello Sforzesco; Liverpool, Tate; 1991)
C. Lampert: Lucian Freud:
Recent Work (London, 1993)
C. Hartley: The Etchings of Lucian Freud: A Catalogue Raisonné, 1946-1995 (London and New York, 1995)