Theater music of Danish romantic composer C.F.E. Horneman (1840-1906), an influence on the early Nielsen and champion of Danish nationalism. Horneman's earlier compositions, like the Overture and Ballet Music from "Aladdin" and the Melodrama from "Esther" are Grieglike, but his music grows more rhythmically complex and dramatic in Kalanus's Fever Dreams and The Struggle with the Muses suite, until his most advanced and best work, the Gurre Suite, which could absolutely have been written by Nielsen, especially the first movement (Overture). Owain Arwel Hughes leads the Aalborg Symphony Orchestra on this 1998 BIS disc.

From the American Record Guide review:

This collection of Christian Hornemann's (1840-1906) theater music is most 
welcome. He was a minor composer who dared to oppose the Danish musical 
establishment led by Gade. Leipzig trained, this friend of Grieg managed to 
eventually gain Gade's respect with his early concert overture, Aladdin, written 
when he was 23. He later wrote an opera to follow the overture. The Act III 
ballet music is a colorful sequence filled with pseudo-orientalisms.

The other works here are all suites of incidental music written for stage works 
by Danish playwrights. The works they accompanied are now largely forgotten, but 
Hornemann's music remains vital and interesting. He was skilled at 
orchestration, and the music all has a fine sense of drama. In short, they are 
well worth the attention of the adventurous listener.

Except the Aladdin Overture and the Gurre Suite, these are first recordings. 
Those works are included in a superb Chandos disc that offers all 12 movements 
of the incidental music to Drachmann's drama rather than just the four recorded 
by BIS. (There are also recordings of these works on Point and Sterling.) Orwain 
Arwel Hughes has a flair for the music and he obtains good playing from the 
Aarlborg Symphony. His readings of the Aladdin Overture and the Gurre Suite are 
as fine as Michael Schonwandt's on Chandos. Because of the difference in the two 
programs, to know Hornemann's music one really must obtain both discs.

Hornemann may not be a household name, but his music deserves to be better 
known. 

  --Carl Bauman 

Disc, booklet, and case are in very good condition.

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About Jimmosk's CDs
I sell high-quality, little-known works, mostly 19th- and 20th-century. Many of the CDs are used, some are still-sealed, and most are the only one of that disc I have to offer. I sell a low volume of CDs, but that way I can listen to each (except the sealed ones :-) and describe the music to give you a better idea of what you're in for before you plunge into the unknown!
   -Jim Moskowitz