A cityscape view titled "46. TUNIS — Zaouïa de Sidi Chérif", showing the historical mosque and mausoleum complex in Tunis,
framed by a prominent palm tree and traditional architecture.

Three Tunisian postage stamps affixed vertically at the lower left of the front face (two 2c red stamps and one 1c brown stamp);
circular postmark on the reverse ("TUNIS-R. DU PORT / TUNISIE") dated November 20, 1908.

Front: Minor corner wear and light edge softening; three stamps affixed along the lower left edge over the image area;
handwritten date ("20 nov. 1908") and signature/code ("ccc. 4157") at upper right.

Back: Light background toning and minor handling spots; pencil notation in upper left margin ("1/3");
handwritten French header note ("Imprimé") at top; clear circular postmark cancellation positioned over the center divide;
legible recipient address script on the right side.

About Jorge Pineda
The recipient addressed on the postcard, "Mr. George Pineda, Manila" (often spelled Jorge Pineda in Spanish/Filipino contexts),
refers to the prominent Filipino master painter, illustrator, and cartoonist.

During the early 20th century, Pineda was a prolific postcard collector and correspondent,
frequently receiving foreign postcards in Manila from exchange partners around the world.

Born in Manila in 1879, Jorge Pineda was a major figure in early 20th-century Philippine art,
alongside contemporaries like Fernando Amorsolo.
He worked as an illustrator and editorial cartoonist for notable early publications such as,
Lipang Kalabaw, Renacimiento Filipino, and the Philippine Free Press.

He is credited with popularizing the visual symbol of Juan de la Cruz (the Philippine national personification).
and designed official artwork including currency (the pre-war 20-peso bill featuring Mayon Volcano),
postage stamps, and sweepstakes tickets.

Won a bronze medal for painting at the 1904 St. Louis World's Fair.