Diefenbach Large Original Lithograph 1890 Female Procession Utopia Symbolism

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Author
by Karl Wilhelm Diefenbach.
Technique
original lithography
original lithography 
Period
1890
Conditions
some stains and small holes otherwise good
some spots and small holes otherwise nice
Size
The sheet/Sheet cm. 38 by 76 approx.

  

 The work will be accompanied by certificate of authenticity and tax receipt.

It Comes with declaration of Originality and Bill.

For information

       333 9467027 or 06 6865944 

In frame

Karl Wilhelm Diefenbach (HadamarFebruary 21st 1851 - CapriDecember 15th 1913) It was a painter And utopian German.

Biography

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Social reformism

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Diefenbach was a pioneer of nudism and of the pacifist movement. There common founded by him in Vienna, active between 1897 and 1899, was one of the models for the settlement of Monte Verità to Ascona.

He pursued ideals of social reform professing a set of ideas, of which a lifestyle in harmony with nature, the rejection of monogamy, alienity to any religion (although he was a follower of theosophy[1]), the practice of one vegetarian diet. When his commune went in bankruptcy, moved toisland of Capri, where he spent the rest of his life.

Artistic activity

[edit | Edit wikitesto]

As a painter, he was an independent exponent of theArt nouveau and of the Symbolism. Since 1974, a Capri a museum has been dedicated to his works, housed in the Certosa di San Giacomo[2].


Karl Wilhelm Diefenbach (Hadamar, February 21st 1851 - Capri, December 15th 1913) It was a painter And utopian German. Diefenbach was a pioneer of nudism and of the pacifist movement. There common founded by him in Vienna, active between 1897 and 1899, was one of the models for the settlement of Monte Verità to Ascona. He pursued ideals of social reform professing a set of ideas, of which a lifestyle in harmony with nature, the rejection of monogamy, alienity to any religion (although he was a follower of theosophy ), the practice of one vegetarian diet. When his commune went in bankruptcy, moved toisland of Capri, where he spent the rest of his life. As a painter, he was an independent exponent of theArt nouveau and of the Symbolism. Since 1974, a Capri a museum has been dedicated to his