An extraordinary letter of Fred Stone, the original Scarecrow in the 1902 Wizard of Oz play, his retained carbon of an April 1908 letter to the producer Charles Dillingham in which he changes his touring schedule due to illness. The famous 1903 Montgomery-Stone Broadway and touring production of L Frank Baum's classic The Wizard of Oz differed significantly from the Judy Garland-Billie Burke-Ray Bolger-Jack Haley-Bert Lahr film. Dimensions ten by eight inches on carbon paper. Edgewear at top and side margins. With an amazing later six by four inch color photograph of Stone and Montgomery as the Scarecrow and Tin Woodman. Two pieces. See Fred Stone's extraordinary biography and the story of the Wizard of Oz Broadway premiere production below.
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From Wikipedia:
The Wizard of Oz was a 1902 musical extravaganza based on The Wonderful Wizard of Oz by L. Frank Baum, which was originally published in 1900. Much of the original music was by Paul Tietjens and has been mostly forgotten, although it was still well-remembered and in discussion at MGM in 1939 when the classic film version of the story was made.[1] Although Baum is the credited bookwriter, Glen MacDonough was hired on as jokewriter after Baum had finished the script.
The show premiered at the Chicago Grand Opera House[2] on June 16, 1902 and later moved to the Majestic Theatre on Broadway on January 21, 1903, where it ran for 293 performances until December 31, 1904, followed by traveling tours of the original cast.[3] It starred Anna Laughlin as Dorothy Gale, Fred Stone as the Scarecrow, and David C. Montgomery as the Tin Woodman (who is called Niccolo Chopper in the musical; he had no name in the original book, but would be called Nick Chopper in the sequels). Arthur Hill played the Cowardly Lion, but in this version his role was reduced to a bit part. The Wicked Witch of the West is mentioned but does not appear in this version, and Toto is replaced by a cow named Imogene. An element from the show – the snowfall caused by the Good Witch of the North, which defeats the spell of the poppies that had put Dorothy and the Cowardly Lion to sleep – was later used in the classic 1939 movie. Other new characters in the piece are King Pastoria II and his girlfriend, Trixie Tryfle (a waitress), Cynthia Cynch (a lady lunatic), Sir Dashemoff Daily (the poet laureate), Sir Wiley Gyle, and General Riskitt. Dorothy Gale's surname was introduced in this version. It was not mentioned in the original novel, though it is mentioned in Ozma of Oz(1907).
The main plot of the show, as recounted in newspapers of the time, is Pastoria's attempts to regain the throne from the Wizard of Oz. The original protagonists' search for the Wizard puts them on the wrong side of the law.
Production and early revivals
In rewriting Baum's 1901 script, Mitchell hired MacDonough to add topical humor. Baum described MacDonough as a New York joke writer in a letter to The Chicago Record-Herald, responding to criticism that the show "teemed with wild and woolly western puns and forced gags".[5] In a letter to The Chicago Tribune published June 26, 1904, Baum decried rumors that he was "heartbroken and ashamed" with the final product of the musical: "I acknowledge that I was unwise enough to express myself as dissatisfied with the handling of my play on its first production ... few authors of successful books are ever fully satisfied with the dramatization of their work. They discern great gaps in the original story that are probably never noticed by playgoers." He admitted to protesting several innovations, but ultimately concluded: "The people will have what pleases them, and not what the author happens to favor, and I believe that one of the reasons why Julian Mitchell is regarded as a great producer is that he faithfully tries to serve the great mass of playgoers – and usually succeeds."[6]
Most of the original songs were written by Paul Tietjens on Baum's lyrics, except for three: "The Guardian of the Gate" (although it was attributed to Tietjens), which was cut after only a few performances, "The Different Ways of Making Love" (wooing) and "It Happens Every Day" were composed by Nathaniel D. Mann. Mann later wrote the score for Baum's 1908 film/theatrical presentation, The Fairylogue and Radio-Plays. Most of Baum's songs related to the story in some way, as in operetta, but as performed, the play was more likevaudeville, and new songs by other songwriters were frequently substituted. In fact, the first song interpolated into the musical was "The Traveler and the Pie", a major number for the Scarecrow. Baum and Tietjens had written it for a play called The Octopus; or the Title Trust, which was never produced and possibly never completed. The song stayed in the show. James O'Dea and Edward Hutchinson wrote one of the show's most celebrated songs, "Sammy", in which Tryxie Tryfle sings of a lost love before King Pastoria, though the only surviving recording of the piece was sung by a man (Harry Macdonough).
The witches are largely absent in this version; The Good Witch of the North appears, named Locasta, and The Wicked Witch of the East is a special effect. Toto, Dorothy's dog, was replaced by a cow named Imogene. The Wicked Witch of the West does not appear, and Glinda the Good Witch of the South, who had appeared only in Act Three, was written out by Mitchell in 1903. His re-write of that act was set in the Borderland that divides Oz and Glinda's Domain, as Dorothy and her friends try to escape Pastoria.[citation needed]
New characters include King Pastoria II, Oz's true king working as a Kansas motorman and his girlfriend, Trixie Tryfle, a waitress. There is also Cynthia Cynch, the Lady Lunatic, a prototype for Nimmie Amee, Nick (Niccolo) Chopper's girlfriend. Niccolo Chopper is renowned for his ability on the piccolo, the subject of one of her songs, and he is shown playing a piccolo in The Wonderful Wizard of Oz, the first Oz film made without Baum's input, which was highly influenced by the popular play. The Wizard was presented as various ethnic stock character stereotypes, depending upon who played him. He was assisted by Sir Wiley Gyle and General Riskitt. David L. Greene and Dick Martin erroneously captioned a picture of General Riskitt as "Sir Wiley Gyle" in The Oz Scrapbook, and Donald Abbott carried this mistake over into his illustrations for How the Wizard Saved Oz.
The animals in the play, including the Cowardly Lion, did not speak, based on pantomime tradition. Although the lion costume was realistic, far more so than Bert Lahr's in the MGM film, his main purpose was a bit of comic relief and scaring off the villains on occasion. His quest for courage is completely omitted, much as the other characters' quests are deemphasized in favor of various comic routines. Ultimately, though, their desire to seek the Wizard's aid gets them caught on the wrong side of the revolution, jailed and ultimately scheduled for execution. In a deus ex machina, another tornado arrives to sweep Dorothy home from the chopping block.[citation needed]
Many new plot twists are virtually pointless. In addition to a kiss of protection, Dorothy gets three wishes, one of which is wasted on a triviality. The second is used to bring the Scarecrow to life, and the third is used so she can learn the song Sir Dashemoff Daily (a trouser role) has written to his girlfriend, Carrie Barry. This song was written by Baum and Tietjens, but some programs credited the song to Glen MacDonough and A. Baldwin Sloane to make their connection to the play look greater.[citation needed]
Probably the biggest influence on the 1939 MGM film, aside from making the story into a musical (but not using the score created for the stage version), is the field of poppies sequence that ended Act I. In the novel, Baum imaginatively has a legion of field mice pull a cart with the Cowardly Lion out of the poppy field. This was deemed unfeasible (though the stage version of The Wiz created a variation, with the mice as anthropomorphic vice cops), and Baum, though he included it in the 1901 script, replaced the scene with that of the Snow Queen creating a storm that destroys the poppies, much as Glinda does in the 1939 movie.[citation needed] This concluded Act I with an elaborate dance known as "Winter Jubilation", which James Patrick Doyle plays on synthesizers on the album, Before the Rainbow: The Original Music of Oz.
Because there were no cast albums in those days, theatre productions, including this production, often exceeded four hours in length because of multiple demands for encores, since many of the attendees knew they would never get to attend again. The most popular songs were often sung multiple times and this was often used to gauge whether a song should be retained or dropped. Two popular routines that were worked in include a sailing routine and a football routine, the latter parodying the level of violence in the sport, which had recently been lessened due to new regulations.[citation needed]
The original cast included Anna Laughlin as Dorothy Gale, Fred Stone as the Scarecrow, David C. Montgomery as Nick Chopper (the Tin Man), Helen Byron as Cynthia Cynch, Bessie Wynn as Sir Dashemoff Daily, Gilbert Clayton as King Pastoria II, Bobby Gaylor as Oz, Arthur Hill as the Cowardly Lion, Grace Kimball as Tryxie Tryffle, and Edwin J. Stone as Imogene the cow. The second theatre to house the production was the New York Theatre. It went on the road playing as far away as the Opera House in Hot Springs National Park, Arkansas in 1904. By 1905, the New York production had been moved to the Academy of Music at 14th and Irving Place. Montgomery and Stone remained in the cast, but Dorothy was now played by Mona Desmond.[7] Marion Stanley took over the role of Trixie Tryfle, George B. Field played Sir Wiley Gyle, and Charles E. Mitchell became the Wizard. The Snow Queen was played by Bert Dean en travesti.
The musical was revived as late as 1934, with Charles H. Pinkham in the role of the Scarecrow.
Reception
The New York Times' critic described the show as "the Darling of Mr. Belasco's Gods".[8] Leone Langdon-Key loved the scenery, but found Baum's script commonplace, commenting that many lines start with, "Well, wouldn't that..." and deplored Tietjens's "fondness for a lack of contrast and rhythms. She also claims that the story of Pastoria trying to regain the lost throne from the Wizard was "as readers of the story remember".[9]
Grand Duke Boris Vladimirovich of Russia gained considerable notoriety by drinking champagne from the satin slipper of one of the chorus girls during a 1902 trip to Chicago.
Fred Andrew Stone (August 19, 1873 – March 6, 1959) was an American actor. Stone began his career as a performer in circuses and minstrel shows, went on to act in vaudeville, and became a star on Broadway and in feature films, which earned him a star on the Hollywood Walk of Fame.
Biography
Stone was born in Valmont, Colorado, on August 19, 1873.[1][2] In his early years his family moved frequently.[3] By 1875 the family had moved to Longmont, CO, where his brother Joseph was born.[4] The family then moved through a series of Kansas towns including Garden City (1876), Dodge City (1877), Burrton, Halstead (1878), and Wellington (1881).[5]
He was particularly famous for appearing on stage opposite David C. Montgomery. They had a 22-year partnership until Montgomery's death in 1917. They performed in shows such as The Wizard of Oz premiering in 1902, the Victor Herbert operetta The Red Mill in 1906, and Chin-Chin, a Modern Aladdin, in 1914. In 1939, he appeared in a radio program promoting the new MGM film The Wizard of Oz, in which he got to meet the actor who played the Scarecrow, Ray Bolger, who was a great admirer of Stone's work, and although Bolger was too young to have seen Stone play the Scarecrow in the stage play, he did see Stone in The Red Mill.[6]
In 1917, he appeared on Broadway in Jack O'Lantern, which, according to Vanity Fair theater critic P.G. Wodehouse "should be the greatest success he has ever had. Fred Stone is unique. In a profession where the man who can dance can’t sing and the man who can sing can’t act he stands alone as one who can do everything."[7]
Johnny Gruelle, the creator of Raggedy Ann, was a fan of Fred Stone and L. Frank Baum. Gruelle wrote a scenario for a stage show, which never was produced, in which the Scarecrow of Oz, played by Fred Stone, met Raggedy Ann. In 1923, Fred Stone and his daughter, Dorothy Stone, starred as Raggedy Andy and Raggedy Ann, respectively, in a musical extravaganza titled Stepping Stones with music by Jerome Kern and lyrics by Anne Caldwell.[8]
Stone's feature film career began in comedy westerns; his first, The Goat, was filmed in 1918. He starred in 19 feature films. In the 1935 film Alice Adams, as Mr. Adams, he was the third lead, following Katharine Hepburn and Fred MacMurray. He made his home in Bayside, New York, where he was a neighbor and friend of boxing champion-turned-actor James J. Corbett. Around 1917, Stone built a small estate in the exclusive private community of Forest Hills Gardens. The excess grounds were sold as building lots for two other homes. However, the original mansion still stands. In it are symbols of his acting career, including a theater in the basement and a separate room of store costumes.
In 1926, after the death of his good friend Annie Oakley, he was given her unfinished autobiography.[9]
Stone and his wife, Allene Crater, whom he met in the company of The Wizard of Oz, had three daughters, Dorothy, Paula, and Carol.[10] Crater also appeared, in a small part, with Stone in Jack O'Lantern. A Vanity Fair review of the play said of Crater: "My only complaint is that the structure of the entertainment makes it impossible for Allene Crater, who in the little bit she does shows herself one of the most refreshing comediennes on the musical stage, to have a really good part."[7] As an adult, Dorothy became her father's stage partner.
In 1928,[11] Stone was critically injured in an airplane crash attempting a stunt. In addition to many other broken bones, his legs were crushed and he was told he never would dance again. His good friend Will Rogers filled in for Fred in Three Cheers, a stage show written for Fred and his daughter, Dorothy. Rogers was a hit, and Stone worked at therapy relentlessly until he proved his doctors wrong and returned to the stage in Ripples (1930).
Stone received an honorary degree from Rollins College, a small liberal-arts college located in Winter Park, Florida, in 1939. At that time, a small theatre was named in his honor. The original Fred Stone Theatre—a smaller flexible space sitting adjacent to the college's larger principal venue, the Annie Russell Theatre, named after another great American actor and benefactor—was a wooden bungalow that was razed in the early 1970s. A nearby wood and brick-faced Greek revival-styled hall, converted into a 90-seat black-box performance space, was rededicated as the Fred Stone Theatre during this period, and although it has been moved to another location on campus, it still stands and is active as a performance venue for smaller experimental productions, as well as student-directed and -choreographed works. (The Rollins Archives have extensive information on the career of Stone, including numerous photographs, and is chief among private institutions in the U.S. continuing to educate young actors about the history of this great American thespian. Rollins College claims many famous theatrical alumni, including Anthony "Tony" Perkins, best known for his role as Norman Bates in Alfred Hitchcock's Psycho, and character actress Dana Ivey.)
Fred Stone became ill and blind and was hospitalized on August 25, 1957, the year his wife died.[12][13][14] He died on March 6, 1959, at his home in North Hollywood, California[15] and is buried at Forest Lawn Memorial Park (Hollywood Hills)