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A series of great  OPERA, Oratorio, Lied and Art Song Records from early G&Ts to World War II recordings on 78 rpm Victrola Records

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Alessandro Moreschi, Primary, 1 of 1

ALESSANDRO MORESCHI the ONLY Castrato who made recordings in his 1904 G&T recording

Gratias agimus tibi from Messa di San Bonaventura

Gaetano Capocci (composer) 

starts with a high tessitura tenor w piano, then womans chorus and the tenor

Cesare Boezi (vocalist : tenor vocal) 
Cantori Romani (Vocal group) 
Alessandro Moreschi (choral director) 
William Sinkler Darby (recordist) 
Description: Tenor vocal solo, with chorus, piano, and organ

approximately Apr. 1904 Rome, Italy


This is the only recorded and surviving voice of a castrato from a series of early recordings from the Vatican at the beginning of the 20th century. A recording of "Oremus pro pontifice" by Emilio Calzanera, sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Moreschi, as the only castrato trained in the old traditions to be recorded, provides our only insight into what a lost musical tradition was like. The recording was made on April 11, 1904, celebrating 1300th anniversary of St Gregory the Great, during the pontificate of pope Pius X. The Vatican Choir accompanies the last castrato, called "Angel of Rome" with 1200 singers. All of Moreschi's recordings were made in Rome in two sets of recording sessions for the Gramophone & Typewriter Company. The first series of recordings were made on 3 and 5 April 1902 by Fred Gaisberg and Will Gaisberg. Eighteen usable sides by the members of the Sistine Chapel Choir were captured on wax, four of them solos by Moreschi. Decades later Fred Gaisburg recalled making these historic first recordings in the Vatican: "Selecting a great salon with walls covered with Titians, Raphaels, and Tintorettos, we mounted our grimy machine right in the middle of the floor." The second set of recordings was made in Rome in April 1904, under the direction of W. Sinkler Darby.

Original Matrix 282i with the early G&T quarter turn run-off groove on superb first issue Victor G&T Era Pressing with G&T Notice on top of the label 12" 78 rpm record.

Condition: EXCELLENT MINUS light scuffs faint hint of greying does not sound with a few minor defects: 2mm tiny needle dig middle causes 4 mild clicks, fine scratches last 2 cm cause rare ticks, plays E EXCEPTIONALLY quiet amazing sound



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A Quick NOTE ON GRADING AND SHIPPING:

As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS.

If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING.

Quick note on grading:

The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing.
"VERY QUIET" is an above average quiet record for a given pressing.
"Quiet" is a record that is a great example with some noise.

These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment.

Multiple item shipping: I am happy to combine items for shipment in one parcel.

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Thank you very much, and enjoy these great records!!!

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