Venus
and Adonis
17th
Century on Wood Panel
Of deaths and flowery resurrections the most famous
was that of Adonis. Every year the Greek
girls mourned for him and every year they rejoiced when his flower, the
bold-red anemone, the windflower, was seen blooming again. Venus (Aphrodite)
loved him, the Goddess of Love, who pierces with her shafts the hearts of gods
and men alike was fated herself to suffer that same piercing pain.
She saw him when he was born and even then loved him and
decided he should be hers. She carried
him to Persephone, the wife of Hades (Pluto) to take charge of him for her but
Persephone loved him too and would not give him back to Venus, not even when
the goddess went down to the underworld to get him. Neither Goddess would yield, and finally Zeus
himself had to judge between them. He
decided that Adonis would spend half the year with each, the autumn and winter
with Persephone the spring and summer with Venus.
All the time he was with Venus she sought only to
please him. He was keen for the chase,
and often she would leave her swan-drawn car in which she was used to glide at
her ease through the air and follow him along rough woodland ways dressed like
a huntress. But one sad day she happened not to be with him and he tracked down
a mighty boar. With his hunting dogs he
brought the beast to bay. He hurled his
spear at it, but he only wounded it and before he could spring away, the boar
mad with pain rushed at him and gored him with its great tusks. Venus in her
winged car high over the earth heard her lover’s groan and flew to him.
He was softly breathing his life away, the dark blood
flowing down his skin of snow and his eyes growing heavy and dim. She kissed him, but Adonis knew not that she
kissed him as he died. Cruel as his
wound was, the wound in her heart was deeper. She spoke to him, although she
knew he could not hear her:
“You
die, O thrice desired,
And
my desire has flown like a dream.
Gone
with you is the girdle of my beauty.
But
I myself must live who am a goddess
And
may not follow you.
Kiss
me but once again, the last long kiss
Until
I draw your soul within my lips
And
drink down all your love.”
The
mountains all were calling and the oak trees answering,
Oh
woe, woe for Adonis He is dead.
And
Echo cried in answer, Oh, woe, woe for Adonis.
And
all the Loves wept for him and all the Muses too.
But
down in the black underworld Adonis could not hear them, nor see the crimson flower
that sprang up where each drop of his blood had stained the earth.
Thank
you Edith Hamilton, and Ovid’s Metamorphoses
One of the most popular themes of Renaissance
painting, the theme of Venus and Adonis derives from Ovid's
Metamorphoses (book X), an important Italian version of which was made by
Titian's friend Lodovico Dolce (1508/10–1568), with interpolations that had an
echo in Ovidian paintings for the next two centuries.
This
panel was strengthened with back supports and cleaned in the late 1980’s.
It
is an adze hewn panel.
The
frame is 19th century.
Painting: 21-1/2” high by 30” wide
Frame: 30” high by 38-1/4” wide