Stargate is a 1994 science fiction action-adventure film directed by Roland Emmerich, written by Emmerich and Dean Devlin. The film is the first entry in the eponymous media franchise and stars Kurt Russell, James Spader, Jaye Davidson, Alexis Cruz, Mili Avital, and Viveca Lindfors. The plot centers on the "Stargate", an ancient ring-shaped device that creates a wormhole, enabling travel to a similar device elsewhere in the universe. The central plot explores the theory of extraterrestrial beings having an influence upon human civilization. Stargate was released on October 28, 1994, by Metro-Goldwyn-Mayer in the United States, while it was released by AMLF in France. The film received mixed reviews, with its atmosphere, story, characters, and graphic content both praised and criticized. The film grossed $196.6 million worldwide against a production budget of $55 million. The mask of the pharaoh in the opening credits was made out of fiberglass and modeled in the workshop. The sequence used a motion-control camera to give better depth of field. The score of Stargate was composer David Arnold's first work on an American feature film. When Devlin and Emmerich first flew to London to meet with Arnold, they had not yet heard the score; hearing it, they felt "he had elevated the film to a whole other level". Arnold later interviewed the actors during principal photography, using the information to improve his score. Jeff Kleiser and Kleiser-Walczak Construction Co.'s visual effects team of 40 people created the look of the Stargate. They used self-written image-creation and compositing software, as well as commercial digital packages to create the Stargate, the morphing helmets worn by Ra and the Horus guards, and the cityscape of Nagada. The morphing helmets were not true 3D but 2D elements, as Kleiser explained: "You shoot the character without the headdress, you shoot the character with a headdress. And then you have to go in and, and create all these little sections that you would then wipe off to reveal—and it had to match up, the two things had to match up. I think the cameras were moving as well." Footprints in the sand were often digitally removed. The creation of the wormhole, which was fully digital, was one of the biggest challenges in the making of the film. The ripples had to be digitally composited to appear accurate and realistic. Scanning lasers were lined up parallel to the gate to illustrate the amount of body that passed the surface of the Stargate plane. Afterwards, the parts of the body that had or had not yet gone through the gate (depending on the side of filming) were obliterated with a digital matte, a process that removes unwanted components from an individual frame or sequence of frames. The funnel of water that precedes the Stargate opening was filmed by discharging an air cannon into a water tank, as Jeff Kleiser explained: "We didn't know how much air pressure to set the cannon on but it went from 1 to 500 lb, so we said 'Let's try 100—start the camera rolling and hit the thing.' It evacuated all the water out of the tank and onto the camera and everybody. It turned out that 1 lb was about the right amount." The use of computers generating a big 3D storyboard allowed Emmerich to try out different shooting angles before settling on one angle. The film received a warm reception from the public, grossing $71,567,262 at the United States box office and $125 million internationally for a worldwide total of $196,567,262. At the time, the film set a record for the highest-grossing opening weekend for a film released in the month of October.[26] It would hold this record for four years until 1998 when Antz took it. In its first run, Stargate made more money than film industry insiders predicted, considering the lukewarm reviews. Some regard it as Emmerich's breakthrough film. Stargate grossed over $16,651,000 in the United States during its opening week in October 1994. It was the 35th-highest-grossing film opening in the U.S. in October. From November 4–6, the film grossed around $12,368,700, declining 25%. It topped the box office for two weeks until it was dethroned by Interview with the Vampire. The film would continue this decline until the end of November, when the film garnered $4,777,198, or an 8.2% rise. The week before that the film garnered around $4,413,420, a 45.6% decline. In its last week playing theatrically, the film garnered around $1,170,500 in the U.S. Two video games based on the film were published by Acclaim Entertainment: a 1995 side-scrolling platform game for the Super Nintendo Entertainment System and Sega Genesis, and a Tetris-like puzzle video game for the Game Gear and Game Boy. The CD-ROM programme Secrets of Stargate, released after the film, showed how the special effects were made, and included behind-the-scenes of the film and the showing of interviews with the cast and the production members. Dean Devlin eventually gave Metro-Goldwyn-Mayer (MGM) the rights over the film. In 1996, MGM hired Brad Wright and Jonathan Glassner to create a spin-off television series. Stargate SG-1 premiered on the American subscription channel Showtime on July 27, 1997 and ended its ten-season run in 2007. Stargate SG-1 itself spawned the non-canon animated television series Stargate Infinity (2002–03), and the live-action television series Stargate Atlantis (2004–09) and Stargate Universe (2009–11).

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